That Time Nigo Admitted Tokyo's Fashion Community Dismissed Him and Why He Didn't Want Bape to Grow Too Quickly...

Nigo explains why he felt the Tokyo fashion community dismissed him, and why he didn't want A Bathing Ape to grow too quickly.

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Complex Original

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Every Thursday, we dig up a favorite piece from the archives and bring it back to life. Today, we're highlighting an article about Nigo and A Bathing Ape that appeared in Upstart Business Journal in 2007. If you haven't read it, consider this a blessing. 

By 2007, both Nigo and his streetwear brand A Bathing Ape hardly needed any introduction. Products were selling out faster than the team could restock its stores. Kids were lining up (sometimes for days) outside of shops. Co-signs from big name celebrities like Kanye West, Pharrell, and Jay Z came left and right—despite Nigo's decision to stay away from advertising. Bape was definitely on its way to becoming a global powerhouse.

Yet, in this article in Upstart Business Journal, the Japanese designer talked about not wanting to grow the brand too quickly, and not being accepted by Tokyo's fashion community.

Nigo says the fashion community in Tokyo turned its back on him. (Later in the article, it's explained that some of those who came from the Urahara movement felt Nigo betrayed the values of craftsmanship, exclusivity, and countercultural style.)

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Nigo says steady growth of the brand is better than quick success.

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Nigo explains why he started A Bathing Ape, and why creating a streetwear brand during Tokyo's late-'80s alternative scene was the right move.

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Nigo says he shut down Bape distribution in Japan outside of Tokyo in 1999 after he saw his designs beside Tommy Hilfiger in stores because he was worried about overexposure.

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Click here for the full article.

For more Throwback Thursday reading, just click here.

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