The Best Songs of 2022

Here are Complex's picks for the 50 best songs of 2022, from Vince Staples & Mustard's "Magic" to Central Cee's "Doja" and SZA's "Low," plus more.

Dec 21, 2022

Image via Complex Original

It’s been a fun year in music. Genre lines have been further blurred, rappers and pop artists made house and dance albums, R&B artists delved into rap and punk music, and more. Songs took on a new life on TikTok, Twitch, and Instagram as artists even opted to socially release tracks on the latter. It was the year of experimentation and chaos—a reflection of the times.

As we turn the corner and get ready to delve into a new year of further stretching and (hopefully) more boundary-pushing to stimulate the music aficionados, the Complex Music staff takes a look back at the songs that we couldn’t get enough of this year. From A-listers to select rising ones to watch, these are Complex’s picks for the 50 best songs of 2022.

Album: N/A

“Poland” was the most fun 83 seconds of the year. Lil Yachty wasn’t thinking too hard when he made it (he says the whole thing was a joke at first) but he stumbled into internet gold. Thanks to an outlandish vocal warble and over-the-top lyrics about bringing um, cough syrup, to Poland, the song immediately went viral when it leaked, and Yachty wisely released it on streaming services within days. With only one short verse and a six-word hook, “Poland” is barely even a song, but it’s a hell of a time (and easily one of the most addictive slices of music we heard all year). —Eric Skelton — youtu.be

**Album:** N/A

“Poland” was the most fun 83 seconds of the year. Lil Yachty wasn’t thinking too hard when he made it (he says the whole thing was a joke at first) but he stumbled into internet gold. Thanks to an outlandish vocal warble and over-the-top lyrics about bringing um, cough syrup, to Poland, the song immediately went viral when it leaked, and Yachty wisely released it on streaming services within days. With only one short verse and a six-word hook, “Poland” is barely even a song, but it’s a hell of a time (and easily one of the most addictive slices of music we heard all year). *—Eric Skelton*

youtu.be

**Album:** N/A

“Poland” was the most fun 83 seconds of the year. Lil Yachty wasn’t thinking too hard when he made it (he says the whole thing was a joke at first) but he stumbled into internet gold. Thanks to an outlandish vocal warble and over-the-top lyrics about bringing um, cough syrup, to Poland, the song immediately went viral when it leaked, and Yachty wisely released it on streaming services within days. With only one short verse and a six-word hook, “Poland” is barely even a song, but it’s a hell of a time (and easily one of the most addictive slices of music we heard all year). *—Eric Skelton*

Album: N/A

A strain of Marshmello’s instantly captivating EDM beat coupled with Tokischa’s cheeky and clever rap-sung dissertations on sex and sexuality made for one of 2022’s most unexpected, best collaborations. Lyrically, the song is what Tokischa deems “suciedad divinidad,” or divine dirty talk, as she shamelessly celebrates promiscuity, homosexuality, and being, to put it simply, a dog. The two met in 2021 and it seems the music gods knew exactly what they were doing when it comes to this one. —Ecleen Lumzila Caraballo — youtu.be

**Album:** N/A

A strain of Marshmello’s instantly captivating EDM beat coupled with Tokischa’s cheeky and clever rap-sung dissertations on sex and sexuality made for one of 2022’s most unexpected, best collaborations. Lyrically, the song is what Tokischa deems “suciedad divinidad,” or divine dirty talk, as she shamelessly celebrates promiscuity, homosexuality, and being, to put it simply, a dog. The two met in 2021 and it seems the music gods knew exactly what they were doing when it comes to this one. *—Ecleen Lumzila Caraballo*

youtu.be

**Album:** N/A

A strain of Marshmello’s instantly captivating EDM beat coupled with Tokischa’s cheeky and clever rap-sung dissertations on sex and sexuality made for one of 2022’s most unexpected, best collaborations. Lyrically, the song is what Tokischa deems “suciedad divinidad,” or divine dirty talk, as she shamelessly celebrates promiscuity, homosexuality, and being, to put it simply, a dog. The two met in 2021 and it seems the music gods knew exactly what they were doing when it comes to this one. *—Ecleen Lumzila Caraballo*

Album: Hypnos

The journey of understanding what it means to be held in love, both tightly and gently enough to float free, is encapsulated on this silky track. Buoyant and balanced, the sonics, by way of production from Lacy who had a singularly great year, are hypnotic. Serving as a solidification of their natural chemistry on the track, “Skin Tight” is the third collaboration from these two, their first in three years. The beauty of this one lies in its simplicity, and after just a couple of minutes, “you’ll come back again.” —Ecleen Luzmila Caraballo — youtu.be

**Album:** *Hypnos*

The journey of understanding what it means to be held in love, both tightly and gently enough to float free, is encapsulated on this silky track. Buoyant and balanced, the sonics, by way of production from Lacy who had a singularly great year, are hypnotic. Serving as a solidification of their natural chemistry on the track, “Skin Tight” is the third collaboration from these two, their first in three years. The beauty of this one lies in its simplicity, and after just a couple of minutes, “you’ll come back again.” *—Ecleen Luzmila Caraballo*

youtu.be

**Album:** *Hypnos*

The journey of understanding what it means to be held in love, both tightly and gently enough to float free, is encapsulated on this silky track. Buoyant and balanced, the sonics, by way of production from Lacy who had a singularly great year, are hypnotic. Serving as a solidification of their natural chemistry on the track, “Skin Tight” is the third collaboration from these two, their first in three years. The beauty of this one lies in its simplicity, and after just a couple of minutes, “you’ll come back again.” *—Ecleen Luzmila Caraballo*

Album: Where the Shooters Be

SleazyWorld Go’s breakout hit “Sleazy Flow” had been picking up momentum since it was released in October of last year, then Lil Baby poured gasoline all over the smoldering flames, helping to completely blow it up with the remix. Over a bass-heavy, bare-bones beat from Rage Santana, SleazyWorld unfurls an effortless verse, then Lil Baby comes in with memorable one-liners (“Red and white Ferrari, I come through fresh as a peppermint”) before kindly passing the mic back to his Kansas City by-way-of Grand Rapids collaborator. Sheesh. That’s how you make a damn remix. —Eric Skelton — youtu.be

**Album:** *Where the Shooters Be*

SleazyWorld Go’s breakout hit “Sleazy Flow” had been picking up momentum since it was released in October of last year, then Lil Baby poured gasoline all over the smoldering flames, helping to completely blow it up with the remix. Over a bass-heavy, bare-bones beat from Rage Santana, SleazyWorld unfurls an effortless verse, then Lil Baby comes in with memorable one-liners (“Red and white Ferrari, I come through fresh as a peppermint”) before kindly passing the mic back to his Kansas City by-way-of Grand Rapids collaborator. Sheesh. That’s how you make a damn remix. *—Eric Skelton*

youtu.be

**Album:** *Where the Shooters Be*

SleazyWorld Go’s breakout hit “Sleazy Flow” had been picking up momentum since it was released in October of last year, then Lil Baby poured gasoline all over the smoldering flames, helping to completely blow it up with the remix. Over a bass-heavy, bare-bones beat from Rage Santana, SleazyWorld unfurls an effortless verse, then Lil Baby comes in with memorable one-liners (“Red and white Ferrari, I come through fresh as a peppermint”) before kindly passing the mic back to his Kansas City by-way-of Grand Rapids collaborator. Sheesh. That’s how you make a damn remix. *—Eric Skelton*

Album: Las Ruinas

“One on 5” is a hidden gem from Rico Nasty’s latest album, but a banger nonetheless. It’s a sweaty dance record that finds Rico Nasty tapping into the current trend. The DMV native doesn’t sound forced or like she’s following the pack just for the sake of it, though. Instead, she commands attention over the Jason Evigan and Pat Morrissey-produced beat as she alternates between grimey raps and hypnotic singing about wild nights out that usually end with catfights. This one is bound to get listeners moving. —Jessica McKinney — youtu.be

**Album**: *Las Ruinas*

“One on 5” is a hidden gem from Rico Nasty’s latest album, but a banger nonetheless. It’s a sweaty dance record that finds Rico Nasty tapping into the current trend. The DMV native doesn’t sound forced or like she’s following the pack just for the sake of it, though. Instead, she commands attention over the Jason Evigan and Pat Morrissey-produced beat as she alternates between grimey raps and hypnotic singing about wild nights out that usually end with catfights. This one is bound to get listeners moving. *—Jessica McKinney*

youtu.be

**Album**: *Las Ruinas*

“One on 5” is a hidden gem from Rico Nasty’s latest album, but a banger nonetheless. It’s a sweaty dance record that finds Rico Nasty tapping into the current trend. The DMV native doesn’t sound forced or like she’s following the pack just for the sake of it, though. Instead, she commands attention over the Jason Evigan and Pat Morrissey-produced beat as she alternates between grimey raps and hypnotic singing about wild nights out that usually end with catfights. This one is bound to get listeners moving. *—Jessica McKinney*

Album: N/A

“Do It Right” is not a completely original track. You might have caught the interpolation of The S.O.S. Band’s 1980 hit “Take Your Time (Do It Right)” on the chorus. That being said, Don Toliver does a brilliant job of shapeshifting the track to make it his own and create a sound that’s fitting of this generation, delivering sensual and hypnotizing vocals. Producers Jahaan Sweet and Boi-1da create a hazy beat, too, perfect for those late nights. —Jessica McKinney — youtu.be

**Album:** N/A

“Do It Right” is not a completely original track. You might have caught the interpolation of The S.O.S. Band’s 1980 hit “Take Your Time (Do It Right)” on the chorus. That being said, Don Toliver does a brilliant job of shapeshifting the track to make it his own and create a sound that’s fitting of this generation, delivering sensual and hypnotizing vocals. Producers Jahaan Sweet and Boi-1da create a hazy beat, too, perfect for those late nights. —Jessica McKinney

youtu.be

**Album:** N/A

“Do It Right” is not a completely original track. You might have caught the interpolation of The S.O.S. Band’s 1980 hit “Take Your Time (Do It Right)” on the chorus. That being said, Don Toliver does a brilliant job of shapeshifting the track to make it his own and create a sound that’s fitting of this generation, delivering sensual and hypnotizing vocals. Producers Jahaan Sweet and Boi-1da create a hazy beat, too, perfect for those late nights. —Jessica McKinney

Album: N/A

“When the thought and conversation came up about me adding a verse, I was excited but genuinely nervous cuz I didn’t even see how the song could be better after what she did to it,” Cole shared on his Instagram about linking up with BIA and jumping on her song “London,” which is anchored by an incredible chorus and hook delivered in her signature raspy flow. “I didn’t want to fuck nothing up! I’m grateful I Ended up catching the right wave.” Cole caught the right wave, indeed, as the Dreamville head honcho casually came through with a smooth 32 bars. There are several moments in the song where Cole makes it sound like he’s done, but he just keeps going, clearly inspired by what she accomplished in the first half of the track. BIA’s undeniable talents are on full display throughout “London,” and the song reflects how J. Cole is still rapping at a very high level in 2022. —Jordan Rose — youtu.be

**Album:** N/A

“When the thought and conversation came up about me adding a verse, I was excited but genuinely nervous cuz I didn’t even see how the song could be better after what she did to it,” Cole shared on his Instagram about linking up with BIA and jumping on her song “London,” which is anchored by an incredible chorus and hook delivered in her signature raspy flow. “I didn’t want to fuck nothing up! I’m grateful I Ended up catching the right wave.” Cole caught the right wave, indeed, as the Dreamville head honcho casually came through with a smooth 32 bars. There are several moments in the song where Cole makes it sound like he’s done, but he just *keeps* going, clearly inspired by what she accomplished in the first half of the track. BIA’s undeniable talents are on full display throughout “London,” and the song reflects how J. Cole is *still* rapping at a very high level in 2022. *—Jordan Rose*

youtu.be

**Album:** N/A

“When the thought and conversation came up about me adding a verse, I was excited but genuinely nervous cuz I didn’t even see how the song could be better after what she did to it,” Cole shared on his Instagram about linking up with BIA and jumping on her song “London,” which is anchored by an incredible chorus and hook delivered in her signature raspy flow. “I didn’t want to fuck nothing up! I’m grateful I Ended up catching the right wave.” Cole caught the right wave, indeed, as the Dreamville head honcho casually came through with a smooth 32 bars. There are several moments in the song where Cole makes it sound like he’s done, but he just *keeps* going, clearly inspired by what she accomplished in the first half of the track. BIA’s undeniable talents are on full display throughout “London,” and the song reflects how J. Cole is *still* rapping at a very high level in 2022. *—Jordan Rose*

Album: 2 Alivë

There was a lot riding on Yeat’s major label debut 2 Alivë this winter. Coming off the viral success of songs like “Gët Busy” and “Sorry Bout That,” he had become one of the most buzzed-about rappers in America, and more people were paying attention than ever. Naturally, he wasted no time and put the best song first. Within the first 15 seconds of “Poppin,” Yeat cuts to the chase, delivering a series of exceedingly blunt rhymes (“I need my drugs, I need my love”), shouting about Tonkas, and warning: “I ain’t trustin’ nobody, lil’ bitch, I keep a gun.” Packing as many catchy one-liners into the track as possible, he makes sure there’s a new dopamine hit every couple seconds, pulling off one of the year’s most effectively self-indulgent songs. —Eric Skelton — youtu.be

**Album:** *2 Alivë*

There was a lot riding on Yeat’s major label debut *2 Alivë* this winter. Coming off the viral success of songs like “Gët Busy” and “Sorry Bout That,” he had become one of the most buzzed-about rappers in America, and more people were paying attention than ever. Naturally, he wasted no time and put the best song first. Within the first 15 seconds of “Poppin,” Yeat cuts to the chase, delivering a series of exceedingly blunt rhymes (“I need my drugs, I need my love”), shouting about Tonkas, and warning: “I ain’t trustin’ nobody, lil’ bitch, I keep a gun.” Packing as many catchy one-liners into the track as possible, he makes sure there’s a new dopamine hit every couple seconds, pulling off one of the year’s most effectively self-indulgent songs. *—Eric Skelton*

youtu.be

**Album:** *2 Alivë*

There was a lot riding on Yeat’s major label debut *2 Alivë* this winter. Coming off the viral success of songs like “Gët Busy” and “Sorry Bout That,” he had become one of the most buzzed-about rappers in America, and more people were paying attention than ever. Naturally, he wasted no time and put the best song first. Within the first 15 seconds of “Poppin,” Yeat cuts to the chase, delivering a series of exceedingly blunt rhymes (“I need my drugs, I need my love”), shouting about Tonkas, and warning: “I ain’t trustin’ nobody, lil’ bitch, I keep a gun.” Packing as many catchy one-liners into the track as possible, he makes sure there’s a new dopamine hit every couple seconds, pulling off one of the year’s most effectively self-indulgent songs. *—Eric Skelton*

youtu.be

**Album:** N/A

Ending an era of blue (both of her once signature hair color and the often dismal feeling attached to the hue), Karol G released “Provenza” in time for the sad girl’s metamorphosis. The airy and flirty track produced by her longtime collaborator Ovy On The Drums bottles up the newfound peace and lightness that comes with the release of a toxic relationship. On brand with her affinity for water, the track flows with ease into both the listener’s ear and her old rolodex. *—Ecleen Lumzila Caraballo*

Album: King’s Disease 3

Nas has been around for the better part of four decades and “First Time” off King’s Disease 3 finds the Queensbridge legend both reflecting on his rise through music and looking ahead at the things he still wants to accomplish. The track is refreshing because Nas sounds genuinely excited that he’s being discovered by a new generation of rap fans, and harkens it back to when he first heard some of his favorite artists. —Jordan Rose — youtu.be

**Album:** *King’s Disease 3*

Nas has been around for the better part of four decades and “First Time” off *King’s Disease 3* finds the Queensbridge legend both reflecting on his rise through music and looking ahead at the things he still wants to accomplish. The track is refreshing because Nas sounds genuinely excited that he’s being discovered by a new generation of rap fans, and harkens it back to when he first heard some of his favorite artists. —Jordan Rose

youtu.be

**Album:** *King’s Disease 3*

Nas has been around for the better part of four decades and “First Time” off *King’s Disease 3* finds the Queensbridge legend both reflecting on his rise through music and looking ahead at the things he still wants to accomplish. The track is refreshing because Nas sounds genuinely excited that he’s being discovered by a new generation of rap fans, and harkens it back to when he first heard some of his favorite artists. —Jordan Rose

Album: N/A

What does it mean to “release” a song in 2022? If it’s not on major streaming platforms, does it even exist? Well, ASAP Rocky put that to the test with the Playboi Carti-assisted “Our Destiny,” a song that he dropped on his Instagram feed, then never bothered to upload anywhere else. Still, the track was so good (that soulful sample is damn-near angelic) that it became one of rap’s most memorable moments this year, living on through YouTube re-uploads and Rolling Loud performances. We’ve been waiting years to hear Carti’s high-pitched flow and Rocky’s slick flexes on a song together again after “New Choppa,” and “Our Destiny” lived up to the hype, no matter where it ended up on the internet. —Eric Skelton — youtu.be

**Album:** N/A

What does it mean to “release” a song in 2022? If it’s not on major streaming platforms, does it even exist? Well, ASAP Rocky put that to the test with the Playboi Carti-assisted “Our Destiny,” a song that he dropped on his Instagram feed, then never bothered to upload anywhere else. Still, the track was so good (that soulful sample is damn-near angelic) that it became one of rap’s most memorable moments this year, living on through YouTube re-uploads and Rolling Loud performances. We’ve been waiting years to hear Carti’s high-pitched flow and Rocky’s slick flexes on a song together again after “New Choppa,” and “Our Destiny” lived up to the hype, no matter where it ended up on the internet. *—Eric Skelton*

youtu.be

**Album:** N/A

What does it mean to “release” a song in 2022? If it’s not on major streaming platforms, does it even exist? Well, ASAP Rocky put that to the test with the Playboi Carti-assisted “Our Destiny,” a song that he dropped on his Instagram feed, then never bothered to upload anywhere else. Still, the track was so good (that soulful sample is damn-near angelic) that it became one of rap’s most memorable moments this year, living on through YouTube re-uploads and Rolling Loud performances. We’ve been waiting years to hear Carti’s high-pitched flow and Rocky’s slick flexes on a song together again after “New Choppa,” and “Our Destiny” lived up to the hype, no matter where it ended up on the internet. *—Eric Skelton*

Album: N/A

“Doja” was one of the most viral, TikTok friendly songs of 2022. Central Cee capitalized on the short attention spans of our generation, and he knows exactly what he’s doing. The UK drill artist summed it up best on his LA Leakers Freestyle, saying “Controversy sells, I said ‘How can I be homophobic, my b*tch is gay?’ and it flew off the shelf.” His calculated approach to making music, marketing himself, and mastering the internet is a major reason why you’ll be hearing (and seeing) a lot more of him in 2023. —Stefan Breskin — youtu.be

**Album:** N/A

“Doja” was one of the most viral, TikTok friendly songs of 2022. Central Cee capitalized on the short attention spans of our generation, and he knows exactly what he’s doing. The UK drill artist summed it up best on his LA Leakers Freestyle, saying “Controversy sells, I said ‘How can I be homophobic, my b*tch is gay?’ and it flew off the shelf.” His calculated approach to making music, marketing himself, and mastering the internet is a major reason why you’ll be hearing (and seeing) a lot more of him in 2023. —Stefan Breskin

youtu.be

**Album:** N/A

“Doja” was one of the most viral, TikTok friendly songs of 2022. Central Cee capitalized on the short attention spans of our generation, and he knows exactly what he’s doing. The UK drill artist summed it up best on his LA Leakers Freestyle, saying “Controversy sells, I said ‘How can I be homophobic, my b*tch is gay?’ and it flew off the shelf.” His calculated approach to making music, marketing himself, and mastering the internet is a major reason why you’ll be hearing (and seeing) a lot more of him in 2023. —Stefan Breskin

Album: It’s Only Me

If there’s one thing you can count on from Lil Baby, it’s that he’ll always be sure to remind you of his extravagant lifestyle and expensive taste, but also that he takes none of it for granted. From the jump, Baby raps, “Yeah, made it out the trenches, this type of life I can’t get used to/Number one on YouTube, private dinner in Malibu.” Lil Baby is at his best when his raps are open and vulnerable. “California Breeze” is most certainly that. —Stefan Breskin — youtu.be

**Album:** *It’s Only Me*

If there’s one thing you can count on from Lil Baby, it’s that he’ll always be sure to remind you of his extravagant lifestyle and expensive taste, but also that he takes none of it for granted. From the jump, Baby raps, “Yeah, made it out the trenches, this type of life I can’t get used to/Number one on YouTube, private dinner in Malibu.” Lil Baby is at his best when his raps are open and vulnerable. “California Breeze” is most certainly that. —Stefan Breskin

youtu.be

**Album:** *It’s Only Me*

If there’s one thing you can count on from Lil Baby, it’s that he’ll always be sure to remind you of his extravagant lifestyle and expensive taste, but also that he takes none of it for granted. From the jump, Baby raps, “Yeah, made it out the trenches, this type of life I can’t get used to/Number one on YouTube, private dinner in Malibu.” Lil Baby is at his best when his raps are open and vulnerable. “California Breeze” is most certainly that. —Stefan Breskin

Album: age/sex/location

Ari Lennox and Lucky Daye are perfect dance partners on “Boy Bye.” The age/sex/location cut teleports listeners to a table across from the R&B powerhouses as we eavesdrop on their conversation as Lucky tries to court Ari. Ari and Lucky’s syrupy voices complement each other amazingly here—a track that feels like it was made for a dimly lit jazz speakeasy in D.C. and intimate nightclub alike. —Jordan Rose — youtu.be

**Album:** *age/sex/location*

Ari Lennox and Lucky Daye are perfect dance partners on “Boy Bye.” The *age/sex/location* cut teleports listeners to a table across from the R&B powerhouses as we eavesdrop on their conversation as Lucky tries to court Ari. Ari and Lucky’s syrupy voices complement each other amazingly here—a track that feels like it was made for a dimly lit jazz speakeasy in D.C. and intimate nightclub alike. —Jordan Rose

youtu.be

**Album:** *age/sex/location*

Ari Lennox and Lucky Daye are perfect dance partners on “Boy Bye.” The *age/sex/location* cut teleports listeners to a table across from the R&B powerhouses as we eavesdrop on their conversation as Lucky tries to court Ari. Ari and Lucky’s syrupy voices complement each other amazingly here—a track that feels like it was made for a dimly lit jazz speakeasy in D.C. and intimate nightclub alike. —Jordan Rose

Album: The Melodic Blue

Baby Keem blessed us with seven new tracks on the deluxe edition of The Melodic Blue more than a year after its initial release, with the standout of the new batch being “Highway 95.” Keem wastes no time, as the track opens with an intoxicating Lauryn Hill sample from the bridge of Fugees’ “Killing Me Softly With His Song” as Keem proceeds to float over the much too short one minute and 33 second track, where you’re left with no choice but to hit the replay button. —Stefan Breskin — youtu.be

**Album:** *The Melodic Blue*

Baby Keem blessed us with seven new tracks on the deluxe edition of *The Melodic Blue* more than a year after its initial release, with the standout of the new batch being “Highway 95.” Keem wastes no time, as the track opens with an intoxicating Lauryn Hill sample from the bridge of Fugees’ “Killing Me Softly With His Song” as Keem proceeds to float over the much too short one minute and 33 second track, where you’re left with no choice but to hit the replay button. —Stefan Breskin

youtu.be

**Album:** *The Melodic Blue*

Baby Keem blessed us with seven new tracks on the deluxe edition of *The Melodic Blue* more than a year after its initial release, with the standout of the new batch being “Highway 95.” Keem wastes no time, as the track opens with an intoxicating Lauryn Hill sample from the bridge of Fugees’ “Killing Me Softly With His Song” as Keem proceeds to float over the much too short one minute and 33 second track, where you’re left with no choice but to hit the replay button. —Stefan Breskin

Album: 2 Slizzy 2 Sexy

Violence has surrounded New York drill since its inception, but Cash Cobain and Chow Lee have begun to pivot the subgenre in a different direction with their “sexy drill,” and “Jholiday” is a perfect illustration of their style. Sampling J. Holiday’s “Suffocate,” the track adds new breath to the classic song and walks listeners through the Bronx courting process by way of obscure compliments and lightheartedly explicit comments over creative and upbeat production. —Jordan Rose — youtu.be

**Album:** *2 Slizzy 2 Sexy*

Violence has surrounded New York drill since its inception, but Cash Cobain and Chow Lee have begun to pivot the subgenre in a different direction with their “sexy drill,” and “Jholiday” is a perfect illustration of their style. Sampling J. Holiday’s “Suffocate,” the track adds new breath to the classic song and walks listeners through the Bronx courting process by way of obscure compliments and lightheartedly explicit comments over creative and upbeat production. *—Jordan Rose*

youtu.be

**Album:** *2 Slizzy 2 Sexy*

Violence has surrounded New York drill since its inception, but Cash Cobain and Chow Lee have begun to pivot the subgenre in a different direction with their “sexy drill,” and “Jholiday” is a perfect illustration of their style. Sampling J. Holiday’s “Suffocate,” the track adds new breath to the classic song and walks listeners through the Bronx courting process by way of obscure compliments and lightheartedly explicit comments over creative and upbeat production. *—Jordan Rose*

Album: 7220

“Petty Too” is a catchy single that finds Lil Durk flaunting his pettiness over a hypnotic trap beat. He whips through his verses with a sharp delivery, but the hook is what really reels us in: “Bitch, you petty, bitch, I’m petty too, uh, uh.” It’s simple, but it’s the kind of one-liner that will invariably get stuck in your head. Future was the perfect feature for the track, with a saucy verse that ultimately ties the whole thing together. —Jessica McKinney — youtu.be

**Album:** *7220*

“Petty Too” is a catchy single that finds Lil Durk flaunting his pettiness over a hypnotic trap beat. He whips through his verses with a sharp delivery, but the hook is what really reels us in: “Bitch, you petty, bitch, I’m petty too, uh, uh.” It’s simple, but it’s the kind of one-liner that will invariably get stuck in your head. Future was the perfect feature for the track, with a saucy verse that ultimately ties the whole thing together. —*Jessica McKinney*

youtu.be

**Album:** *7220*

“Petty Too” is a catchy single that finds Lil Durk flaunting his pettiness over a hypnotic trap beat. He whips through his verses with a sharp delivery, but the hook is what really reels us in: “Bitch, you petty, bitch, I’m petty too, uh, uh.” It’s simple, but it’s the kind of one-liner that will invariably get stuck in your head. Future was the perfect feature for the track, with a saucy verse that ultimately ties the whole thing together. —*Jessica McKinney*

Album: God Did

Before the title track to DJ Khaled’s latest studio album dropped, rap pundits and OGs (including his frequent collaborator Young Guru) who heard it early were calling it Hov’s best verse in years. While the song might not have lived up to the hype as a whole, it still features a very impressive verse from Lil Wayne and the God MC who raps for over three minutes as he delivers some ridiculous one-liners like “Jesus turned water to wine/For Hov, it just took a stove,” among many others. Hov’s verse on “God Did” is not his best of all time, but it did prove that one of the greatest rappers breathing still has gas in the tank. —Jordan Rose — youtu.be

**Album:** *God Did*

Before the title track to DJ Khaled’s latest studio album dropped, rap pundits and OGs (including his frequent collaborator Young Guru) who heard it early were calling it Hov’s best verse in years. While the song might not have lived up to the hype as a whole, it still features a very impressive verse from Lil Wayne and the God MC who raps for over three minutes as he delivers some ridiculous one-liners like “Jesus turned water to wine/For Hov, it just took a stove,” among many others. Hov’s verse on “God Did” is not his best of all time, but it did prove that one of the greatest rappers breathing still has gas in the tank. *—Jordan Rose*

youtu.be

**Album:** *God Did*

Before the title track to DJ Khaled’s latest studio album dropped, rap pundits and OGs (including his frequent collaborator Young Guru) who heard it early were calling it Hov’s best verse in years. While the song might not have lived up to the hype as a whole, it still features a very impressive verse from Lil Wayne and the God MC who raps for over three minutes as he delivers some ridiculous one-liners like “Jesus turned water to wine/For Hov, it just took a stove,” among many others. Hov’s verse on “God Did” is not his best of all time, but it did prove that one of the greatest rappers breathing still has gas in the tank. *—Jordan Rose*

Album: ELVIS Motion Picture Soundtrack

It isn’t often that a song from a movie soundtrack ends up on our mid-year lists, but Doja Cat’s “Vegas” is too good to pass up. She floats over a sample of Big Mama Thornton’s “Hound Dog,” while adding her own flare and sensuality, as the versatile artist flexes her rap skills, delivering dizzying flows and witty punchlines. “There’s more sides to the story, I’ma tell everybody/ Had your ass sittin’ courtside with your arm around me/ Had your ass sittin’ first class with your burnt ass out in Abu Dhabi,” she spits. “Vegas” is an electrifying song, which has the replay value to live on beyond the movie theaters. —Jessica McKinney — youtu.be

**Album:** *ELVIS Motion Picture Soundtrack*

It isn’t often that a song from a movie soundtrack ends up on our mid-year lists, but Doja Cat’s “Vegas” is too good to pass up. She floats over a sample of Big Mama Thornton’s “Hound Dog,” while adding her own flare and sensuality, as the versatile artist flexes her rap skills, delivering dizzying flows and witty punchlines. “There’s more sides to the story, I’ma tell everybody/ Had your ass sittin’ courtside with your arm around me/ Had your ass sittin’ first class with your burnt ass out in Abu Dhabi,” she spits. “Vegas” is an electrifying song, which has the replay value to live on beyond the movie theaters. *—Jessica McKinney*

youtu.be

**Album:** *ELVIS Motion Picture Soundtrack*

It isn’t often that a song from a movie soundtrack ends up on our mid-year lists, but Doja Cat’s “Vegas” is too good to pass up. She floats over a sample of Big Mama Thornton’s “Hound Dog,” while adding her own flare and sensuality, as the versatile artist flexes her rap skills, delivering dizzying flows and witty punchlines. “There’s more sides to the story, I’ma tell everybody/ Had your ass sittin’ courtside with your arm around me/ Had your ass sittin’ first class with your burnt ass out in Abu Dhabi,” she spits. “Vegas” is an electrifying song, which has the replay value to live on beyond the movie theaters. *—Jessica McKinney*

Album: 2000

Trauma is so suffocating because it’s often all-encompassing. Joey Badass lost his best friend and labelmate Capital Steez right as his career was beginning to take off in 2012. Here, he uses “Survivors Guilt” to reflect on how that loss impacted him. The powerful song is the sequel to Joey and Steez’s song “Survival Tactics” off his 2012 mixtape 1999, and opens with words from Steez himself talking about flaws in the system before the Brooklyn rapper delivers a gentle hook. “Survivors Guilt” is the emotional core of 2000 and demonstrates how healing can sometimes be a never ending journey. —Jordan Rose — youtu.be

**Album:** *2000*

Trauma is so suffocating because it’s often all-encompassing. Joey Badass lost his best friend and labelmate Capital Steez right as his career was beginning to take off in 2012. Here, he uses “Survivors Guilt” to reflect on how that loss impacted him. The powerful song is the sequel to Joey and Steez’s song “Survival Tactics” off his 2012 mixtape *1999*, and opens with words from Steez himself talking about flaws in the system before the Brooklyn rapper delivers a gentle hook. “Survivors Guilt” is the emotional core of *2000* and demonstrates how healing can sometimes be a never ending journey. *—Jordan Rose*

youtu.be

**Album:** *2000*

Trauma is so suffocating because it’s often all-encompassing. Joey Badass lost his best friend and labelmate Capital Steez right as his career was beginning to take off in 2012. Here, he uses “Survivors Guilt” to reflect on how that loss impacted him. The powerful song is the sequel to Joey and Steez’s song “Survival Tactics” off his 2012 mixtape *1999*, and opens with words from Steez himself talking about flaws in the system before the Brooklyn rapper delivers a gentle hook. “Survivors Guilt” is the emotional core of *2000* and demonstrates how healing can sometimes be a never ending journey. *—Jordan Rose*

Album: You Still Here, Ho?

The art of the bad bitch track can’t be taught. Flo Milli isn’t new to the party, but “Conceited” nailed the mission at hand and helped the Southern belle gain national attention as she echoed off speeding cars this past summer. The video, like the song, is an unapologetic celebration of the independent Black woman, or the “chocolate bitch” as she endearingly calls her. Catchy and frank, this is Flo’s best work yet. —Ecleen Luzmila Caraballo — youtu.be

**Album:** *You Still Here, Ho?*

The art of the bad bitch track can’t be taught. Flo Milli isn’t new to the party, but “Conceited” nailed the mission at hand and helped the Southern belle gain national attention as she echoed off speeding cars this past summer. The video, like the song, is an unapologetic celebration of the independent Black woman, or the “chocolate bitch” as she endearingly calls her. Catchy and frank, this is Flo’s best work yet. —Ecleen Luzmila Caraballo

youtu.be

**Album:** *You Still Here, Ho?*

The art of the bad bitch track can’t be taught. Flo Milli isn’t new to the party, but “Conceited” nailed the mission at hand and helped the Southern belle gain national attention as she echoed off speeding cars this past summer. The video, like the song, is an unapologetic celebration of the independent Black woman, or the “chocolate bitch” as she endearingly calls her. Catchy and frank, this is Flo’s best work yet. —Ecleen Luzmila Caraballo

Album: DS4EVER

Gunna might be the first rapper to turn an emoji into a viral moment. Gunna’s track, which appears on his album DS4EVER, is a fun and catchy collaboration between the rapper, Young Thug, and Future, which further proved that this trio is unstoppable when they join forces on wax. The song itself has replay value, but what makes the track so memorable and deserving of a spot on the list is the trend it created. The phrase, “Pushin’ P” was to 2022 what Drake and Lil Wayne’s “YOLO” was to 2011. —Jessica McKinney — youtu.be

**Album:** *DS4EVER*

Gunna might be the first rapper to turn an emoji into a viral moment. Gunna’s track, which appears on his album *DS4EVER*, is a fun and catchy collaboration between the rapper, Young Thug, and Future, which further proved that this trio is unstoppable when they join forces on wax. The song itself has replay value, but what makes the track so memorable and deserving of a spot on the list is the trend it created. The phrase, “Pushin’ P” was to 2022 what Drake and Lil Wayne’s “YOLO” was to 2011. *—Jessica McKinney*

youtu.be

**Album:** *DS4EVER*

Gunna might be the first rapper to turn an emoji into a viral moment. Gunna’s track, which appears on his album *DS4EVER*, is a fun and catchy collaboration between the rapper, Young Thug, and Future, which further proved that this trio is unstoppable when they join forces on wax. The song itself has replay value, but what makes the track so memorable and deserving of a spot on the list is the trend it created. The phrase, “Pushin’ P” was to 2022 what Drake and Lil Wayne’s “YOLO” was to 2011. *—Jessica McKinney*

Album: N/A

Some people might have missed this collaboration between City Girls and Usher, but it’s a good one. “Good Love” is a playful record that is a spin on the classic roller skating record. The City Girls, JT and Young Miami do their thing on the track, delivering spunky and hood-rich bars over a bouncy Mr. Hanky beat. But the best part about this track is Usher’s sweet and velvety vocals that effortlessly glide over the beat. —Jessica McKinney — youtu.be

**Album:** N/A

Some people might have missed this collaboration between City Girls and Usher, but it’s a good one. “Good Love” is a playful record that is a spin on the classic roller skating record. The City Girls, JT and Young Miami do their thing on the track, delivering spunky and hood-rich bars over a bouncy Mr. Hanky beat. But the best part about this track is Usher’s sweet and velvety vocals that effortlessly glide over the beat. *—Jessica McKinney*

youtu.be

**Album:** N/A

Some people might have missed this collaboration between City Girls and Usher, but it’s a good one. “Good Love” is a playful record that is a spin on the classic roller skating record. The City Girls, JT and Young Miami do their thing on the track, delivering spunky and hood-rich bars over a bouncy Mr. Hanky beat. But the best part about this track is Usher’s sweet and velvety vocals that effortlessly glide over the beat. *—Jessica McKinney*

Album: Harry’s House

“As It Was” is a beautiful, mesmerizing record that lives up to all the buzz it’s generated on TikTok (and everywhere else on the internet and radio). It carries an energetic tone thanks to the uptempo instrumentation, and Harry Styles adds layers of emotion with his soft vocals. “As It Was” is a fun and danceable record that continues to demonstrate his power as one of the biggest pop stars in the world. —Jessica McKinney — youtu.be

**Album:** *Harry’s House*

“As It Was” is a beautiful, mesmerizing record that lives up to all the buzz it’s generated on TikTok (and everywhere else on the internet and radio). It carries an energetic tone thanks to the uptempo instrumentation, and Harry Styles adds layers of emotion with his soft vocals. “As It Was” is a fun and danceable record that continues to demonstrate his power as one of the biggest pop stars in the world. *—Jessica McKinney*

youtu.be

**Album:** *Harry’s House*

“As It Was” is a beautiful, mesmerizing record that lives up to all the buzz it’s generated on TikTok (and everywhere else on the internet and radio). It carries an energetic tone thanks to the uptempo instrumentation, and Harry Styles adds layers of emotion with his soft vocals. “As It Was” is a fun and danceable record that continues to demonstrate his power as one of the biggest pop stars in the world. *—Jessica McKinney*

Album: SOS

“Low” is an irresistibly moody trap record that finds SZA experimenting with her vocal range. Evoking a rapper persona, she delivers punchy lines over ominous production. But just when you think SZA has transformed into a full-blown hip-hop artist, she sneaks in a few notes that remind listeners of her R&B side. Travis Scott opts for a background role, sliding in haunting ad-libs appropriately throughout the song. “Low” is a standout that shows SZA’s duality as a singer and a rapper. —Jessica McKinney — youtu.be

**Album:** *SOS*

“Low” is an irresistibly moody trap record that finds SZA experimenting with her vocal range. Evoking a rapper persona, she delivers punchy lines over ominous production. But just when you think SZA has transformed into a full-blown hip-hop artist, she sneaks in a few notes that remind listeners of her R&B side. Travis Scott opts for a background role, sliding in haunting ad-libs appropriately throughout the song. “Low” is a standout that shows SZA’s duality as a singer and a rapper. *—Jessica McKinney*

youtu.be

**Album:** *SOS*

“Low” is an irresistibly moody trap record that finds SZA experimenting with her vocal range. Evoking a rapper persona, she delivers punchy lines over ominous production. But just when you think SZA has transformed into a full-blown hip-hop artist, she sneaks in a few notes that remind listeners of her R&B side. Travis Scott opts for a background role, sliding in haunting ad-libs appropriately throughout the song. “Low” is a standout that shows SZA’s duality as a singer and a rapper. *—Jessica McKinney*

Album: Only Built for Infinity Links

“Hotel Lobby” is a song you might expect to appear on one of the projects from Migos’ culture series. Takeoff switches from rapidfire to chopped up flows over a classic trap beat, while Quavo dips in and out with smooth ad-libs. The track is drenched with husky and gritty bars flexing their status and wealth. While this comes as no surprise, what’s best about the track is Quavo and Takeoff’s smooth chemistry. —Jessica McKinney — youtu.be

**Album:** *Only Built for Infinity Links*

“Hotel Lobby” is a song you might expect to appear on one of the projects from Migos’ culture series. Takeoff switches from rapidfire to chopped up flows over a classic trap beat, while Quavo dips in and out with smooth ad-libs. The track is drenched with husky and gritty bars flexing their status and wealth. While this comes as no surprise, what’s best about the track is Quavo and Takeoff’s smooth chemistry. *—Jessica McKinney*

youtu.be

**Album:** *Only Built for Infinity Links*

“Hotel Lobby” is a song you might expect to appear on one of the projects from Migos’ culture series. Takeoff switches from rapidfire to chopped up flows over a classic trap beat, while Quavo dips in and out with smooth ad-libs. The track is drenched with husky and gritty bars flexing their status and wealth. While this comes as no surprise, what’s best about the track is Quavo and Takeoff’s smooth chemistry. *—Jessica McKinney*

Album: Melt My Eyez See Your Future

If you could only pick two of the most obvious things that Denzel Curry excels at (outside of maybe martial arts and just about everything else), it would be rapping and making dorky interests sound incredibly cool. On “X-Wing,” a standout from Melt My Eyes See Your Future, Zeltron harnesses the powers of the force, dropping Star Wars references, and doing it all while sounding flyer than a starfighter. Produced by Darko, Clutch George, and DRTWK, “X-Wing” finds Curry soaring over solemn strings, as he raps all about being ahead of the curve and still wanting more. He salutes some of the greats before him, too, from Mac Miller to Biggie Smalls. With the way he’s only getting better with time, “X-Wing” and the rest of MME hint that he isn’t far off from being mentioned alongside those he admires. —Brenton Blanchet — youtu.be

**Album:** *Melt My Eyez See Your Future*

If you could only pick two of the most obvious things that Denzel Curry excels at (outside of maybe martial arts and just about everything else), it would be rapping and making dorky interests sound incredibly cool. On “X-Wing,” a standout from *Melt My Eyes See Your Future*, Zeltron harnesses the powers of the force, dropping *Star Wars* references, and doing it all while sounding flyer than a starfighter. Produced by Darko, Clutch George, and DRTWK, “X-Wing” finds Curry soaring over solemn strings, as he raps all about being ahead of the curve and still wanting more. He salutes some of the greats before him, too, from Mac Miller to Biggie Smalls. With the way he’s only getting better with time, “X-Wing” and the rest of *MME* hint that he isn’t far off from being mentioned alongside those he admires. *—Brenton Blanchet*

youtu.be

**Album:** *Melt My Eyez See Your Future*

If you could only pick two of the most obvious things that Denzel Curry excels at (outside of maybe martial arts and just about everything else), it would be rapping and making dorky interests sound incredibly cool. On “X-Wing,” a standout from *Melt My Eyes See Your Future*, Zeltron harnesses the powers of the force, dropping *Star Wars* references, and doing it all while sounding flyer than a starfighter. Produced by Darko, Clutch George, and DRTWK, “X-Wing” finds Curry soaring over solemn strings, as he raps all about being ahead of the curve and still wanting more. He salutes some of the greats before him, too, from Mac Miller to Biggie Smalls. With the way he’s only getting better with time, “X-Wing” and the rest of *MME* hint that he isn’t far off from being mentioned alongside those he admires. *—Brenton Blanchet*

Album: N/A

This sexy ode to weed was a particularly enthralling release. For many, this track was an introduction to Doechii and her well-rounded artistry, equipped with fashion serves and artful visuals. This predecessor to her remix version with SZA serves as a solid cloudlike foundation for the rest of her hard-hitting work later released on she / her / black bitch to land on, blending R&B and rap with an unlikely love letter that gets you high. —Ecleen Lumzila Caraballo — youtube.com

**Album:** N/A

This sexy ode to weed was a particularly enthralling release. For many, this track was an introduction to Doechii and her well-rounded artistry, equipped with fashion serves and artful visuals. This predecessor to her remix version with SZA serves as a solid cloudlike foundation for the rest of her hard-hitting work later released on *she / her / black bitch* to land on, blending R&B and rap with an unlikely love letter that gets you high. —Ecleen Lumzila Caraballo

youtube.com

**Album:** N/A

This sexy ode to weed was a particularly enthralling release. For many, this track was an introduction to Doechii and her well-rounded artistry, equipped with fashion serves and artful visuals. This predecessor to her remix version with SZA serves as a solid cloudlike foundation for the rest of her hard-hitting work later released on *she / her / black bitch* to land on, blending R&B and rap with an unlikely love letter that gets you high. —Ecleen Lumzila Caraballo

Album: Dawn FM

“Out of Time” is a departure from the synth laden cuts most of Dawn FM is composed of. Instead, The Weeknd samples the ‘80s city pop hit “Midnight Pretenders,” and flips it into a blissful ballad, perfectly blending elements of city pop and R&B. The production’s refreshing yet nostalgic feel coupled with Abel’s introspective songwriting makes for a can’t-miss track, perfectly encapsulating the world The Weeknd built with his fifth studio album. —Stefan Breskin — youtu.be

**Album:** *Dawn FM*

“Out of Time” is a departure from the synth laden cuts most of Dawn FM is composed of. Instead, The Weeknd samples the ‘80s city pop hit “Midnight Pretenders,” and flips it into a blissful ballad, perfectly blending elements of city pop and R&B. The production’s refreshing yet nostalgic feel coupled with Abel’s introspective songwriting makes for a can’t-miss track, perfectly encapsulating the world The Weeknd built with his fifth studio album. *—Stefan Breskin*

youtu.be

**Album:** *Dawn FM*

“Out of Time” is a departure from the synth laden cuts most of Dawn FM is composed of. Instead, The Weeknd samples the ‘80s city pop hit “Midnight Pretenders,” and flips it into a blissful ballad, perfectly blending elements of city pop and R&B. The production’s refreshing yet nostalgic feel coupled with Abel’s introspective songwriting makes for a can’t-miss track, perfectly encapsulating the world The Weeknd built with his fifth studio album. *—Stefan Breskin*

Album: Tana Talk 4

Benny the Butcher can rap with the best of them, so J. Cole was the perfect dance partner to spar with on “Johnny P’s Caddy.” Paying homage to the car that his father Johnny P would drive him around in when he was younger, Benny takes us on a trip down memory lane as he raps about stories of trial and triumph, but he makes it clear in his opening bars, “This ain’t my story ‘bout rags to riches/ More ‘bout how I mastered physics.” J. Cole has been on another great features run in 2022, and his contribution to “Johnny P’s Caddy” continues the streak. Cole and Benny are a match made in rap heaven on this song. —Jordan Rose — youtu.be

**Album:** *Tana Talk 4*

Benny the Butcher can rap with the best of them, so J. Cole was the perfect dance partner to spar with on “Johnny P’s Caddy.” Paying homage to the car that his father Johnny P would drive him around in when he was younger, Benny takes us on a trip down memory lane as he raps about stories of trial and triumph, but he makes it clear in his opening bars, “This ain’t my story ‘bout rags to riches/ More ‘bout how I mastered physics.” J. Cole has been on another great features run in 2022, and his contribution to “Johnny P’s Caddy” continues the streak. Cole and Benny are a match made in rap heaven on this song. *—Jordan Rose*

youtu.be

**Album:** *Tana Talk 4*

Benny the Butcher can rap with the best of them, so J. Cole was the perfect dance partner to spar with on “Johnny P’s Caddy.” Paying homage to the car that his father Johnny P would drive him around in when he was younger, Benny takes us on a trip down memory lane as he raps about stories of trial and triumph, but he makes it clear in his opening bars, “This ain’t my story ‘bout rags to riches/ More ‘bout how I mastered physics.” J. Cole has been on another great features run in 2022, and his contribution to “Johnny P’s Caddy” continues the streak. Cole and Benny are a match made in rap heaven on this song. *—Jordan Rose*

youtu.be

**Album:** *I Never Liked You*

Putting Future and Drake on the same track together has long been a recipe for success, so when they added Tems to the equation, it came as no surprise that the collaboration immediately became a frontrunner for Song of the Summer honors. Somehow, “Wait For U” is just as good as it looks on paper. On either side of a catchy sample of Tems’ 2020 hit “Higher,” Future and Drake weave together an endearingly toxic love song full of on-brand quotables (“Every time I sip on codeine, I get vulnerable”), and to drive the point home, they dressed up as literal toxic kings in the music video. If you’re looking for a song you can play poolside at 3 p.m. (and then again at a 3 a.m. after party) this is the one. *—Eric Skelton*

Album: Ramona Park Broke My Heart

“Magic” is an undeniably smooth record, and one of the more radio-friendly songs from Vince Staples’ new album Romana Park Broke My Heart, but it doesn’t sound forced. Instead, Vince stays true to his sound as he pulls off a true West Coast anthem, floating over a head-bobbing beat with crisp bars. Vince Staples and Mustard’s chemistry is infectious, making them one of our favorite rapper-producer pairs of the moment. —Jessica McKinney — youtu.be

**Album:** Ramona Park Broke My Heart

“Magic” is an undeniably smooth record, and one of the more radio-friendly songs from Vince Staples’ new album *Romana Park Broke My Heart,* but it doesn’t sound forced. Instead, Vince stays true to his sound as he pulls off a true West Coast anthem, floating over a head-bobbing beat with crisp bars. Vince Staples and Mustard’s chemistry is infectious, making them one of our favorite rapper-producer pairs of the moment. *—Jessica McKinney*

youtu.be

**Album:** Ramona Park Broke My Heart

“Magic” is an undeniably smooth record, and one of the more radio-friendly songs from Vince Staples’ new album *Romana Park Broke My Heart,* but it doesn’t sound forced. Instead, Vince stays true to his sound as he pulls off a true West Coast anthem, floating over a head-bobbing beat with crisp bars. Vince Staples and Mustard’s chemistry is infectious, making them one of our favorite rapper-producer pairs of the moment. *—Jessica McKinney*

Album: Anyways… Life’s Great

GloRilla and Cardi created a certified banger with “Tomorrow 2.” The track is a club hit that finds the duo trading bars over a menacing loop, courtesy of Macaroni Toni. Though it’s built for nightlife settings, it also doubles as a motivational anthem. “Every day the sun won’t shine, but that’s why I love tomorrow,” Big Glo raps. Cardi B’s verse is particularly raunching as she trades her signature, high-pitched Bronx accent for a gritty and raspy cadence that is reminiscent of Brooklyn’s drill artists. But Cardi is still Cardi on the track, delivering fun and feisty one-liners over the hard-hitting 808 beat. No playlist is complete without this hit. —Jessica McKinney — youtu.be

**Album:** *Anyways… Life’s Great*

GloRilla and Cardi created a certified banger with “Tomorrow 2.” The track is a club hit that finds the duo trading bars over a menacing loop, courtesy of Macaroni Toni. Though it’s built for nightlife settings, it also doubles as a motivational anthem. “Every day the sun won’t shine, but that’s why I love tomorrow,” Big Glo raps. Cardi B’s verse is particularly raunching as she trades her signature, high-pitched Bronx accent for a gritty and raspy cadence that is reminiscent of Brooklyn’s drill artists. But Cardi is still Cardi on the track, delivering fun and feisty one-liners over the hard-hitting 808 beat. No playlist is complete without this hit. *—Jessica McKinney*

youtu.be

**Album:** *Anyways… Life’s Great*

GloRilla and Cardi created a certified banger with “Tomorrow 2.” The track is a club hit that finds the duo trading bars over a menacing loop, courtesy of Macaroni Toni. Though it’s built for nightlife settings, it also doubles as a motivational anthem. “Every day the sun won’t shine, but that’s why I love tomorrow,” Big Glo raps. Cardi B’s verse is particularly raunching as she trades her signature, high-pitched Bronx accent for a gritty and raspy cadence that is reminiscent of Brooklyn’s drill artists. But Cardi is still Cardi on the track, delivering fun and feisty one-liners over the hard-hitting 808 beat. No playlist is complete without this hit. *—Jessica McKinney*

Album: Ivory

It’s been a breakthrough year for Omar Apollo, the Indiana-born singer-songwriter whose DIY pop slappers have been keeping fans hooked since 2017. But nothing he’s made has ever felt as triumphant as the Neptunes-produced single off his April debut album Ivory. “Tamagotchi,” named after those mini virtual pets that somehow kept dying in the mid-’00s, is ironically full of life. With some sensual acoustics, a hook that sticks, and some snaps of magic brought to you by Chad Hugo and Pharrell, Apollo crafted a song we’ll be playing all summer (and beyond). —Brenton Blanchet — youtu.be

**Album:** *Ivory*

It’s been a breakthrough year for Omar Apollo, the Indiana-born singer-songwriter whose DIY pop slappers have been keeping fans hooked since 2017. But nothing he’s made has ever felt as triumphant as the Neptunes-produced single off his April debut album Ivory. “Tamagotchi,” named after those mini virtual pets that somehow kept dying in the mid-’00s, is ironically full of life. With some sensual acoustics, a hook that sticks, and some snaps of magic brought to you by Chad Hugo and Pharrell, Apollo crafted a song we’ll be playing all summer (and beyond). *—Brenton Blanchet*

youtu.be

**Album:** *Ivory*

It’s been a breakthrough year for Omar Apollo, the Indiana-born singer-songwriter whose DIY pop slappers have been keeping fans hooked since 2017. But nothing he’s made has ever felt as triumphant as the Neptunes-produced single off his April debut album Ivory. “Tamagotchi,” named after those mini virtual pets that somehow kept dying in the mid-’00s, is ironically full of life. With some sensual acoustics, a hook that sticks, and some snaps of magic brought to you by Chad Hugo and Pharrell, Apollo crafted a song we’ll be playing all summer (and beyond). *—Brenton Blanchet*

Album: Luv 4 Rent

One of Smino’s superpowers is his ability to bring other artists into his universe and have them fit seamlessly on his projects, but he didn’t have to do that with “90 Proof” featuring J. Cole. In this case, the Carolina rapper already fits right in as he both raps and croons about leading a private lifestyle despite being one of the biggest artists in the world. Smino revealed to Complex that after recording this track, Cole actually wanted to keep it for his own album (which has yet to be announced), but that the St. Louis artist had to keep it for himself. Time will tell that Smino made the right decision. —Jordan Rose — youtu.be

**Album:** *Luv 4 Rent*

One of Smino’s superpowers is his ability to bring other artists into his universe and have them fit seamlessly on his projects, but he didn’t have to do that with “90 Proof” featuring J. Cole. In this case, the Carolina rapper already fits right in as he both raps and croons about leading a private lifestyle despite being one of the biggest artists in the world. Smino revealed to Complex that after recording this track, Cole actually wanted to keep it for his own album (which has yet to be announced), but that the St. Louis artist had to keep it for himself. Time will tell that Smino made the right decision. *—Jordan Rose*

youtu.be

**Album:** *Luv 4 Rent*

One of Smino’s superpowers is his ability to bring other artists into his universe and have them fit seamlessly on his projects, but he didn’t have to do that with “90 Proof” featuring J. Cole. In this case, the Carolina rapper already fits right in as he both raps and croons about leading a private lifestyle despite being one of the biggest artists in the world. Smino revealed to Complex that after recording this track, Cole actually wanted to keep it for his own album (which has yet to be announced), but that the St. Louis artist had to keep it for himself. Time will tell that Smino made the right decision. *—Jordan Rose*

Album: Honestly, Nevermind

Drake has gotten himself into sticky territory this year. Prior to that though, he veered away from his comfortable lane of cringe to let go and let God with dance-friendly experimentation in production. “Sticky” is the most fun of the limited rap crop on the project, by way of Gordo and a sample from RY X. The beat takes nearly 30 seconds to pop off and what follows is a truly thrilling roller coaster that includes ambulance sirens and a clip of the late Virgil Abloh saying, “Like, we weren’t supposed to come up with something this clean.” Of course, I’d tell you about how I sent this to an old crush who DJs minutes after it was released, but we know how sticky that gets. —Ecleen Luzmila Caraballo — youtu.be

**Album:** *Honestly, Nevermind*

Drake has gotten himself into sticky territory this year. Prior to that though, he veered away from his comfortable lane of cringe to let go and let God with dance-friendly experimentation in production. “Sticky” is the most fun of the limited rap crop on the project, by way of Gordo and a sample from RY X. The beat takes nearly 30 seconds to pop off and what follows is a truly thrilling roller coaster that includes ambulance sirens and a clip of the late Virgil Abloh saying, “Like, we weren’t supposed to come up with something this clean.” Of course, I’d tell you about how I sent this to an old crush who DJs minutes after it was released, but we know how sticky that gets. *—Ecleen Luzmila Caraballo*

youtu.be

**Album:** *Honestly, Nevermind*

Drake has gotten himself into sticky territory this year. Prior to that though, he veered away from his comfortable lane of cringe to let go and let God with dance-friendly experimentation in production. “Sticky” is the most fun of the limited rap crop on the project, by way of Gordo and a sample from RY X. The beat takes nearly 30 seconds to pop off and what follows is a truly thrilling roller coaster that includes ambulance sirens and a clip of the late Virgil Abloh saying, “Like, we weren’t supposed to come up with something this clean.” Of course, I’d tell you about how I sent this to an old crush who DJs minutes after it was released, but we know how sticky that gets. *—Ecleen Luzmila Caraballo*

Album: N/A

Ice Spice’s “Munch (Feelin’ You)” was one of the most inescapable hits of the year. For some listeners, the track was a hit from the moment Ice Spice said, “you thought I was feeling you” in a sassy tone over a gritty UK drill beat. Others took longer to jump on the wave, but there’s something about this single that always turns naysayers into believers. The track’s simplicity, both in its lyrics and beat, makes it catchy and fun to play on repeat. Ice Spice’s lower register raps and oozing sex appeal are some of the song’s greatest assets. —Jessica McKinney — youtu.be

**Album:** N/A

Ice Spice’s “Munch (Feelin’ You)” was one of the most inescapable hits of the year. For some listeners, the track was a hit from the moment Ice Spice said, “you thought I was feeling you” in a sassy tone over a gritty UK drill beat. Others took longer to jump on the wave, but there’s something about this single that always turns naysayers into believers. The track’s simplicity, both in its lyrics and beat, makes it catchy and fun to play on repeat. Ice Spice’s lower register raps and oozing sex appeal are some of the song’s greatest assets. *—Jessica McKinney*

youtu.be

**Album:** N/A

Ice Spice’s “Munch (Feelin’ You)” was one of the most inescapable hits of the year. For some listeners, the track was a hit from the moment Ice Spice said, “you thought I was feeling you” in a sassy tone over a gritty UK drill beat. Others took longer to jump on the wave, but there’s something about this single that always turns naysayers into believers. The track’s simplicity, both in its lyrics and beat, makes it catchy and fun to play on repeat. Ice Spice’s lower register raps and oozing sex appeal are some of the song’s greatest assets. *—Jessica McKinney*

Album: N/A

Whether it sounds like 21 Savage is rapping about “Cash App,” “Kesha,” or (as he actually is) “cash,” Skateboard P’s new team-up with 21 and Tyler, the Creator is worth every cent it cost to put together. Pharrell doesn’t have to deliver any vocals of his own, as his expensive and bouncy production makes his presence clear enough, leaving plenty of room for Tyler to reminisce about hitting the beach in a furry hat, and 21 to compare the size of his member to a North Korean missile. “Cash In Cash Out” is one of the best collaborations of the year so far, easily living up to the hype that its starpower generated. —Brenton Blanchet — youtu.be

**Album:** N/A

Whether it sounds like 21 Savage is rapping about “Cash App,” “Kesha,” or (as he actually is) “cash,” Skateboard P’s new team-up with 21 and Tyler, the Creator is worth every cent it cost to put together. Pharrell doesn’t have to deliver any vocals of his own, as his expensive and bouncy production makes his presence clear enough, leaving plenty of room for Tyler to reminisce about hitting the beach in a furry hat, and 21 to compare the size of his member to a North Korean missile. “Cash In Cash Out” is one of the best collaborations of the year so far, easily living up to the hype that its starpower generated. *—Brenton Blanchet*

youtu.be

**Album:** N/A

Whether it sounds like 21 Savage is rapping about “Cash App,” “Kesha,” or (as he actually is) “cash,” Skateboard P’s new team-up with 21 and Tyler, the Creator is worth every cent it cost to put together. Pharrell doesn’t have to deliver any vocals of his own, as his expensive and bouncy production makes his presence clear enough, leaving plenty of room for Tyler to reminisce about hitting the beach in a furry hat, and 21 to compare the size of his member to a North Korean missile. “Cash In Cash Out” is one of the best collaborations of the year so far, easily living up to the hype that its starpower generated. *—Brenton Blanchet*

Album: N/A

“Surround Sound” is a sleeper hit. It didn’t immediately go viral or top the charts, but it’s been steadily racking up streams all year, and for good reason. 21 Savage’s monotone flow slides perfectly over the soulful beat, and Baby Tate alluring bridge is the cherry on top of a song that gives JID plenty of room to flex his rap skills as he delivers a hypnotizing hook and fiery verses. “Surround Sound” is the perfect collaboration amongst a trio of Atlanta’s most talented artists. It’s the first time all three have collaborated on a song together, and we’re ready to hear a lot more where this came from. —Jessica McKinney — youtu.be

**Album:** N/A

“Surround Sound” is a sleeper hit. It didn’t immediately go viral or top the charts, but it’s been steadily racking up streams all year, and for good reason. 21 Savage’s monotone flow slides perfectly over the soulful beat, and Baby Tate alluring bridge is the cherry on top of a song that gives JID plenty of room to flex his rap skills as he delivers a hypnotizing hook and fiery verses. “Surround Sound” is the perfect collaboration amongst a trio of Atlanta’s most talented artists. It’s the first time all three have collaborated on a song together, and we’re ready to hear a lot more where this came from. *—Jessica McKinney*

youtu.be

**Album:** N/A

“Surround Sound” is a sleeper hit. It didn’t immediately go viral or top the charts, but it’s been steadily racking up streams all year, and for good reason. 21 Savage’s monotone flow slides perfectly over the soulful beat, and Baby Tate alluring bridge is the cherry on top of a song that gives JID plenty of room to flex his rap skills as he delivers a hypnotizing hook and fiery verses. “Surround Sound” is the perfect collaboration amongst a trio of Atlanta’s most talented artists. It’s the first time all three have collaborated on a song together, and we’re ready to hear a lot more where this came from. *—Jessica McKinney*

Album: N/A

Sample drill has become one of the most prominent sounds in New York City, and that’s in large part because of artists like Kay Flock and songs like “Shake It.” The original was already catchy, thanks to a sample of Akon’s “Bananza (Belly Dancer),” then Cardi B jumping on the remix sent the Flock, Dougie B, and Bory300 track to the next level. As all four Bronx rappers spit over the electrifying beat, the energy is contagious, and despite Flock being arrested right before the song dropped, it didn’t deflate its impact at all. “Shake It (Remix)” has everything that you would want in a sample drill song: high energy, an addictive beat, and raw, authentic bars that could only be delivered live from the winding streets of the BX. Cardi B’s inclusion feels seamless, and her co-sign of the burgeoning sample drill wave gives it an added layer of credibility and national visibility. —Jordan Rose — youtu.be

**Album:** N/A

Sample drill has become one of the most prominent sounds in New York City, and that’s in large part because of artists like Kay Flock and songs like “Shake It.” The original was already catchy, thanks to a sample of Akon’s “Bananza (Belly Dancer),” then Cardi B jumping on the remix sent the Flock, Dougie B, and Bory300 track to the next level. As all four Bronx rappers spit over the electrifying beat, the energy is contagious, and despite Flock being arrested right before the song dropped, it didn’t deflate its impact at all. “Shake It (Remix)” has everything that you would want in a sample drill song: high energy, an addictive beat, and raw, authentic bars that could only be delivered live from the winding streets of the BX. Cardi B’s inclusion feels seamless, and her co-sign of the burgeoning sample drill wave gives it an added layer of credibility and national visibility. *—Jordan Rose*

youtu.be

**Album:** N/A

Sample drill has become one of the most prominent sounds in New York City, and that’s in large part because of artists like Kay Flock and songs like “Shake It.” The original was already catchy, thanks to a sample of Akon’s “Bananza (Belly Dancer),” then Cardi B jumping on the remix sent the Flock, Dougie B, and Bory300 track to the next level. As all four Bronx rappers spit over the electrifying beat, the energy is contagious, and despite Flock being arrested right before the song dropped, it didn’t deflate its impact at all. “Shake It (Remix)” has everything that you would want in a sample drill song: high energy, an addictive beat, and raw, authentic bars that could only be delivered live from the winding streets of the BX. Cardi B’s inclusion feels seamless, and her co-sign of the burgeoning sample drill wave gives it an added layer of credibility and national visibility. *—Jordan Rose*

Album: Heroes and Villains

We need Young Thug back, immediately. The Atlanta rapper makes several appearances on Metro Boomin’s latest album, Heroes and Villains, but his most impressive performance is on “Metro Spider.” Thug and Boomin already have natural Atlanta chemistry, and new Thug verses have been hard to come by as of late, so this song is a perfect storm of slippery wordplay paired with even smoother production. Add Thug’s contagious hook and you get one of the best songs of the year. —Jordan Rose — youtu.be

**Album:** *Heroes and Villains*

We need Young Thug back, immediately. The Atlanta rapper makes several appearances on Metro Boomin’s latest album, *Heroes and Villains*, but his most impressive performance is on “Metro Spider.” Thug and Boomin already have natural Atlanta chemistry, and new Thug verses have been hard to come by as of late, so this song is a perfect storm of slippery wordplay paired with even smoother production. Add Thug’s contagious hook and you get one of the best songs of the year. *—Jordan Rose*

youtu.be

**Album:** *Heroes and Villains*

We need Young Thug back, immediately. The Atlanta rapper makes several appearances on Metro Boomin’s latest album, *Heroes and Villains*, but his most impressive performance is on “Metro Spider.” Thug and Boomin already have natural Atlanta chemistry, and new Thug verses have been hard to come by as of late, so this song is a perfect storm of slippery wordplay paired with even smoother production. Add Thug’s contagious hook and you get one of the best songs of the year. *—Jordan Rose*

Album: Mr. Morale & The Big Steppers

Of all the songs on Kendrick Lamar’s fifth studio album, Mr. Morales & The Big Steppers, “N95” is easily the most hype and radio-ready, but it still holds on to the grit and substance that guides the rest of the project. The captivating and woozy beat, co-produced by Baby Keem, Jahaan Sweet, Boi-1da, and Sounwave, is what initially lures us in, but Kendrick’s intoxicating flow and message is what ultimately keeps us locked in. Kendrick spits some of his best bars on the album, as he addresses mental health, the global pandemic, and superficial coping mechanisms, while still leaving room for fun one-liners like “Bitch, huh, huh, ugh/ You ugly as fuck.” “N95” has it all. —Jessica McKinney — youtu.be

**Album:** *Mr. Morale & The Big Steppers*

Of all the songs on Kendrick Lamar’s fifth studio album, *Mr. Morales & The Big Steppers*, “N95” is easily the most hype and radio-ready, but it still holds on to the grit and substance that guides the rest of the project. The captivating and woozy beat, co-produced by Baby Keem, Jahaan Sweet, Boi-1da, and Sounwave, is what initially lures us in, but Kendrick’s intoxicating flow and message is what ultimately keeps us locked in. Kendrick spits some of his best bars on the album, as he addresses mental health, the global pandemic, and superficial coping mechanisms, while still leaving room for fun one-liners like “Bitch, huh, huh, ugh/ You ugly as fuck.” “N95” has it all. *—Jessica McKinney*

youtu.be

**Album:** *Mr. Morale & The Big Steppers*

Of all the songs on Kendrick Lamar’s fifth studio album, *Mr. Morales & The Big Steppers*, “N95” is easily the most hype and radio-ready, but it still holds on to the grit and substance that guides the rest of the project. The captivating and woozy beat, co-produced by Baby Keem, Jahaan Sweet, Boi-1da, and Sounwave, is what initially lures us in, but Kendrick’s intoxicating flow and message is what ultimately keeps us locked in. Kendrick spits some of his best bars on the album, as he addresses mental health, the global pandemic, and superficial coping mechanisms, while still leaving room for fun one-liners like “Bitch, huh, huh, ugh/ You ugly as fuck.” “N95” has it all. *—Jessica McKinney*

Album: It’s Almost Dry

Pusha-T is a wordsmith and a wizard of wordplay and metaphors. He might be describing the same thing time and time again, but he always sounds inventive as he paints a vivid picture of a particular lifestyle. On “Diet Coke,” he flexes his creative pen with snappy wordplay and one-line zingers. Though the track stays true to the grit and rawness that makes Pusha-T a standout, it also opens his music to a wider audience, showing that coke rap is just as luxurious and imaginative as other subgenres. —Jessica McKinney — youtu.be

**Album:** *It’s Almost Dry*

Pusha-T is a wordsmith and a wizard of wordplay and metaphors. He might be describing the same thing time and time again, but he always sounds inventive as he paints a vivid picture of a particular lifestyle. On “Diet Coke,” he flexes his creative pen with snappy wordplay and one-line zingers. Though the track stays true to the grit and rawness that makes Pusha-T a standout, it also opens his music to a wider audience, showing that coke rap is just as luxurious and imaginative as other subgenres. *—Jessica McKinney*

youtu.be

**Album:** *It’s Almost Dry*

Pusha-T is a wordsmith and a wizard of wordplay and metaphors. He might be describing the same thing time and time again, but he always sounds inventive as he paints a vivid picture of a particular lifestyle. On “Diet Coke,” he flexes his creative pen with snappy wordplay and one-line zingers. Though the track stays true to the grit and rawness that makes Pusha-T a standout, it also opens his music to a wider audience, showing that coke rap is just as luxurious and imaginative as other subgenres. *—Jessica McKinney*

Album: Gemini Rights

Steve Lacy traded in his inspiring iPhone-producing antics for the collaborative comfort of the studio on his artist-establishing project and—though tracks like “Amber” and “Sunshine” really gave the single a run for their money in elusive repeat factor—this was the song that became nearly every listener’s blissful bad habit this year. The trifecta of lighthearted production, raw vocals, and amusing lyrics (as well as immaculate mixing from Neal Pogue and Karl Wingate), make it inescapable. Yet it is its escape from the typical tightrope of expectations of the modern hit song that allowed it to be the first single to top five different Billboard genre charts including R&B and Rock. Hopefully this bad habit dies hard. —Ecleen Luzmila Caraballo — youtu.be

**Album:** *Gemini Rights*

Steve Lacy traded in his inspiring iPhone-producing antics for the collaborative comfort of the studio on his artist-establishing project and—though tracks like “Amber” and “Sunshine” really gave the single a run for their money in elusive repeat factor—this was the song that became nearly every listener’s blissful bad habit this year. The trifecta of lighthearted production, raw vocals, and amusing lyrics (as well as immaculate mixing from Neal Pogue and Karl Wingate), make it inescapable. Yet it is its escape from the typical tightrope of expectations of the modern hit song that allowed it to be the first single to top five different Billboard genre charts including R&B and Rock. Hopefully this bad habit dies hard. —Ecleen Luzmila Caraballo

youtu.be

**Album:** *Gemini Rights*

Steve Lacy traded in his inspiring iPhone-producing antics for the collaborative comfort of the studio on his artist-establishing project and—though tracks like “Amber” and “Sunshine” really gave the single a run for their money in elusive repeat factor—this was the song that became nearly every listener’s blissful bad habit this year. The trifecta of lighthearted production, raw vocals, and amusing lyrics (as well as immaculate mixing from Neal Pogue and Karl Wingate), make it inescapable. Yet it is its escape from the typical tightrope of expectations of the modern hit song that allowed it to be the first single to top five different Billboard genre charts including R&B and Rock. Hopefully this bad habit dies hard. —Ecleen Luzmila Caraballo

Album: Renaissance

“Cuff It” took off because of a dance challenge on TikTok, but this song is more than just a 15-second clip that listeners can perform to. As a whole, “Cuff It” is a flawlessly crafted single that is both soulful and youthful in its approach. On the track, Nile Rodgers plays the drums while Raphael Saadiq lends his ear to the drums and bases, which ultimately blends several eras of disco and dance music. Beyoncé delivers progressively powerful yet sweet and romantic vocals as she sings of falling in love. “Cuff It” is a fun and groovy feel-good anthem, and it might be too soon to say this, but this might be one of Beyoncé’s greatest hits to date. —Jessica McKinney — youtu.be

**Album:** *Renaissance*

“Cuff It” took off because of a dance challenge on TikTok, but this song is more than just a 15-second clip that listeners can perform to. As a whole, “Cuff It” is a flawlessly crafted single that is both soulful and youthful in its approach. On the track, Nile Rodgers plays the drums while Raphael Saadiq lends his ear to the drums and bases, which ultimately blends several eras of disco and dance music. Beyoncé delivers progressively powerful yet sweet and romantic vocals as she sings of falling in love. “Cuff It” is a fun and groovy feel-good anthem, and it might be too soon to say this, but this might be one of Beyoncé’s greatest hits to date. —Jessica McKinney

youtu.be

**Album:** *Renaissance*

“Cuff It” took off because of a dance challenge on TikTok, but this song is more than just a 15-second clip that listeners can perform to. As a whole, “Cuff It” is a flawlessly crafted single that is both soulful and youthful in its approach. On the track, Nile Rodgers plays the drums while Raphael Saadiq lends his ear to the drums and bases, which ultimately blends several eras of disco and dance music. Beyoncé delivers progressively powerful yet sweet and romantic vocals as she sings of falling in love. “Cuff It” is a fun and groovy feel-good anthem, and it might be too soon to say this, but this might be one of Beyoncé’s greatest hits to date. —Jessica McKinney

Album: Love, Damini

“Last Last” is the perfect fusion of Afrobeats and American R&B. The track samples Toni Braxton’s hit “He Wasn’t Man Enough” but, instead of resting on classic instrumentation, Burna Boy upgrades the track, bringing his own style and flair. The African Giant’s deep voice floats over the beat, hypnotizing listeners into dancing. Burna Boy undoubtedly played a large role in putting the afrobeats movement on a global scale. With this undeniable summer anthem, he not only captured the essence of a subgenre, he also captured the heat and carefree energy of an entire season. —Jessica McKinney — youtu.be

**Album:** *Love, Damini*

“Last Last” is the perfect fusion of Afrobeats and American R&B. The track samples Toni Braxton’s hit “He Wasn’t Man Enough” but, instead of resting on classic instrumentation, Burna Boy upgrades the track, bringing his own style and flair. The African Giant’s deep voice floats over the beat, hypnotizing listeners into dancing. Burna Boy undoubtedly played a large role in putting the afrobeats movement on a global scale. With this undeniable summer anthem, he not only captured the essence of a subgenre, he also captured the heat and carefree energy of an entire season. *—Jessica McKinney*

youtu.be

**Album:** *Love, Damini*

“Last Last” is the perfect fusion of Afrobeats and American R&B. The track samples Toni Braxton’s hit “He Wasn’t Man Enough” but, instead of resting on classic instrumentation, Burna Boy upgrades the track, bringing his own style and flair. The African Giant’s deep voice floats over the beat, hypnotizing listeners into dancing. Burna Boy undoubtedly played a large role in putting the afrobeats movement on a global scale. With this undeniable summer anthem, he not only captured the essence of a subgenre, he also captured the heat and carefree energy of an entire season. *—Jessica McKinney*

Album: Un Verano Sin Ti

Bad Bunny didn’t cross over this year; he removed the boundaries altogether. Across New York boroughs, states, and borders beyond the Americas, Bad Bunny was the most listened-to artist this year, and this was the most riveting of his offerings. But while the album was all for one and one for all, it had very specific inspirations and borrowings that the Puerto Rican artist was keen to acknowledge subtly and overtly on tour and in his visuals. This impeccable, lively video pairing in New York’s Washington Heights with household favorite Stillz really brings this one home, literally and figuratively. It’s for us but also for you. —Ecleen Luzmila Caraballo — youtu.be

**Album:** *Un Verano Sin Ti*

Bad Bunny didn’t cross over this year; he removed the boundaries altogether. Across New York boroughs, states, and borders beyond the Americas, Bad Bunny was the most listened-to artist this year, and this was the most riveting of his offerings. But while the album was all for one and one for all, it had very specific inspirations and borrowings that the Puerto Rican artist was keen to acknowledge subtly and overtly on tour and in his visuals. This impeccable, lively video pairing in New York’s Washington Heights with household favorite Stillz really brings this one home, literally and figuratively. It’s for us but also for you. *—Ecleen Luzmila Caraballo*

youtu.be

**Album:** *Un Verano Sin Ti*

Bad Bunny didn’t cross over this year; he removed the boundaries altogether. Across New York boroughs, states, and borders beyond the Americas, Bad Bunny was the most listened-to artist this year, and this was the most riveting of his offerings. But while the album was all for one and one for all, it had very specific inspirations and borrowings that the Puerto Rican artist was keen to acknowledge subtly and overtly on tour and in his visuals. This impeccable, lively video pairing in New York’s Washington Heights with household favorite Stillz really brings this one home, literally and figuratively. It’s for us but also for you. *—Ecleen Luzmila Caraballo*

Album: N/A

Music doesn’t have to be serious all the time, and Lil Uzi Vert is having nothing but fun on “Just Wanna Rock.” Uzi is from Philly, but he tapped into the energetic Jersey Club scene to help elevate this viral song. This accessible track doesn’t overcomplicate things. The beauty of Jersey Club is, as legendary DJ Lil Taj explained, that you don’t have to know the words to the songs to dance to them. It just is.—Jordan Rose — youtu.be

**Album:** N/A

Music doesn’t have to be serious all the time, and Lil Uzi Vert is having nothing but fun on “Just Wanna Rock.” Uzi is from Philly, but he tapped into the energetic Jersey Club scene to help elevate this viral song. This accessible track doesn’t overcomplicate things. The beauty of Jersey Club is, as legendary DJ Lil Taj explained, that you don’t have to know the words to the songs to dance to them. It just is.—Jordan Rose

youtu.be

**Album:** N/A

Music doesn’t have to be serious all the time, and Lil Uzi Vert is having nothing but fun on “Just Wanna Rock.” Uzi is from Philly, but he tapped into the energetic Jersey Club scene to help elevate this viral song. This accessible track doesn’t overcomplicate things. The beauty of Jersey Club is, as legendary DJ Lil Taj explained, that you don’t have to know the words to the songs to dance to them. It just is.—Jordan Rose

Album: N/A

The unexpected rise of GloRilla has been a joy to watch unfold. From the release of the both hard-hitting and lighthearted track at hand (which she’s somehow unfairly making no money from directly) to a fun Funk Flex freestyle and, now, a potential platinum certification and Grammy nomination for Best Rap Performance, Big Glo is the moment. “I ain’t expect it to go crazy like it did,” she recently told Complex. Reflective of who she is at her core, this song isn’t taking itself too seriously; the Memphis rapper simply wanted to do hoodrat things with her friends, so she did. In turn, we all got a soundtrack for those days when we want to do so, too. —Ecleen Luzmila Caraballo — youtu.be

**Album:** N/A

The unexpected rise of GloRilla has been a joy to watch unfold. From the release of the both hard-hitting and lighthearted track at hand (which she’s somehow unfairly making no money from directly) to a fun Funk Flex freestyle and, now, a potential platinum certification and Grammy nomination for Best Rap Performance, Big Glo is the moment. “I ain’t expect it to go crazy like it did,” she recently told Complex. Reflective of who she is at her core, this song isn’t taking itself too seriously; the Memphis rapper simply wanted to do hoodrat things with her friends, so she did. In turn, we all got a soundtrack for those days when we want to do so, too. *—Ecleen Luzmila Caraballo*

youtu.be

**Album:** N/A

The unexpected rise of GloRilla has been a joy to watch unfold. From the release of the both hard-hitting and lighthearted track at hand (which she’s somehow unfairly making no money from directly) to a fun Funk Flex freestyle and, now, a potential platinum certification and Grammy nomination for Best Rap Performance, Big Glo is the moment. “I ain’t expect it to go crazy like it did,” she recently told Complex. Reflective of who she is at her core, this song isn’t taking itself too seriously; the Memphis rapper simply wanted to do hoodrat things with her friends, so she did. In turn, we all got a soundtrack for those days when we want to do so, too. *—Ecleen Luzmila Caraballo*

Album: Honestly, Nevermind

Drake is a walking contradiction: he’s the emotionally detached lover boy and sensitive, misunderstood oversharer. So it makes complete sense that the most conventional song, “Jimmy Cooks,” off his most unconventional and polarizing album, Honestly, Nevermind, would also be the song of the year. A carefree-yet-sharp delivery is present throughout the song, giving it a high replay value. There are also gems tucked in every bar, making it so that something new can be discovered off every listen, from J. Cole allegedly making a subtle cameo to Drizzy’s Instagram model-shaming bar taking on a life (and lawsuit) of its own. And then there’s 21 Savage’s show-stopping performance. The song works because every one-liner lands and the collaboration works because Drake and Savage always know what to do when they link up, most recently on “Knife Talk” and before on “Sneakin.” But above all else, “Jimmy Cooks” sits above the rest this year because it’s proof that an equation that shouldn’t make sense—the Slaughter Gang CEO plus the Petty King—can still add up to gold. —Jordan Rose — youtu.be

**Album:** *Honestly, Nevermind*

Drake is a walking contradiction: he’s the emotionally detached lover boy and sensitive, misunderstood oversharer. So it makes complete sense that the most conventional song, “Jimmy Cooks,” off his most unconventional and polarizing album, *Honestly, Nevermind*, would also be the song of the year. A carefree-yet-sharp delivery is present throughout the song, giving it a high replay value. There are also gems tucked in every bar, making it so that something new can be discovered off every listen, from J. Cole allegedly making a subtle cameo to Drizzy’s Instagram model-shaming bar taking on a life (and lawsuit) of its own. And then there’s 21 Savage’s show-stopping performance. The song works because every one-liner lands and the collaboration works because Drake and Savage always know what to do when they link up, most recently on “Knife Talk” and before on “Sneakin.” But above all else, “Jimmy Cooks” sits above the rest this year because it’s proof that an equation that shouldn’t make sense—the Slaughter Gang CEO plus the Petty King—can still add up to gold. *—Jordan Rose*

youtu.be

**Album:** *Honestly, Nevermind*

Drake is a walking contradiction: he’s the emotionally detached lover boy and sensitive, misunderstood oversharer. So it makes complete sense that the most conventional song, “Jimmy Cooks,” off his most unconventional and polarizing album, *Honestly, Nevermind*, would also be the song of the year. A carefree-yet-sharp delivery is present throughout the song, giving it a high replay value. There are also gems tucked in every bar, making it so that something new can be discovered off every listen, from J. Cole allegedly making a subtle cameo to Drizzy’s Instagram model-shaming bar taking on a life (and lawsuit) of its own. And then there’s 21 Savage’s show-stopping performance. The song works because every one-liner lands and the collaboration works because Drake and Savage always know what to do when they link up, most recently on “Knife Talk” and before on “Sneakin.” But above all else, “Jimmy Cooks” sits above the rest this year because it’s proof that an equation that shouldn’t make sense—the Slaughter Gang CEO plus the Petty King—can still add up to gold. *—Jordan Rose*

Jay-Z Harry Styles The Weeknd Pharrell Bad Bunny Cardi B J. Cole Future Kendrick Lamar Tyler The Creator Dave 21 Savage Tems Drake Jay Worthy Kay Flock Best Songs Yeat Vince Staples Pharrell Williams Bia J.I.D.Benny The Butcher Redveil Gunna Denzel Curry Nigo Young Thug Omar Apollo Pusha T Che-Noir End Of Year Lists Features

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The Best Songs of 2022

50. Lil Yachty, “Poland”

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49. Marshmello & Tokischa, “Estilazo”

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48. Ravyn Lenae & Steve Lacy, “Skin Tight”

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47. SleazyWorld Go f/ Lil Baby, "Sleazy Flow (Remix)"

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46. Rico Nasty f/ Bibi Bourelly, "One On 5"

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45. Don Toliver, "Do It Right"

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44. BIA f/ J. Cole, "London"

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43. Yeat, "Poppin"

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42. Karol G, “Provenza”

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41. Nas, "First Time"

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40. ASAP Rocky f/ Playboi Carti, “Our Destiny”

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39. Central Cee, “Doja”

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38. Lil Baby, “California Breeze”

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37. Ari Lennox f/ Lucky Daye, "Boy Bye"

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36. Baby Keem, “Highway 95”

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35. Cash Cobain & Chow Lee, "JHoliday"

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34. Lil Durk f/ Future, "Petty Too"

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33. DJ Khaled f/ Rick Ross, Lil Wayne & Jay-Z, "God Did"

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32. Doja Cat, "Vegas"

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31. Joey Badass, "Survivors Guilt"

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30. Flo Milli, “Conceited”

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29. Gunna f/ Young Thug & Future, "Pushin P"

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28. City Girls f/ Usher, “Good Love”

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27. Harry Styles, "As It Was"

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26. SZA, “Low”

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25. Quavo & Takeoff, "Hotel Lobby"

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24. Denzel Curry, "X-Wing"

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23. Doechii, "Persuasive"

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22. The Weeknd, “Out of Time”

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21. Benny the Butcher f/ J. Cole, "Johnny P’s Caddy"

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20. Future f/ Drake & Tems, "Wait For U"

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19. Vince Staples & Mustard, "Magic"

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18. GloRilla f/ Cardi B, "Tomorrow 2"

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17. Omar Apollo, "Tamagotchi"

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16. Smino f/ J. Cole, "90 Proof"

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15. Drake, “Sticky”

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