Best Songs Of 2023 (So Far)

From j-hope and J. Cole to PinkPantheress and Ice Spice, here are Complex's best songs of 2023 so far.

Jun 12, 2023

Brand Publisher

Complex Original

Who doesn’t love a solid single drop ahead of single folks’ favorite season? Artists like Ice Spice, Lil Yachty and Maiya the Don have had a lot of fun with their releases so far this year, and it’s not even summer yet. Others like Daniel Caesar, Jordan Ward, and SZA have been in their bag, embracing states of savagery and blue during the year’s colder months. There’s been a lot of good music to parse through so far this year, and we’re only half way there. Here are Complex's best songs of 2023 so far.

Album: N/A
Korean pop star j-hope and rap legend J. Cole may seem like an unlikely pairing, but the two talented artists use their elite storytelling abilities to bridge their cultural gap on j-hope’s song “On The Street.” Hope has been a massive J. Cole fan for several years now, and after meeting the Dreamville head honcho at Lollapalooza in 2022, they were finally able to connect on this track. While hope raps about faithfully walking down a path of his own creation, Cole is still contemplating his swan song on “On The Street,” spitting, “I'm deep in with this rappin', it's all a nigga know/I never did nothin' better, it's hard to let it go/But like a father watching his daughter/Walk down the altar with tears in his eyes/You gotta let her grow.” But his hunger can still be heard in every bar, which grows the more he eats tracks like these. —Jordan Rose — YouTube

**Album:** N/A
Korean pop star j-hope and rap legend J. Cole may seem like an unlikely pairing, but the two talented artists use their elite storytelling abilities to bridge their cultural gap on j-hope’s song “On The Street.” Hope has been a massive J. Cole fan for several years now, and after meeting the Dreamville head honcho at Lollapalooza in 2022, they were finally able to connect on this track. While hope raps about faithfully walking down a path of his own creation, Cole is still contemplating his swan song on “On The Street,” spitting, “I'm deep in with this rappin', it's all a nigga know/I never did nothin' better, it's hard to let it go/But like a father watching his daughter/Walk down the altar with tears in his eyes/You gotta let her grow.” But his hunger can still be heard in every bar, which grows the more he eats tracks like these. *—Jordan Rose*

YouTube

**Album:** N/A
Korean pop star j-hope and rap legend J. Cole may seem like an unlikely pairing, but the two talented artists use their elite storytelling abilities to bridge their cultural gap on j-hope’s song “On The Street.” Hope has been a massive J. Cole fan for several years now, and after meeting the Dreamville head honcho at Lollapalooza in 2022, they were finally able to connect on this track. While hope raps about faithfully walking down a path of his own creation, Cole is still contemplating his swan song on “On The Street,” spitting, “I'm deep in with this rappin', it's all a nigga know/I never did nothin' better, it's hard to let it go/But like a father watching his daughter/Walk down the altar with tears in his eyes/You gotta let her grow.” But his hunger can still be heard in every bar, which grows the more he eats tracks like these. *—Jordan Rose*

Album: If Looks Could Kill
What would it sound like if a rapper visited New York City in October, put on a Halloween mask in the studio, smoked weed, and started recording? Well, you don’t have to imagine, because that song exists, and it’s called “If Looks Could Kill” by Destroy Lonely. Over a moody guitar riff, the Opium rapper sings about his evolving fashion tastes (don’t expect to see him at Dover Street Market anymore), his ballooning bank account, and his persisting demons. The rock-influenced sound is a departure from the rage rap aesthetic that Destroy Lonely is often associated with, and he pulls it off well, delivering something that would make his idol Chino Moreno proud. —Eric Skelton — YouTube

**Album:** *If Looks Could Kill*
What would it sound like if a rapper visited New York City in October, put on a Halloween mask in the studio, smoked weed, and started recording? Well, you don’t have to imagine, because that song exists, and it’s called “If Looks Could Kill” by Destroy Lonely. Over a moody guitar riff, the Opium rapper sings about his evolving fashion tastes (don’t expect to see him at Dover Street Market anymore), his ballooning bank account, and his persisting demons. The rock-influenced sound is a departure from the rage rap aesthetic that Destroy Lonely is often associated with, and he pulls it off well, delivering something that would make his idol Chino Moreno proud. *—Eric Skelton*

YouTube

**Album:** *If Looks Could Kill*
What would it sound like if a rapper visited New York City in October, put on a Halloween mask in the studio, smoked weed, and started recording? Well, you don’t have to imagine, because that song exists, and it’s called “If Looks Could Kill” by Destroy Lonely. Over a moody guitar riff, the Opium rapper sings about his evolving fashion tastes (don’t expect to see him at Dover Street Market anymore), his ballooning bank account, and his persisting demons. The rock-influenced sound is a departure from the rage rap aesthetic that Destroy Lonely is often associated with, and he pulls it off well, delivering something that would make his idol Chino Moreno proud. *—Eric Skelton*

Album: AftërLyfe
After teasing the snippet on Instagram last month, Yeat finally fed fans with another much-needed Young Thug link-up. Previously collabing on the 2 Alivë standout track “Outsidë,” a more upbeat and vibrant track, Yeat and Young Thug captured the same hypnotic synergy on “My Wrist.” The woozy and sinister beat, supplied by BNYX, serves as the perfect backdrop for Yeat and Thug to fuse their similarly eccentric styles of rap. —Stefan Breskin — YouTube

**Album:** *AftërLyfe*
After teasing the snippet on Instagram last month, Yeat finally fed fans with another much-needed Young Thug link-up. Previously collabing on the *2 Alivë* standout track “Outsidë,” a more upbeat and vibrant track, Yeat and Young Thug captured the same hypnotic synergy on “My Wrist.” The woozy and sinister beat, supplied by BNYX, serves as the perfect backdrop for Yeat and Thug to fuse their similarly eccentric styles of rap. *—Stefan Breskin*

YouTube

**Album:** *AftërLyfe*
After teasing the snippet on Instagram last month, Yeat finally fed fans with another much-needed Young Thug link-up. Previously collabing on the *2 Alivë* standout track “Outsidë,” a more upbeat and vibrant track, Yeat and Young Thug captured the same hypnotic synergy on “My Wrist.” The woozy and sinister beat, supplied by BNYX, serves as the perfect backdrop for Yeat and Thug to fuse their similarly eccentric styles of rap. *—Stefan Breskin*

Album: N/A
Since 2019, Argentina’s Bizzarap has strung together a series of home studio-recorded freestyles and released them as numbered music sessions. A few years into the project, he and several guests have garnered international attention atop global charts. Everyone from Spanish rapper Quevedo to Puerto Rican spitter Residente and Mexico’s rising star Peso Pluma have joined the artist and used the platform to get some things off their chest. Unexpected yet uncannily fitting was the prominent DJ-producer’s link-up with global pop star Shakira in the middle of her reintroduction and defiant unleashing post-divorce. Her dominance of the mic is delightfully messianic with tongue-in-cheek lines like, “Yo solo hago música, perdón que te sal-pique,” which translates to “I just make music, sorry if it splashes on you,” with the latter part being a pointed play on her ex’s name (Gerard Piqué). The track landed them several world records, including the most viewed Latin track on YouTube in 24 hours. This will serve as one of the defining tracks of Shakira’s resurgence, and 24-year-old Bizzarap’s best session yet. —Ecleen Luzmila Caraballo — YouTube

**Album:** N/A
Since 2019, Argentina’s Bizzarap has strung together a series of home studio-recorded freestyles and released them as numbered music sessions. A few years into the project, he and several guests have garnered international attention atop global charts. Everyone from Spanish rapper Quevedo to Puerto Rican spitter Residente and Mexico’s rising star Peso Pluma have joined the artist and used the platform to get some things off their chest. Unexpected yet uncannily fitting was the prominent DJ-producer’s link-up with global pop star Shakira in the middle of her reintroduction and defiant unleashing post-divorce. Her dominance of the mic is delightfully messianic with tongue-in-cheek lines like, “Yo solo hago música, perdón que te sal-pique,” which translates to “I just make music, sorry if it splashes on you,” with the latter part being a pointed play on her ex’s name (Gerard Piqué). The track landed them several world records, including the most viewed Latin track on YouTube in 24 hours. This will serve as one of the defining tracks of Shakira’s resurgence, and 24-year-old Bizzarap’s best session yet. *—Ecleen Luzmila Caraballo*

YouTube

**Album:** N/A
Since 2019, Argentina’s Bizzarap has strung together a series of home studio-recorded freestyles and released them as numbered music sessions. A few years into the project, he and several guests have garnered international attention atop global charts. Everyone from Spanish rapper Quevedo to Puerto Rican spitter Residente and Mexico’s rising star Peso Pluma have joined the artist and used the platform to get some things off their chest. Unexpected yet uncannily fitting was the prominent DJ-producer’s link-up with global pop star Shakira in the middle of her reintroduction and defiant unleashing post-divorce. Her dominance of the mic is delightfully messianic with tongue-in-cheek lines like, “Yo solo hago música, perdón que te sal-pique,” which translates to “I just make music, sorry if it splashes on you,” with the latter part being a pointed play on her ex’s name (Gerard Piqué). The track landed them several world records, including the most viewed Latin track on YouTube in 24 hours. This will serve as one of the defining tracks of Shakira’s resurgence, and 24-year-old Bizzarap’s best session yet. *—Ecleen Luzmila Caraballo*

Album: Gumbo
"Peaches & Eggplants" is what you get when you combine a strip club anthem with onomatopoeias, emojis and gleeful, unapologetic thirst. That's another way of saying it's a slap. For this one, Young Nudy recounts ravenous sneaky links in hilarious, NSFW details that are so plainly vulgar you can't help but laugh. Sliding over a muted bassline and frenetic percussion, 21 plays out his favorite driver seat sexcapade, distilling his exploits with a mix of casual charm and seduction. The hook sounds like two bros recapping a fight, a repetitive, playful string of sounds; both silly yet too infectious to go without repeating. —Peter A. Berry — youtube.com

**Album:** *Gumbo*
"Peaches & Eggplants" is what you get when you combine a strip club anthem with onomatopoeias, emojis and gleeful, unapologetic thirst. That's another way of saying it's a slap. For this one, Young Nudy recounts ravenous sneaky links in hilarious, NSFW details that are so plainly vulgar you can't help but laugh. Sliding over a muted bassline and frenetic percussion, 21 plays out his favorite driver seat sexcapade, distilling his exploits with a mix of casual charm and seduction. The hook sounds like two bros recapping a fight, a repetitive, playful string of sounds; both silly yet too infectious to go without repeating. *—Peter A. Berry*

youtube.com

**Album:** *Gumbo*
"Peaches & Eggplants" is what you get when you combine a strip club anthem with onomatopoeias, emojis and gleeful, unapologetic thirst. That's another way of saying it's a slap. For this one, Young Nudy recounts ravenous sneaky links in hilarious, NSFW details that are so plainly vulgar you can't help but laugh. Sliding over a muted bassline and frenetic percussion, 21 plays out his favorite driver seat sexcapade, distilling his exploits with a mix of casual charm and seduction. The hook sounds like two bros recapping a fight, a repetitive, playful string of sounds; both silly yet too infectious to go without repeating. *—Peter A. Berry*

Album: AMAR
When you think of Texas rap, one of the first places your mind goes to is the distinct Chopped and Screwed style out of Houston. BigXthaPlug, out of Dallas, might fool you with his deep, bass-filled voice, but it isn’t chopped—that’s his natural voice. His one-of-a-kind sound creates an aura of effortless swagger that allows him to skate over the twangy, country-rap, string-laden beat with grace. BigXthaPlug is a product of old-school Texas rap, paying homage with bars like, “I thought Pimp C was a god before he went to prison.” “Texas” is the perfect jump-off point for this bubbling new offshoot of Texas rap. —Stefan Breskin — YouTube

**Album:** *AMAR*
When you think of Texas rap, one of the first places your mind goes to is the distinct Chopped and Screwed style out of Houston. BigXthaPlug, out of Dallas, might fool you with his deep, bass-filled voice, but it isn’t chopped—that’s his natural voice. His one-of-a-kind sound creates an aura of effortless swagger that allows him to skate over the twangy, country-rap, string-laden beat with grace. BigXthaPlug is a product of old-school Texas rap, paying homage with bars like, “I thought Pimp C was a god before he went to prison.” “Texas” is the perfect jump-off point for this bubbling new offshoot of Texas rap. *—Stefan Breskin*

YouTube

**Album:** *AMAR*
When you think of Texas rap, one of the first places your mind goes to is the distinct Chopped and Screwed style out of Houston. BigXthaPlug, out of Dallas, might fool you with his deep, bass-filled voice, but it isn’t chopped—that’s his natural voice. His one-of-a-kind sound creates an aura of effortless swagger that allows him to skate over the twangy, country-rap, string-laden beat with grace. BigXthaPlug is a product of old-school Texas rap, paying homage with bars like, “I thought Pimp C was a god before he went to prison.” “Texas” is the perfect jump-off point for this bubbling new offshoot of Texas rap. *—Stefan Breskin*

Album: N/A
Lola Brooke possesses an undeniable “it-factor,” and it shines brilliantly on her latest release, “Just Relax.” Following the successes of her previous tracks, “Don't Play With It” and “Here I Come,” this song carries a similar attitude and delivery that sets Lola Brooke apart. On “Just Relax,” Lola Brooke's raw and raspy vocals glide effortlessly over a sample of Black Sheep's “The Choice Is Yours (Revisited).” With lines like, “Bitches wan' be this, 'cause I was always that/ Niggas say they rich? Let's keep it a stack/I ain't with the tic, I be movin' tac/Bitches think they it, all that shit is cap,” the Brooklyn native unleashes her fun, cocky, and unapologetic lyrics. However, it's Lola Brooke's ferocious delivery that truly captivates listeners, keeping them on the edge of their seats. “Just Relax” is another record that shows Lola Brooke’s magnetic talent and distinctive style, solidifying her place as a rising star in rap. —Jessica McKinney — YouTube

**Album:** N/A
Lola Brooke possesses an undeniable “it-factor,” and it shines brilliantly on her latest release, “Just Relax.” Following the successes of her previous tracks, “Don't Play With It” and “Here I Come,” this song carries a similar attitude and delivery that sets Lola Brooke apart. On “Just Relax,” Lola Brooke's raw and raspy vocals glide effortlessly over a sample of Black Sheep's “The Choice Is Yours (Revisited).” With lines like, “Bitches wan' be this, 'cause I was always that/ Niggas say they rich? Let's keep it a stack/I ain't with the tic, I be movin' tac/Bitches think they it, all that shit is cap,” the Brooklyn native unleashes her fun, cocky, and unapologetic lyrics. However, it's Lola Brooke's ferocious delivery that truly captivates listeners, keeping them on the edge of their seats. “Just Relax” is another record that shows Lola Brooke’s magnetic talent and distinctive style, solidifying her place as a rising star in rap. *—Jessica McKinney*

YouTube

**Album:** N/A
Lola Brooke possesses an undeniable “it-factor,” and it shines brilliantly on her latest release, “Just Relax.” Following the successes of her previous tracks, “Don't Play With It” and “Here I Come,” this song carries a similar attitude and delivery that sets Lola Brooke apart. On “Just Relax,” Lola Brooke's raw and raspy vocals glide effortlessly over a sample of Black Sheep's “The Choice Is Yours (Revisited).” With lines like, “Bitches wan' be this, 'cause I was always that/ Niggas say they rich? Let's keep it a stack/I ain't with the tic, I be movin' tac/Bitches think they it, all that shit is cap,” the Brooklyn native unleashes her fun, cocky, and unapologetic lyrics. However, it's Lola Brooke's ferocious delivery that truly captivates listeners, keeping them on the edge of their seats. “Just Relax” is another record that shows Lola Brooke’s magnetic talent and distinctive style, solidifying her place as a rising star in rap. *—Jessica McKinney*

Album: Since I Have a Lover
6LACK isn’t quite the patron saint of sad boys, but his discography has had a persistent romantic somberness that dates back to breakthrough tracks like “PRBLMS” and “Ex Calling.” So after a decade in music and multiple armfuls of platinum and gold plaques centered around loneliness and relationships gone awry, the only thing left for him to do, both creatively and personally, was fall in love. The title track from 6LACK’s latest studio album feels like a reverie. Even he sounds surprised to be this happy, singing with more vigor than he usually displays while remarking, “I been tweakin’ since the first time around/Second time around/Get it on the gown/Gotta say a vow.” Singing atop reverb-heavy guitar and chugging percussion, 6LACK seems more invigorated than he has in a long time. Who said that falling in love was bad for your art? —Grant Rindner — YouTube

**Album:** *Since I Have a Lover*
6LACK isn’t quite the patron saint of sad boys, but his discography has had a persistent romantic somberness that dates back to breakthrough tracks like “PRBLMS” and “Ex Calling.” So after a decade in music and multiple armfuls of platinum and gold plaques centered around loneliness and relationships gone awry, the only thing left for him to do, both creatively *and* personally, was fall in love. The title track from 6LACK’s latest studio album feels like a reverie. Even he sounds surprised to be this happy, singing with more vigor than he usually displays while remarking, “I been tweakin’ since the first time around/Second time around/Get it on the gown/Gotta say a vow.” Singing atop reverb-heavy guitar and chugging percussion, 6LACK seems more invigorated than he has in a long time. Who said that falling in love was bad for your art? *—Grant Rindner*

YouTube

**Album:** *Since I Have a Lover*
6LACK isn’t quite the patron saint of sad boys, but his discography has had a persistent romantic somberness that dates back to breakthrough tracks like “PRBLMS” and “Ex Calling.” So after a decade in music and multiple armfuls of platinum and gold plaques centered around loneliness and relationships gone awry, the only thing left for him to do, both creatively *and* personally, was fall in love. The title track from 6LACK’s latest studio album feels like a reverie. Even he sounds surprised to be this happy, singing with more vigor than he usually displays while remarking, “I been tweakin’ since the first time around/Second time around/Get it on the gown/Gotta say a vow.” Singing atop reverb-heavy guitar and chugging percussion, 6LACK seems more invigorated than he has in a long time. Who said that falling in love was bad for your art? *—Grant Rindner*

Album: N/A
Bootleg remixes are everywhere this year—even the Billboard charts. All over the world, bedroom producers are speeding songs up, slowing them down, and pairing them with new beats. More often than not, they’re going viral on TikTok. In the case of teenage producer ARIZONATEARS, he found a leaked Lil Uzi Vert song called "Watch This" and made a new beat for it. Before long, it had gained so much traction on TikTok that Uzi's label decided to embrace it, formally releasing it as an official remix, and the song became a surprise Billboard-charting hit. It’s easy to see why: This thing is overflowing with charm, pairing Uzi’s charismatic vocal with lush pianos, an addictive squealing synth, and danceable drums. No wonder Atlantic Records embraced this particular bootleg. It’s a hit! —Eric Skelton — YouTube

**Album:** N/A
Bootleg remixes are *everywhere* this year—even the Billboard charts. All over the world, bedroom producers are speeding songs up, slowing them down, and pairing them with new beats. More often than not, they’re going viral on TikTok. In the case of teenage producer ARIZONATEARS, he found a leaked Lil Uzi Vert song called "Watch This" and made a new beat for it. Before long, it had gained so much traction on TikTok that Uzi's label decided to embrace it, formally releasing it as an official remix, and the song became a surprise Billboard-charting hit. It’s easy to see why: This thing is overflowing with charm, pairing Uzi’s charismatic vocal with lush pianos, an addictive squealing synth, and danceable drums. No wonder Atlantic Records embraced this particular bootleg. It’s a hit! *—Eric Skelton*

YouTube

**Album:** N/A
Bootleg remixes are *everywhere* this year—even the Billboard charts. All over the world, bedroom producers are speeding songs up, slowing them down, and pairing them with new beats. More often than not, they’re going viral on TikTok. In the case of teenage producer ARIZONATEARS, he found a leaked Lil Uzi Vert song called "Watch This" and made a new beat for it. Before long, it had gained so much traction on TikTok that Uzi's label decided to embrace it, formally releasing it as an official remix, and the song became a surprise Billboard-charting hit. It’s easy to see why: This thing is overflowing with charm, pairing Uzi’s charismatic vocal with lush pianos, an addictive squealing synth, and danceable drums. No wonder Atlantic Records embraced this particular bootleg. It’s a hit! *—Eric Skelton*

Album: My Vision
Seventeen-year-old Tallahassee rap phenom Luh Tyler has been experiencing a lot of “firsts” over the past year as he’s rapidly gained fame and notoriety thanks to his laid-back flow and style, and “First Show” encapsulates the carefree energy that has helped him reach those milestones (like his first Rolling Loud performance). “They like, ‘Damn, boy, you got your own flow, you on some different shit,’” Tyler opens the upbeat track that samples Tammi Terrell’s “All I Do Is Think About You.” At this early of a point in his career, Luh Tyler is just having fun, and “First Show” embodies that spirit of creative freedom that comes with being young. —Jordan Rose — YouTube

**Album:** *My Vision*
Seventeen-year-old Tallahassee rap phenom Luh Tyler has been experiencing a lot of “firsts” over the past year as he’s rapidly gained fame and notoriety thanks to his laid-back flow and style, and “First Show” encapsulates the carefree energy that has helped him reach those milestones (like his first Rolling Loud performance). “They like, ‘Damn, boy, you got your own flow, you on some different shit,’” Tyler opens the upbeat track that samples Tammi Terrell’s “All I Do Is Think About You.” At this early of a point in his career, Luh Tyler is just having fun, and “First Show” embodies that spirit of creative freedom that comes with being young. *—Jordan Rose*

YouTube

**Album:** *My Vision*
Seventeen-year-old Tallahassee rap phenom Luh Tyler has been experiencing a lot of “firsts” over the past year as he’s rapidly gained fame and notoriety thanks to his laid-back flow and style, and “First Show” encapsulates the carefree energy that has helped him reach those milestones (like his first Rolling Loud performance). “They like, ‘Damn, boy, you got your own flow, you on some different shit,’” Tyler opens the upbeat track that samples Tammi Terrell’s “All I Do Is Think About You.” At this early of a point in his career, Luh Tyler is just having fun, and “First Show” embodies that spirit of creative freedom that comes with being young. *—Jordan Rose*

Album: N/A
Conventional wisdom says classics should be left alone, but with "What It Is," Doechii makes a great argument for reimagining. Sampling TLC's "No Scrubs" while interpolating the hilariously crude hook for Trillville's "Some Cut," the shapeshifting Florida spitter serves up a good ole fashion anthem for thuggin love. Think Destiny's Child's "Soldier," but the 2K23 edition. Here, she flaunts her vocals, coasting above lithe strings and spurts of ominous piano. It’s sexy with a trace of danger—a fitting ode to bad boys. The lyrics themselves are imbued with commanding charm: "If you put it down, I'ma pick it up," she sings. You can almost hear her wink. —Peter A. Berry — YouTube

**Album:** N/A
Conventional wisdom says classics should be left alone, but with "What It Is," Doechii makes a great argument for reimagining. Sampling TLC's "No Scrubs" while interpolating the hilariously crude hook for Trillville's "Some Cut," the shapeshifting Florida spitter serves up a good ole fashion anthem for thuggin love. Think Destiny's Child's "Soldier," but the 2K23 edition. Here, she flaunts her vocals, coasting above lithe strings and spurts of ominous piano. It’s sexy with a trace of danger—a fitting ode to bad boys. The lyrics themselves are imbued with commanding charm: "If you put it down, I'ma pick it up," she sings. You can almost hear her wink. *—Peter A. Berry*

YouTube

**Album:** N/A
Conventional wisdom says classics should be left alone, but with "What It Is," Doechii makes a great argument for reimagining. Sampling TLC's "No Scrubs" while interpolating the hilariously crude hook for Trillville's "Some Cut," the shapeshifting Florida spitter serves up a good ole fashion anthem for thuggin love. Think Destiny's Child's "Soldier," but the 2K23 edition. Here, she flaunts her vocals, coasting above lithe strings and spurts of ominous piano. It’s sexy with a trace of danger—a fitting ode to bad boys. The lyrics themselves are imbued with commanding charm: "If you put it down, I'ma pick it up," she sings. You can almost hear her wink. *—Peter A. Berry*

Album: My 21st Century Blues
After years not being able to showcase the full breadth of her talents due to label issues, Raye took control of her career narrative with “Escapism,” a bleary-eyed club cut that showed she was far more than just a topline singer-songwriter on inoffensive EDM hits. “Flip a Switch” plays like the sequel to “Escapism,” pushing forward into the murky post-breakup territory of wanting to find a connection while simultaneously feeling a need to keep your guard up. Raye’s vocals showcase a sense of cool, calculated restraint as she raps and auto-tune croons with the icy chill of a supervillain monologuing. Plus, “Flip a Switch” boasts one of the year’s best music videos, a masterpiece of choreography that makes the case for Raye as a true do-it-all pop music force. —Grant Rindner — YouTube

**Album:** *My 21st Century Blues*
After years not being able to showcase the full breadth of her talents due to label issues, Raye took control of her career narrative with “Escapism,” a bleary-eyed club cut that showed she was far more than just a topline singer-songwriter on inoffensive EDM hits. “Flip a Switch” plays like the sequel to “Escapism,” pushing forward into the murky post-breakup territory of wanting to find a connection while simultaneously feeling a need to keep your guard up. Raye’s vocals showcase a sense of cool, calculated restraint as she raps and auto-tune croons with the icy chill of a supervillain monologuing. Plus, “Flip a Switch” boasts one of the year’s best music videos, a masterpiece of choreography that makes the case for Raye as a true do-it-all pop music force. *—Grant Rindner*

YouTube

**Album:** *My 21st Century Blues*
After years not being able to showcase the full breadth of her talents due to label issues, Raye took control of her career narrative with “Escapism,” a bleary-eyed club cut that showed she was far more than just a topline singer-songwriter on inoffensive EDM hits. “Flip a Switch” plays like the sequel to “Escapism,” pushing forward into the murky post-breakup territory of wanting to find a connection while simultaneously feeling a need to keep your guard up. Raye’s vocals showcase a sense of cool, calculated restraint as she raps and auto-tune croons with the icy chill of a supervillain monologuing. Plus, “Flip a Switch” boasts one of the year’s best music videos, a masterpiece of choreography that makes the case for Raye as a true do-it-all pop music force. *—Grant Rindner*

Album: Love Sick
There’s an intuitive logic to the Don Toliver–Justin Bieber connection—the former is a freewheeling fresh voice whose strange warbling makes him a pop music outsider, while the latter has been topping charts since before he could drive, and thrives with the creative boost that comes from someone like Toliver. But their previous collaborations (“Honest” and “Don’t Go”) haven’t reached the heights of “Private Landing,” a sleazy, neon-lit invitation that’s sexy and sinister. Meanwhile, Future is at his lurid, self-indulgent best. The “toxic Future” meme has been done to death, but lines like, “I done sniped off your ho' for a crumb of bread” and “I don’t take hoes on no date, unless they got pretty feet,” are vintage, showing that he’s still got new highs to reach…or depths to sink to. Toliver and Bieber are clearly having a blast bouncing between wispy falsettos, rapped triplets, and pitch-shifted deliveries with a sense of genuine spontaneity. These sorts of A-list team-ups can often feel perfunctory and blunted, but “Private Landing” is weird enough to work. —Grant Rindner — YouTube

**Album:** *Love Sick*
There’s an intuitive logic to the Don Toliver–Justin Bieber connection—the former is a freewheeling fresh voice whose strange warbling makes him a pop music outsider, while the latter has been topping charts since before he could drive, and thrives with the creative boost that comes from someone like Toliver. But their previous collaborations (“Honest” and “Don’t Go”) haven’t reached the heights of “Private Landing,” a sleazy, neon-lit invitation that’s sexy and sinister. Meanwhile, Future is at his lurid, self-indulgent best. The “toxic Future” meme has been done to death, but lines like, “I done sniped off your ho' for a crumb of bread” and “I don’t take hoes on no date, unless they got pretty feet,” are vintage, showing that he’s still got new highs to reach…or depths to sink to. Toliver and Bieber are clearly having a blast bouncing between wispy falsettos, rapped triplets, and pitch-shifted deliveries with a sense of genuine spontaneity. These sorts of A-list team-ups can often feel perfunctory and blunted, but “Private Landing” is weird enough to work. *—Grant Rindner*

YouTube

**Album:** *Love Sick*
There’s an intuitive logic to the Don Toliver–Justin Bieber connection—the former is a freewheeling fresh voice whose strange warbling makes him a pop music outsider, while the latter has been topping charts since before he could drive, and thrives with the creative boost that comes from someone like Toliver. But their previous collaborations (“Honest” and “Don’t Go”) haven’t reached the heights of “Private Landing,” a sleazy, neon-lit invitation that’s sexy and sinister. Meanwhile, Future is at his lurid, self-indulgent best. The “toxic Future” meme has been done to death, but lines like, “I done sniped off your ho' for a crumb of bread” and “I don’t take hoes on no date, unless they got pretty feet,” are vintage, showing that he’s still got new highs to reach…or depths to sink to. Toliver and Bieber are clearly having a blast bouncing between wispy falsettos, rapped triplets, and pitch-shifted deliveries with a sense of genuine spontaneity. These sorts of A-list team-ups can often feel perfunctory and blunted, but “Private Landing” is weird enough to work. *—Grant Rindner*

Album: Sremm 4 Life
Rae Sremmurd came correct with their most recent hit off of Sremm 4 Life. No stranger to crafting inescapable and addictive melodies, Swae Lee and Slim Jxmmi recaptured the same magic they used to make the likes of “No Type” and “Black Beatles” with this one. Maybe they don’t compare if your calculus is based on where songs chart (with the aforementioned tracks clocking in at number 16 and number 1, respectively), but “Royal Flush” hits just the same. The horns shine through brightest on the production, by ChopSquad DJ and Cubeatz, creating the perfect environment for Rae Sremmurd and Young Thug to get off their most braggadocious bars. —Stefan Breskin — YouTube

**Album:** *Sremm 4 Life*
Rae Sremmurd came correct with their most recent hit off of *Sremm 4 Life*. No stranger to crafting inescapable and addictive melodies, Swae Lee and Slim Jxmmi recaptured the same magic they used to make the likes of “No Type” and “Black Beatles” with this one. Maybe they don’t compare if your calculus is based on where songs chart (with the aforementioned tracks clocking in at number 16 and number 1, respectively), but “Royal Flush” hits just the same. The horns shine through brightest on the production, by ChopSquad DJ and Cubeatz, creating the perfect environment for Rae Sremmurd and Young Thug to get off their most braggadocious bars. *—Stefan Breskin*

YouTube

**Album:** *Sremm 4 Life*
Rae Sremmurd came correct with their most recent hit off of *Sremm 4 Life*. No stranger to crafting inescapable and addictive melodies, Swae Lee and Slim Jxmmi recaptured the same magic they used to make the likes of “No Type” and “Black Beatles” with this one. Maybe they don’t compare if your calculus is based on where songs chart (with the aforementioned tracks clocking in at number 16 and number 1, respectively), but “Royal Flush” hits just the same. The horns shine through brightest on the production, by ChopSquad DJ and Cubeatz, creating the perfect environment for Rae Sremmurd and Young Thug to get off their most braggadocious bars. *—Stefan Breskin*

Album: Strike (Holster)
Yachty just gets it. His late 2022 viral hit “Poland” was the predecessor to 2023’s “Strike (Holster),” and while there is an old saying that lightning never strikes twice, Yachty is the exception to that rule. Of all the music that has dropped in 2023, I’m not sure there has been anything that I have found myself randomly rapping more than “strike like I missed it, strike like I hit the pin, strike like I’m not going to work.” It’s an earworm—fun, goofy, and simply undeniable. The production sounds futuristic but also subdued at the same time, allowing Yachty’s combination of rapping and melodic vocals to breathe and in turn, you get one of the most infectious records of the year. Yachty isn’t new to creating these type of records, with them being littered in his catalog.This is just another example of his genius, and why anytime that he drops, he commands your attention. —Kameron Hay — YouTube

**Album:** *Strike (Holster)*
Yachty just gets it. His late 2022 viral hit “Poland” was the predecessor to 2023’s “Strike (Holster),” and while there is an old saying that lightning never strikes twice, Yachty is the exception to that rule. Of all the music that has dropped in 2023, I’m not sure there has been anything that I have found myself randomly rapping more than “strike like I missed it, strike like I hit the pin, strike like I’m not going to work.” It’s an earworm—fun, goofy, and simply undeniable. The production sounds futuristic but also subdued at the same time, allowing Yachty’s combination of rapping and melodic vocals to breathe and in turn, you get one of the most infectious records of the year. Yachty isn’t new to creating these type of records, with them being littered in his catalog.This is just another example of his genius, and why anytime that he drops, he commands your attention. *—Kameron Hay*

YouTube

**Album:** *Strike (Holster)*
Yachty just gets it. His late 2022 viral hit “Poland” was the predecessor to 2023’s “Strike (Holster),” and while there is an old saying that lightning never strikes twice, Yachty is the exception to that rule. Of all the music that has dropped in 2023, I’m not sure there has been anything that I have found myself randomly rapping more than “strike like I missed it, strike like I hit the pin, strike like I’m not going to work.” It’s an earworm—fun, goofy, and simply undeniable. The production sounds futuristic but also subdued at the same time, allowing Yachty’s combination of rapping and melodic vocals to breathe and in turn, you get one of the most infectious records of the year. Yachty isn’t new to creating these type of records, with them being littered in his catalog.This is just another example of his genius, and why anytime that he drops, he commands your attention. *—Kameron Hay*

Album: Forward
It’s challenging to capture the true essence of summer; many have tried and few have accomplished it this year as well as singer Jordan Ward on his track “Cherimoya.” Like the warmer months, this bonus track off Ward’s debut project Forward sounds whimsical. It’s about a distant lover who may not be so distant, but feels just out of reach, and the patience it takes to finally find them. Ward’s words are as fleeting as the summer breeze as they flow past listeners' ears over the peaceful production, and allow you to imagine your own cherimoya who you’ve “been waiting all season for.” —Jordan Rose — YouTube

**Album:** *Forward*
It’s challenging to capture the true essence of summer; many have tried and few have accomplished it this year as well as singer Jordan Ward on his track “Cherimoya.” Like the warmer months, this bonus track off Ward’s debut project *Forward* sounds whimsical. It’s about a distant lover who may not be so distant, but feels just out of reach, and the patience it takes to finally find them. Ward’s words are as fleeting as the summer breeze as they flow past listeners' ears over the peaceful production, and allow you to imagine your own cherimoya who you’ve “been waiting all season for.” *—Jordan Rose*

YouTube

**Album:** *Forward*
It’s challenging to capture the true essence of summer; many have tried and few have accomplished it this year as well as singer Jordan Ward on his track “Cherimoya.” Like the warmer months, this bonus track off Ward’s debut project *Forward* sounds whimsical. It’s about a distant lover who may not be so distant, but feels just out of reach, and the patience it takes to finally find them. Ward’s words are as fleeting as the summer breeze as they flow past listeners' ears over the peaceful production, and allow you to imagine your own cherimoya who you’ve “been waiting all season for.” *—Jordan Rose*

Album: Never Enough
Daniel Caesar’s breakout hits, “Get You” and “Best Part,” captured the life-affirming ecstasy of falling in love, but frankly, blue has always been his best color. Never Enough, Caesar’s third album is his most compelling work to date, anchored by gutting tracks like “Always.” This track slowly blossoms from Caesar’s winsome falsetto accompanied by electric piano chords to a shimmering song that combines the Canadian’s minimalist R&B with a kind of ‘70s singer-songwriter sheen. The lyrical imagery is grand in scale—"sure as the stars in the sky, sure as the sun will rise,” he pledges his love to a former flame he can’t get past—but Caesar’s vocals are so tender that the track feels almost too personal. Anyone who’s ever found themselves reeling in the wake of a breakup will see themselves in “Always,” a love song that leaves you leveled. —Grant Rindner — YouTube

**Album:** *Never Enough*
Daniel Caesar’s breakout hits, “Get You” and “Best Part,” captured the life-affirming ecstasy of falling in love, but frankly, blue has always been his best color. *Never Enough,* Caesar’s third album is his most compelling work to date, anchored by gutting tracks like “Always.” This track slowly blossoms from Caesar’s winsome falsetto accompanied by electric piano chords to a shimmering song that combines the Canadian’s minimalist R&B with a kind of ‘70s singer-songwriter sheen. The lyrical imagery is grand in scale—"sure as the stars in the sky, sure as the sun will rise,” he pledges his love to a former flame he can’t get past—but Caesar’s vocals are so tender that the track feels almost too personal. Anyone who’s ever found themselves reeling in the wake of a breakup will see themselves in “Always,” a love song that leaves you leveled. *—Grant Rindner*

YouTube

**Album:** *Never Enough*
Daniel Caesar’s breakout hits, “Get You” and “Best Part,” captured the life-affirming ecstasy of falling in love, but frankly, blue has always been his best color. *Never Enough,* Caesar’s third album is his most compelling work to date, anchored by gutting tracks like “Always.” This track slowly blossoms from Caesar’s winsome falsetto accompanied by electric piano chords to a shimmering song that combines the Canadian’s minimalist R&B with a kind of ‘70s singer-songwriter sheen. The lyrical imagery is grand in scale—"sure as the stars in the sky, sure as the sun will rise,” he pledges his love to a former flame he can’t get past—but Caesar’s vocals are so tender that the track feels almost too personal. Anyone who’s ever found themselves reeling in the wake of a breakup will see themselves in “Always,” a love song that leaves you leveled. *—Grant Rindner*

Album: N/A
Only SZA can make a song about killing a hypothetical ex sound beautiful, and Doja Cat’s verse on the “Kill Bill” remix adds the perfect dash of unhinged relatability to make the song even more complete. Over a calm 16 bars, Doja provides the other half of the story that SZA starts, where she raps about “accidentally” killing her ex's new lover with the bullet meant for them, followed by the TDE singer smoothly sliding back into the song to croon about finishing the deed by ending her former partner. What makes the verse compelling is the detail that Doja includes, making it feel like an audible novella playing out as she describes, “I couldn't help but watch you kiss her by the kitchen sink/I swung the door open, tippy-toed farther in/I wasn't cryin', I was starin' and forgot to blink.” Doja makes you feel like you were there, which is equal-parts impressive and terrifying. —Jordan Rose — YouTube

**Album:** N/A
Only SZA can make a song about killing a hypothetical ex sound beautiful, and Doja Cat’s verse on the “Kill Bill” remix adds the perfect dash of unhinged relatability to make the song even more complete. Over a calm 16 bars, Doja provides the other half of the story that SZA starts, where she raps about “accidentally” killing her ex's new lover with the bullet meant for them, followed by the TDE singer smoothly sliding back into the song to croon about finishing the deed by ending her former partner. What makes the verse compelling is the detail that Doja includes, making it feel like an audible novella playing out as she describes, “I couldn't help but watch you kiss her by the kitchen sink/I swung the door open, tippy-toed farther in/I wasn't cryin', I was starin' and forgot to blink.” Doja makes you feel like you were there, which is equal-parts impressive and terrifying. *—Jordan Rose*

YouTube

**Album:** N/A
Only SZA can make a song about killing a hypothetical ex sound beautiful, and Doja Cat’s verse on the “Kill Bill” remix adds the perfect dash of unhinged relatability to make the song even more complete. Over a calm 16 bars, Doja provides the other half of the story that SZA starts, where she raps about “accidentally” killing her ex's new lover with the bullet meant for them, followed by the TDE singer smoothly sliding back into the song to croon about finishing the deed by ending her former partner. What makes the verse compelling is the detail that Doja includes, making it feel like an audible novella playing out as she describes, “I couldn't help but watch you kiss her by the kitchen sink/I swung the door open, tippy-toed farther in/I wasn't cryin', I was starin' and forgot to blink.” Doja makes you feel like you were there, which is equal-parts impressive and terrifying. *—Jordan Rose*

Album: Endless Summer Vacation
Producers: Kid Harpoon & Tyler Johnson
Miley Cyrus’ “Flowers” might seem like an odd pick for a Complex list, but it’s impossible to ignore the song’s magnetism. “Flowers” is a heartfelt ballad that finds Cyrus stepping into her power as a woman and an artist. With stripped-down instrumentals, Cyrus’ husky vocals take center stage as she sings about being the superhero of her own story. The vulnerable and suggestive lyrics like “built a home and watched it burn” could lead some listeners to focus more on her past romantic relationships instead of the music. But gossip and tabloid headlines aside, the track’s raw and vulnerable message is what makes it so relatable. It’s no wonder the song became the most-streamed record of the first quarter of 2023. It’s a lesson we all could afford to learn. “Flowers” is one of Cyrus’s best songs to date, displaying her artistic evolution and maturity. —Jessica McKinney — YouTube

**Album:** *Endless Summer Vacation*
**Producers:** Kid Harpoon & Tyler Johnson
Miley Cyrus’ “Flowers” might seem like an odd pick for a Complex list, but it’s impossible to ignore the song’s magnetism. “Flowers” is a heartfelt ballad that finds Cyrus stepping into her power as a woman and an artist. With stripped-down instrumentals, Cyrus’ husky vocals take center stage as she sings about being the superhero of her own story. The vulnerable and suggestive lyrics like “built a home and watched it burn” could lead some listeners to focus more on her past romantic relationships instead of the music. But gossip and tabloid headlines aside, the track’s raw and vulnerable message is what makes it so relatable. It’s no wonder the song became the most-streamed record of the first quarter of 2023. It’s a lesson we all could afford to learn. “Flowers” is one of Cyrus’s best songs to date, displaying her artistic evolution and maturity. *—Jessica McKinney*

YouTube

**Album:** *Endless Summer Vacation*
**Producers:** Kid Harpoon & Tyler Johnson
Miley Cyrus’ “Flowers” might seem like an odd pick for a Complex list, but it’s impossible to ignore the song’s magnetism. “Flowers” is a heartfelt ballad that finds Cyrus stepping into her power as a woman and an artist. With stripped-down instrumentals, Cyrus’ husky vocals take center stage as she sings about being the superhero of her own story. The vulnerable and suggestive lyrics like “built a home and watched it burn” could lead some listeners to focus more on her past romantic relationships instead of the music. But gossip and tabloid headlines aside, the track’s raw and vulnerable message is what makes it so relatable. It’s no wonder the song became the most-streamed record of the first quarter of 2023. It’s a lesson we all could afford to learn. “Flowers” is one of Cyrus’s best songs to date, displaying her artistic evolution and maturity. *—Jessica McKinney*

Album: KAYTRAMINÉ
Producers: Kaytranada
Aminé and Kaytranada's collaboration “Who He Iz” is an absolute banger and perfect opener to their joint project. From start to finish, the track exudes an infectious energy and an irresistible vibe that is sure to captivate listeners. Aminé’s delivery is worthy of praise as he effortlessly glides over Kaytranada’s production with confidence and enthusiasm. While the track is clearly a summer party anthem, Aminé shows his lyrical prowess with introspective storytelling. Kaytranada proves he’s a master of production, blending a sample of Busta Rhymes 1997 hit “Put Your Hands Where My Eyes Could See” with other elements of hip-hop and electronic music. From the layered beats to dynamic verses, “Who He Iz” is a great collaboration that demonstrates their artistic chemistry. —Jessica McKinney — YouTube

**Album:** *KAYTRAMINÉ*
**Producers:** Kaytranada
Aminé and Kaytranada's collaboration “Who He Iz” is an absolute banger and perfect opener to their joint project. From start to finish, the track exudes an infectious energy and an irresistible vibe that is sure to captivate listeners. Aminé’s delivery is worthy of praise as he effortlessly glides over Kaytranada’s production with confidence and enthusiasm. While the track is clearly a summer party anthem, Aminé shows his lyrical prowess with introspective storytelling. Kaytranada proves he’s a master of production, blending a sample of Busta Rhymes 1997 hit “Put Your Hands Where My Eyes Could See” with other elements of hip-hop and electronic music. From the layered beats to dynamic verses, “Who He Iz” is a great collaboration that demonstrates their artistic chemistry. *—Jessica McKinney*

YouTube

**Album:** *KAYTRAMINÉ*
**Producers:** Kaytranada
Aminé and Kaytranada's collaboration “Who He Iz” is an absolute banger and perfect opener to their joint project. From start to finish, the track exudes an infectious energy and an irresistible vibe that is sure to captivate listeners. Aminé’s delivery is worthy of praise as he effortlessly glides over Kaytranada’s production with confidence and enthusiasm. While the track is clearly a summer party anthem, Aminé shows his lyrical prowess with introspective storytelling. Kaytranada proves he’s a master of production, blending a sample of Busta Rhymes 1997 hit “Put Your Hands Where My Eyes Could See” with other elements of hip-hop and electronic music. From the layered beats to dynamic verses, “Who He Iz” is a great collaboration that demonstrates their artistic chemistry. *—Jessica McKinney*

Album: N/A
Maiya The Don is the boldness of Brooklyn personified, and on “Dusties” the BK spitter exemplifies why she is not the one to be tested. Appropriately sampling Lil Kim’s “Magic Stick,” Maiya puts her own twist on the iconic beat and pairs it with her BK drill flow. “You thought I was feeling you? I was drunk,” she opens, also paying homage to Ice Spice’s viral hit “Munch,” which works because it feels like “Dusties” is a part of the MCU (Munch Cinematic Universe). It finds Maiya The Don doing what she does best, making sure listeners feel why she has that stage name. —Jordan Rose — YouTube

**Album:** N/A
Maiya The Don is the boldness of Brooklyn personified, and on “Dusties” the BK spitter exemplifies why she is not the one to be tested. Appropriately sampling Lil Kim’s “Magic Stick,” Maiya puts her own twist on the iconic beat and pairs it with her BK drill flow. “You thought I was feeling you? I was drunk,” she opens, also paying homage to Ice Spice’s viral hit “Munch,” which works because it feels like “Dusties” is a part of the MCU (Munch Cinematic Universe). It finds Maiya The Don doing what she does best, making sure listeners feel why she has that stage name. *—Jordan Rose*

YouTube

**Album:** N/A
Maiya The Don is the boldness of Brooklyn personified, and on “Dusties” the BK spitter exemplifies why she is not the one to be tested. Appropriately sampling Lil Kim’s “Magic Stick,” Maiya puts her own twist on the iconic beat and pairs it with her BK drill flow. “You thought I was feeling you? I was drunk,” she opens, also paying homage to Ice Spice’s viral hit “Munch,” which works because it feels like “Dusties” is a part of the MCU (Munch Cinematic Universe). It finds Maiya The Don doing what she does best, making sure listeners feel why she has that stage name. *—Jordan Rose*

Album: N/A
Producers: Tate Kobang & YG! Beats
Kali's “Area Codes” has become a ubiquitous presence on TikTok, but it's far more than just a marketing ploy. This track is a flawless fusion of irresistible beats and unapologetic lyricism, showcasing Kali's talent for crafting viral anthems that strike a chord with all listeners. On “Area Codes,” Kali fearlessly boasts about her ever-expanding roster of love interests who willingly bend to her every whim. Her seductive and self-assured delivery, combined with the pulsating beat, creates an infectiously fun and catchy listening experience. With this record, Kali solidifies her position as one of the most exciting artists to watch. "Area Codes" serves as her breakthrough moment, propelling her further into the spotlight and leaving no doubt about her potential. Brace yourself, because Kali is a force to be reckoned with, and “Area Codes” is just the beginning of her meteoric rise. —Jessica McKinney — YouTube

**Album:** N/A
**Producers:** Tate Kobang & YG! Beats
Kali's “Area Codes” has become a ubiquitous presence on TikTok, but it's far more than just a marketing ploy. This track is a flawless fusion of irresistible beats and unapologetic lyricism, showcasing Kali's talent for crafting viral anthems that strike a chord with all listeners. On “Area Codes,” Kali fearlessly boasts about her ever-expanding roster of love interests who willingly bend to her every whim. Her seductive and self-assured delivery, combined with the pulsating beat, creates an infectiously fun and catchy listening experience. With this record, Kali solidifies her position as one of the most exciting artists to watch. "Area Codes" serves as her breakthrough moment, propelling her further into the spotlight and leaving no doubt about her potential. Brace yourself, because Kali is a force to be reckoned with, and “Area Codes” is just the beginning of her meteoric rise. *—Jessica McKinney*

YouTube

**Album:** N/A
**Producers:** Tate Kobang & YG! Beats
Kali's “Area Codes” has become a ubiquitous presence on TikTok, but it's far more than just a marketing ploy. This track is a flawless fusion of irresistible beats and unapologetic lyricism, showcasing Kali's talent for crafting viral anthems that strike a chord with all listeners. On “Area Codes,” Kali fearlessly boasts about her ever-expanding roster of love interests who willingly bend to her every whim. Her seductive and self-assured delivery, combined with the pulsating beat, creates an infectiously fun and catchy listening experience. With this record, Kali solidifies her position as one of the most exciting artists to watch. "Area Codes" serves as her breakthrough moment, propelling her further into the spotlight and leaving no doubt about her potential. Brace yourself, because Kali is a force to be reckoned with, and “Area Codes” is just the beginning of her meteoric rise. *—Jessica McKinney*

Album: N/A
Producers: Jo Caleb & Jonny Leslie
"Sprinter" arrived just in time to make its mark in the first half of the year. Despite its late release and relatively lower airplay compared to other tracks on the list, there's no denying that this song is an undisputed anthem. The gritty production, driven by haunting melodies and ominous basslines, serves as a strong foundation for Dave and Central Cee to deliver their captivating verses. The song's appeal lies in its ability to draw listeners in with its powerful and atmospheric sound. The combination of the production's raw energy and the artists' seamless back-and-forth exchanges creates an irresistible allure. Dave and Central Cee showcase their chemistry on wax, leaving a lasting impression. “Sprinter” stands as a testament to the artists’ ability to craft a compelling track. —Jessica McKinney — YouTube

**Album:** N/A
**Producers:** Jo Caleb & Jonny Leslie
"Sprinter" arrived just in time to make its mark in the first half of the year. Despite its late release and relatively lower airplay compared to other tracks on the list, there's no denying that this song is an undisputed anthem. The gritty production, driven by haunting melodies and ominous basslines, serves as a strong foundation for Dave and Central Cee to deliver their captivating verses. The song's appeal lies in its ability to draw listeners in with its powerful and atmospheric sound. The combination of the production's raw energy and the artists' seamless back-and-forth exchanges creates an irresistible allure. Dave and Central Cee showcase their chemistry on wax, leaving a lasting impression. “Sprinter” stands as a testament to the artists’ ability to craft a compelling track. *—Jessica McKinney*

YouTube

**Album:** N/A
**Producers:** Jo Caleb & Jonny Leslie
"Sprinter" arrived just in time to make its mark in the first half of the year. Despite its late release and relatively lower airplay compared to other tracks on the list, there's no denying that this song is an undisputed anthem. The gritty production, driven by haunting melodies and ominous basslines, serves as a strong foundation for Dave and Central Cee to deliver their captivating verses. The song's appeal lies in its ability to draw listeners in with its powerful and atmospheric sound. The combination of the production's raw energy and the artists' seamless back-and-forth exchanges creates an irresistible allure. Dave and Central Cee showcase their chemistry on wax, leaving a lasting impression. “Sprinter” stands as a testament to the artists’ ability to craft a compelling track. *—Jessica McKinney*

YouTube

**Album:** N/A
**Producers:** Go Grizzly, Squat Beats, & Ben Hogarth
“Put It On Da Floor Again” serves as a thrilling sequel to Latto's earlier hit track, and it's poised to captivate listeners all over again. The original song garnered attention thanks to Latto's spunky delivery and unforgettable one-liners, and the sequel is equally infectious, if not more so. Latto continues to shine, effortlessly dropping lines like, “Rip me out the plastic, I been actin' brand-new,” showcasing her fiery prowess. But what truly elevates the track is Cardi B's electrifying feature verse. With clever wordplay and an aggressive delivery, Cardi maintains a high level of energy and grabs the listener's attention with lines like, “I ain't smokin' on no za', lil' bitch, I'm smokin' on you / Put your bestie in a pack and now I'm smokin' her too/I been ballin' so damn hard, coulda went to LSU, huh.” Latto and Cardi B prove to be an unstoppable duo, complementing each other’s strengths and creating an explosive collaboration. *—Jessica McKinney*

Album: Like..?
Ice Spice has been the most dominant artist of 2023 thus far, and although it was her 2022 single “Munch” that got her the spotlight, it’s tracks like “Princess Diana” that will keep her there. Whispers of a one-hit-wonder label were silenced with a strong six-track EP from which this track is debatably the strongest. Lines like, “If he small, he gon’ act like a fan,” or “looking at her like who’s bigger than she? I’m the one who they wishin’ to be” get her to Drake-level Instagram caption-quotables. It’s a seamlessly loopable song placed over RIOT’s playful yet tough production that so easily mimics Spice’s star as a whole. To take on the most beloved princess’ name to date as one’s nickname is bold and a lofty bet on herself, and, as the Nicki Minaj remix proves, she’s not the only one who’s willing to do so. —Ecleen Luzmila Caraballo — YouTube

**Album:** *Like..?*
Ice Spice has been the most dominant artist of 2023 thus far, and although it was her 2022 single “Munch” that got her the spotlight, it’s tracks like “Princess Diana” that will keep her there. Whispers of a one-hit-wonder label were silenced with a strong six-track EP from which this track is debatably the strongest. Lines like, “If he small, he gon’ act like a fan,” or “looking at her like who’s bigger than she? I’m the one who they wishin’ to be” get her to Drake-level Instagram caption-quotables. It’s a seamlessly loopable song placed over RIOT’s playful yet tough production that so easily mimics Spice’s star as a whole. To take on the most beloved princess’ name to date as one’s nickname is bold and a lofty bet on herself, and, as the Nicki Minaj remix proves, she’s not the only one who’s willing to do so. *—Ecleen Luzmila Caraballo*

YouTube

**Album:** *Like..?*
Ice Spice has been the most dominant artist of 2023 thus far, and although it was her 2022 single “Munch” that got her the spotlight, it’s tracks like “Princess Diana” that will keep her there. Whispers of a one-hit-wonder label were silenced with a strong six-track EP from which this track is debatably the strongest. Lines like, “If he small, he gon’ act like a fan,” or “looking at her like who’s bigger than she? I’m the one who they wishin’ to be” get her to Drake-level Instagram caption-quotables. It’s a seamlessly loopable song placed over RIOT’s playful yet tough production that so easily mimics Spice’s star as a whole. To take on the most beloved princess’ name to date as one’s nickname is bold and a lofty bet on herself, and, as the Nicki Minaj remix proves, she’s not the only one who’s willing to do so. *—Ecleen Luzmila Caraballo*

Album: The Estate Sale
Tyler, the Creator isn’t afraid of writing fictional songs about characters he’s made up in his head. He’s a world-builder, after all. It’s part of what’s made him one of rap’s best storytellers. But whenever he decides to open up about the honest details of his own life, he often comes up with his best work. On “Sorry Not Sorry,” the final track on the eight-song CMIYGL deluxe release The Estate Sale, Tyler looks inward, reflecting on the external criticisms and internal regrets of his career so far. He apologizes to those closest to him, including former Odd Future members and his own mother, before giving sarcastic non-apologies to those who try holding him back with complaints about the ways he's grown and evolved. By the end of the song, he’s so fired up that he can’t help but yell, ditching his once-calm-and-composed flow and letting out his pent-up exasperation. It’s raw. It’s emotional. It’s Tyler, laying it all on the line. Released alongside one of his best-ever music videos, which depicts each of his album eras so far, “Sorry Not Sorry” is Tyler’s way of drawing a line in the sand and addressing his past so he can move forward and begin a new chapter. It’s brilliant. —Eric Skelton — YouTube

**Album:** *The Estate Sale*
Tyler, the Creator isn’t afraid of writing fictional songs about characters he’s made up in his head. He’s a world-builder, after all. It’s part of what’s made him one of rap’s best storytellers. But whenever he decides to open up about the honest details of his *own* life, he often comes up with his best work. On “Sorry Not Sorry,” the final track on the eight-song *CMIYGL* deluxe release *The Estate Sale*, Tyler looks inward, reflecting on the external criticisms and internal regrets of his career so far. He apologizes to those closest to him, including former Odd Future members and his own mother, before giving sarcastic non-apologies to those who try holding him back with complaints about the ways he's grown and evolved. By the end of the song, he’s so fired up that he can’t help but yell, ditching his once-calm-and-composed flow and letting out his pent-up exasperation. It’s raw. It’s emotional. It’s Tyler, laying it all on the line. Released alongside one of his best-ever music videos, which depicts each of his album eras so far, “Sorry Not Sorry” is Tyler’s way of drawing a line in the sand and addressing his past so he can move forward and begin a new chapter. It’s brilliant. *—Eric Skelton*

YouTube

**Album:** *The Estate Sale*
Tyler, the Creator isn’t afraid of writing fictional songs about characters he’s made up in his head. He’s a world-builder, after all. It’s part of what’s made him one of rap’s best storytellers. But whenever he decides to open up about the honest details of his *own* life, he often comes up with his best work. On “Sorry Not Sorry,” the final track on the eight-song *CMIYGL* deluxe release *The Estate Sale*, Tyler looks inward, reflecting on the external criticisms and internal regrets of his career so far. He apologizes to those closest to him, including former Odd Future members and his own mother, before giving sarcastic non-apologies to those who try holding him back with complaints about the ways he's grown and evolved. By the end of the song, he’s so fired up that he can’t help but yell, ditching his once-calm-and-composed flow and letting out his pent-up exasperation. It’s raw. It’s emotional. It’s Tyler, laying it all on the line. Released alongside one of his best-ever music videos, which depicts each of his album eras so far, “Sorry Not Sorry” is Tyler’s way of drawing a line in the sand and addressing his past so he can move forward and begin a new chapter. It’s brilliant. *—Eric Skelton*

Album: N/A
Kendrick Lamar and Baby Keem have previously collaborated on “Range Brothers” and “Family Ties,” so “The Hillbillies” shouldn’t have come as a surprise to listeners. Anytime they’ve linked up on a track, it’s usually been carefree and more relaxed, a contrast to Kendrick Lamar’s solo work. But make no mistake, this is a welcomed sight; Kendrick sounds energized and laid-back at the same time, while Baby Keem and his older cousin trade playful bars about money, success, and being the best dressed rappers. The song is a dub of Drake’s 2022 “Sticky,” furthering the Jersey Club takeover. Accompanied by a luxurious music video that takes place at Dodger Stadium and features a cameo from Tyler, the Creator, this song was made for the summer. Whether a collaboration project comes from Keem and Kendrick after this remains to be seen, but for now, we can enjoy one of the more fun rap records of the year—a trend that seems to win whenever these two come together on wax. —Kameron Hay — YouTube

**Album:** N/A
Kendrick Lamar and Baby Keem have previously collaborated on “Range Brothers” and “Family Ties,” so “The Hillbillies” shouldn’t have come as a surprise to listeners. Anytime they’ve linked up on a track, it’s usually been carefree and more relaxed, a contrast to Kendrick Lamar’s solo work. But make no mistake, this is a welcomed sight; Kendrick sounds energized and laid-back at the same time, while Baby Keem and his older cousin trade playful bars about money, success, and being the best dressed rappers. The song is a dub of Drake’s 2022 “Sticky,” furthering the Jersey Club takeover. Accompanied by a luxurious music video that takes place at Dodger Stadium and features a cameo from Tyler, the Creator, this song was made for the summer. Whether a collaboration project comes from Keem and Kendrick after this remains to be seen, but for now, we can enjoy one of the more fun rap records of the year—a trend that seems to win whenever these two come together on wax. *—Kameron Hay*

YouTube

**Album:** N/A
Kendrick Lamar and Baby Keem have previously collaborated on “Range Brothers” and “Family Ties,” so “The Hillbillies” shouldn’t have come as a surprise to listeners. Anytime they’ve linked up on a track, it’s usually been carefree and more relaxed, a contrast to Kendrick Lamar’s solo work. But make no mistake, this is a welcomed sight; Kendrick sounds energized and laid-back at the same time, while Baby Keem and his older cousin trade playful bars about money, success, and being the best dressed rappers. The song is a dub of Drake’s 2022 “Sticky,” furthering the Jersey Club takeover. Accompanied by a luxurious music video that takes place at Dodger Stadium and features a cameo from Tyler, the Creator, this song was made for the summer. Whether a collaboration project comes from Keem and Kendrick after this remains to be seen, but for now, we can enjoy one of the more fun rap records of the year—a trend that seems to win whenever these two come together on wax. *—Kameron Hay*

Album: N/A
On this track, his first solo single of 2023, Puerto Rican pop star Bad Bunny recounting the slimy details of a one-night encounter with the woman in question. The dominating artist has been both on fire and under heat as he reaches that sweet spot atop the precipice, where he decides whether he'll fly from home. For now, “Where She Goes” is Benito solidifying his name as a United States household, with the spotless MAG assist, who wisely whipped up a Jersey-club inspired beat. The now LA-based artist goes from sweet nostalgia and urge-filled implorations for more between cockings of a gun to a pride-led shoulder shrug. The line, closing out the track, roughly translates to “Your pride doesn’t want to talk to me, so let’s compete.” Where he’s going, no one really knows. So for now, we focus on “Where She Goes.” —Ecleen Luzmila Caraballo — YouTube

**Album:** N/A
On this track, his first solo single of 2023, Puerto Rican pop star Bad Bunny recounting the slimy details of a one-night encounter with the woman in question. The dominating artist has been both on fire and under heat as he reaches that sweet spot atop the precipice, where he decides whether he'll fly from home. For now, “Where She Goes” is Benito solidifying his name as a United States household, with the spotless MAG assist, who wisely whipped up a Jersey-club inspired beat. The now LA-based artist goes from sweet nostalgia and urge-filled implorations for more between cockings of a gun to a pride-led shoulder shrug. The line, closing out the track, roughly translates to “Your pride doesn’t want to talk to me, so let’s compete.” Where he’s going, no one really knows. So for now, we focus on “Where She Goes.” *—Ecleen Luzmila Caraballo*

YouTube

**Album:** N/A
On this track, his first solo single of 2023, Puerto Rican pop star Bad Bunny recounting the slimy details of a one-night encounter with the woman in question. The dominating artist has been both on fire and under heat as he reaches that sweet spot atop the precipice, where he decides whether he'll fly from home. For now, “Where She Goes” is Benito solidifying his name as a United States household, with the spotless MAG assist, who wisely whipped up a Jersey-club inspired beat. The now LA-based artist goes from sweet nostalgia and urge-filled implorations for more between cockings of a gun to a pride-led shoulder shrug. The line, closing out the track, roughly translates to “Your pride doesn’t want to talk to me, so let’s compete.” Where he’s going, no one really knows. So for now, we focus on “Where She Goes.” *—Ecleen Luzmila Caraballo*

Album: Let’s Start Here.
Lil Yachty takes a lot of big swings on Let’s Start Here., leaving his comfort zone to experiment with psychedelic rock and other new palettes, and the gamble pays off most effectively on “drive ME crazy!” Over an addictive, head-nodding groove, Yachty and guest vocalist Diana Gordon weave together a timeless love song, singing about the kind of connection that puts butterflies in your stomach and makes you feel like a child. It’s the kind of song that would fit right in on the soundtrack of a late ’70s coming-of-age film, but Yachty’s unique charm (and a rap verse at the end of the track) puts a refreshingly modern twist on an otherwise nostalgic sound. No wonder it’s the breakout hit from the album. —Eric Skelton — YouTube

**Album:** *Let’s Start Here.*
Lil Yachty takes a lot of big swings on *Let’s Start Here.*, leaving his comfort zone to experiment with psychedelic rock and other new palettes, and the gamble pays off most effectively on “drive ME crazy!” Over an addictive, head-nodding groove, Yachty and guest vocalist Diana Gordon weave together a timeless love song, singing about the kind of connection that puts butterflies in your stomach and makes you feel like a child. It’s the kind of song that would fit right in on the soundtrack of a late ’70s coming-of-age film, but Yachty’s unique charm (and a rap verse at the end of the track) puts a refreshingly modern twist on an otherwise nostalgic sound. No wonder it’s the breakout hit from the album. *—Eric Skelton*

YouTube

**Album:** *Let’s Start Here.*
Lil Yachty takes a lot of big swings on *Let’s Start Here.*, leaving his comfort zone to experiment with psychedelic rock and other new palettes, and the gamble pays off most effectively on “drive ME crazy!” Over an addictive, head-nodding groove, Yachty and guest vocalist Diana Gordon weave together a timeless love song, singing about the kind of connection that puts butterflies in your stomach and makes you feel like a child. It’s the kind of song that would fit right in on the soundtrack of a late ’70s coming-of-age film, but Yachty’s unique charm (and a rap verse at the end of the track) puts a refreshingly modern twist on an otherwise nostalgic sound. No wonder it’s the breakout hit from the album. *—Eric Skelton*

Album: N/A
Pinkpantheress and Ice Spice’s upbeat earworm “Boys a liar Pt. 2” dominates whatever space it's played in, from barbershops to hip-hop clubs and family barbecues alike. Pinkpantheress laid the blueprint for the original version of the song with her fluttery voice that makes the reasonable distrust of a frustrated lover sound sweet. Ice Spice slides in on pt. 2 to drop one of the most quotable rap verses of the year so far; Even though “that boy is a cap,” she still “don’t sleep enough without you,” embodies the contradicting battle that the song addresses. “Boys a liar Pt. 2” can be played forward, backward, or with a completely different beat, and it still slaps. It’s a track that can be committed to memory, with bars that stick to the walls of your brain. Ice and Pink’s bubbly aesthetic makes it feel like it belongs as a 2010s ringtone, but fits perfectly with the modern day, like disposable cameras making a resurgence in 2023. They both capture a nostalgic feeling, but deliver something that is truly timeless. —Jordan Rose — YouTube

**Album:** N/A
Pinkpantheress and Ice Spice’s upbeat earworm “Boys a liar Pt. 2” dominates whatever space it's played in, from barbershops to hip-hop clubs and family barbecues alike. Pinkpantheress laid the blueprint for the original version of the song with her fluttery voice that makes the reasonable distrust of a frustrated lover sound sweet. Ice Spice slides in on pt. 2 to drop one of the most quotable rap verses of the year so far; Even though “that boy is a cap,” she still “don’t sleep enough without you,” embodies the contradicting battle that the song addresses. “Boys a liar Pt. 2” can be played forward, backward, or with a completely different beat, and it still slaps. It’s a track that can be committed to memory, with bars that stick to the walls of your brain. Ice and Pink’s bubbly aesthetic makes it feel like it belongs as a 2010s ringtone, but fits perfectly with the modern day, like disposable cameras making a resurgence in 2023. They both capture a nostalgic feeling, but deliver something that is truly timeless. *—Jordan Rose*

YouTube

**Album:** N/A
Pinkpantheress and Ice Spice’s upbeat earworm “Boys a liar Pt. 2” dominates whatever space it's played in, from barbershops to hip-hop clubs and family barbecues alike. Pinkpantheress laid the blueprint for the original version of the song with her fluttery voice that makes the reasonable distrust of a frustrated lover sound sweet. Ice Spice slides in on pt. 2 to drop one of the most quotable rap verses of the year so far; Even though “that boy is a cap,” she still “don’t sleep enough without you,” embodies the contradicting battle that the song addresses. “Boys a liar Pt. 2” can be played forward, backward, or with a completely different beat, and it still slaps. It’s a track that can be committed to memory, with bars that stick to the walls of your brain. Ice and Pink’s bubbly aesthetic makes it feel like it belongs as a 2010s ringtone, but fits perfectly with the modern day, like disposable cameras making a resurgence in 2023. They both capture a nostalgic feeling, but deliver something that is truly timeless. *—Jordan Rose*

Best Songs Of The Year

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Best Songs Of 2023 (So Far)

31.

30. J-hope & J. Cole, "On the Street"

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29. Destroy Lonely, "If Looks Could Kill"

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28. Yeat f/ Young Thug, "My Wrist"

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27. Bizzrap + Shakira, "Shakira: Bzrp Music Sessions, Vol. 53"

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26. Young Nudy f/ 21 Savage, "Peaches & Eggplants"

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25. BigXThaPlug, "Texas"

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24. Lola Brooke, "Just Relax"

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23. 6LACK, "Since I Have A Lover"

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22. Lil Uzi Vert, "Watch This (ARIZONATEARS Pluggnb Remix)"

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21. Luh Tyler, "First Show"

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20. Doechii, "What It Is (Solo)"

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19. RAYE, "Flip A Switch"

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18. Don Toliver f/ Future & Justin Bieber, "Private Landing"

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17. Rae Sremmurd f/ Young Thug, "Royal Flush"

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16. Lil Yachty, "Strike (Holster)"

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15. Jordan Ward, "Cherimoya"

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14. Daniel Caesar, "Always"

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13. SZA f/ Doja Cat, "Kill Bill (Remix)"

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12. Miley Cyrus, "Flowers"

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11. KAYTRANADA & Aminé, "Who He Iz"

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10. Maiya The Don, "Dusties"

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9. Kali, "Area Codes"

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8. Central Cee & Dave, "Sprinter"

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7. Latto f/ Cardi B, "Put It On The Floor Again"

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6. Ice Spice, "Princess Diana"

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5. Tyler, The Creator, "Sorry Not Sorry"

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4. Kendrick Lamar & Baby Keem, "The Hillbillies"

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3. Bad Bunny, "Where She Goes"

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2. Lil Yachty, "drive ME crazy!"

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1. PinkPantheress f/ Ice Spice, "Boy's a Liar Pt. 2"

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