JP: I think we should normalise artists locking in with one producer for whole projects, to be honest. The sonic cohesion would be flawless—allowing the producer to paint a more detailed picture with the artist—and I think this could do Chip a world of good. While Snakes & Ladders was a solid effort, it was all over the place in terms of sonic cohesion—which I guess is expected with mixtapes, but sometimes you just want things to flow a little smoother. Personally, I’d like to see Lil Silva and Sampha co-produce the next album. How they made Chip sound on 2018’s “Darth Vader” is what someone on his level deserves—very much experimental, with its pounding keys and glitchy synths, the overall musicality in that song was almost spiritual and allowed his bars to hit the hardest I’d heard them do in a while. What I’ve come to know of Chip over the years is that he puts a great deal of respect and value on the producers he works with, which comes across in his output. Despite the order he places songs on projects, when you’re listening to that track, in that moment, it’s Chip and producer in unison.
James: Probably, but the same could be said of a lot of artists. We’ve seen it work incredibly well in recent years. J Hus & JAE5, Fredo & Dave, Stormzy & Fraser T. Smith… they all go to show what a close creative relationship can yield. It doesn’t even need to be one person—a small, tight-knit team all working towards the same vision would be just as effective. Chip absolutely has that classic album in him, he just needs to find that creative partnership. While Snakes & Ladders lacked a continuous thread running through it all, it offered a lot of clues about what such an album could sound like. FaNaTiX, Cardo, Dready and Parker Ighile all provided standout moments on the tape, but in with the dark street rap was Auto-Tuned trap, dancehall and pop. Had he stuck with just one or two of those collaborators, we’d be looking at a very different project. However, that’s what this is: a mixtape. By their very nature, mixtapes are always intended to be a little rougher, like snapshots of a moment in time for the artist. So, if Chip does want to sit down and create that career-defining classic, he isn’t short of options. Still, like we said, Chip is still young and Snakes & Ladders is still a proud moment in his career. If he wants to keep experimenting, toying with sounds on looser projects like this, then I am happy to see what comes out of it.
Yemi: It’s not essential but it wouldn’t hurt. Having one producer could give Chip a new kind of structure when building an album, and could unlock a new level from him artistically. There are some producers out there he could work with that would make for some amazing music—I can think of Sir Spyro, The FaNaTiX, maybe even M1OnTheBeat if he’s feeling drilly. The thought of a Chip album produced solely by Sir Spyro, that would shake the scene. From a fan’s point of view, it would be refreshing to see something new from Chip in that respect. But to be honest, he needs to want it a little bit more if he’s going to deliver that classic LP. You can have the one producer but the artist themselves needs to put in the work. With his lyrical prowess, Chip is capable of delivering this, but as Snakes & Ladders has shown, he’s still happy experimenting with different genres and appeasing all kinds of listeners. I guess he’s not trying to leave any of his fans behind and I rate that in a way, trying to seek balance at all times. But it’s not always conducive to a truly amazing body of work. This isn’t to say he should try to force making a classic, because that won’t work, but he does need to tap into something special in his arsenal to pull it off. If working with one producer will do that, then I welcome it.
Aaron: Should he? Probably. Will he? I doubt it. Over the years, Chip has seemingly developed a ‘them vs us’ mentality. Judging by his musical output, I don’t know if he has anyone in his team that pushes him outside of his comfort zone, otherwise we would have had that classic album already. I Am Chipmunk is considered a classic in some people’s eyes, but it is by no means a magnum opus or showcases who Chip is as a complete artist or the man he has grown up to be. Chipmunk walks the line between the old and new gens of the UK rhyme circuit. As one of the last of the old school, he is old enough to have experienced and earned his stripes in the original DIY days of grime through clashing and pirate radio sets, but is still young enough to have been able to naturally embrace the evolving landscape of UK music at the time of his come-up. In the words of J. Cole (who he once freestyled with), he is a “middle child” of the scene and that gives him a unique perspective which he could still tap into a bit further. We should have had a layered, introspective project from him a long time ago that still harnesses his versatility. Instead, we get those moments of reflection and vulnerability in fits and bursts. Chip could probably take some notes from Fredo’s latest work.
Minou: At the end of the day, no matter what, Chip always proves himself. He comes from grime, a scene which turns the best of the best into tempo specialists, and Chip can take on pretty much any beat. But I do think he’s lacking a fully cohesive body of work in terms of sonics. He’s worked with the best of them, from Maniac to Sampha, and while he thrives on versatility, what he needs to do now is hone in on one concept, and pull back another layer of himself that we saw glimpses of on his recent Snakes & Ladders project. We all know he can give any UK rapper a run for their money when it comes to straight bars, but the fans want that classic and I think this would be a great way to go about it.