14 Times Rappers Got Dissed On Their Own Beats

Making a diss song is an art form, and dissing someone over a beat from one of their own songs is the oldest trick in the book. Here are 14 times it went down.

Rappers Dissed on Their Own Beats
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Image via YouTube/CJ

Rappers Dissed on Their Own Beats

In rap beefs, presentation is everything. If you’re going to go to the effort of dissing someone, you might as well do it in the most clever and disrespectful way possible. So, what better way to add insult to injury than by dissing someone over a beat from one of their own hit songs?

It’s one of the oldest tricks in the book. Jay-Z has done it multiple times in his career, Tupac put his own twist on the tactic for the iconic Biggie diss “Hit ’Em Up” in 1996, and it continues to happen to this day with rappers like 22Gz and Knuckles Brimm dissing CJ over the “Whoopty” beat.

As we take a walk down memory lane of iconic diss songs, we put together a list of memorable instances that this tactic was deployed. From “Whoopty” to “Stay Schmenin,” here are 14 times rappers got dissed on their own beats.

Jay-Z disses Nas over “Got Ur Self a Gun” beat

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Diss song: “Super Ugly”

This one is an all-timer. Nas set the world on fire with “Ether,” a legendary Jay-Z diss that’s used as a verb in rap parlance to this day (even after the two got cool with each other). Not to be outdone, Jay-Z struck back a week later with “Supa Ugly,” a freestyle where he jumped on Nas’ “Got Yourself A Gun” instrumental and shat on the Queens legend with a slew of jabs and the infamous allegation that he slept with the mother of Nas’ child (over Knoc-turnal’s “Bad Intentions” beat). The record embodied its title. Jay-Z said his mom influenced him to apologize for the song, which went “too far” with lines like, “I came in your Bentley backseat, skeeted in your Jeep/ Left condoms on your baby-seat.” “Supa Ugly” famously lost out to “Ether” on Hot 97’s poll, though many feel like “Ether” should have been compared to “Takeover.” Andre Gee

Lil B disses David Banner over “Swag” beat

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Diss song: “I Own Swag” 

Lil B took David Banner’s original 2011 single “Swag” and ran with it. On Lil B’s “I Own Swag,” he declares himself “the rawest rapper alive.” Speaking directly to David Banner on the outro, Lil B shames Banner for not going harder on his original version. “Aye that’s what you should have done on this beat motherfucker!” he adds. Days after Lil B released his version of the record, the rapper revealed he and David Banner had resolved their issues. “Just got off the phone with [David Banner] and real talk, I learned a lot and just [know] I rocks with Banner off top and we got swag,” he tweeted. —Jessica McKinney

22Gz disses CJ over “Whoopty” beat

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Diss song: “Goofy/Bad in Blood Freestyle” 

Over the “Whoopty” beat, which samples the Bollywood song “Sanam Re,” Brooklyn’s 22Gz goes in on CJ, calling the Staten Island artist an “imposter” and questioning his place in the Brooklyn drill movement. “Where was you at when shit was shakin’?/ I’mma turn this shit to a situation,” he spits. 22Gz’s bars on “Goofy/Back in Blood Freestyle” are particularly lethal and timely, coming at a time when CJ was being widely criticized by New York and rap fans alike for misrepresenting his gang affiliations and hopping on the Brooklyn drill wave. —Jessica McKinney

Knuckles Brimm disses CJ over “Whoopty” beat

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Diss song: “Whoopty Remix”

22Gz wasn’t the only artist to diss CJ over “Whoopty.” To go on record and let the world know about CJ’s alleged inauthenticity, Knuckles Brimm, another lyricist out of New York, hopped on the “Whoopty” beat and let him have it. With lots of energy, Brimm’s take packs a serious punch—one that justifies him hopping on the beat and clearing the air on why the streets of New York don’t want anything to do with CJ. —Trey Alston

Jay-Z disses Jim Jones over “We Fly High” beat

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Diss song: “Brooklyn High”

Throughout the Roc-A-Fella era, Cam’ron and Jay-Z were at each other’s necks. Rumor has it, the beef stemmed from Cam being made a vice president at Roc-A-Fella while Jigga was on vacation in 2002, but it would take four years for Cam to officially diss Jay with “You Got To Love It.” With as close that Jim Jones and Cam’ron were, it wouldn’t take long for the former to hop in the beef, releasing “Kingdom Done” (inspired by Jay’s 2006 album, Kingdom Come) with Dame Dash. Jigga responded in kind by repurposing Jones’ hit song “We Fly High” into “Brooklyn High,” turning the rapper’s beat into a flagrant diss. Jay-Z made it a mission to leave his good-natured persona at the door, referencing Lil Cease and Junior Mafia jumping Jones and Cam at the Rucker, joking that the Joneses can’t keep up with him, and using Tyra Banks’ hairline as the image of how far he’ll push a wig back to protect Beyoncé. —Trey Alston

Jim Jones responds by dissing Jay-Z over his “Brooklyn High” diss

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Diss song: “We Fly High (Beef Mix)”

Less than a day after Jay-Z released “Brooklyn High,” Jones released the “We Fly High (Beef Mix)” as a response, grabbing Juelz Santana for a helping hand. Determined to further his career and continue to get life out of his biggest song, Jones decided to rap over the Brooklyn-o-fied version of it. Its entire first verse is Jones ad-libbing over Jigga’s remix, claiming that he’s “scared” of Jay and offering hilarious rebuttals to whatever he says. By the time the second verse comes around, Jones goes on the offensive and aims at Jay’s jugular: he lets him know that he’s old because, well, that’s all he’s really got to say. Santana doesn’t even really say anything about Jay, too; he just raps about buying his cars and making his money “come fast just like a leopard” which probably should have been “come fast just like a cheetah.” The diss works better as an idea than an actual, serious attack. Ultimately, Jay-Z and Jones would squash their beef officially in 2017, when the latter inked a management deal with Roc Nation. —Trey Alston

Cam'ron disses Nas over “Hate Me Now” beat

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Diss song: “Hate Me Now Freestyle”

Cam’ron recently spoke on his early-2000s back and forth with Nas during his epic Drink Champs interview, recalling that he was blindsided by being a target of Nas’ infamous Power 105.1 rant. He says he was a big fan of Nas, and was torn about whether to go at him on wax, but his MC instincts won out. Like Jay-Z, he decided to take the beat from one of Nas’ most beloved singles as the fuel for a diss. He also went below the belt, threatening to “take your daughter, R Kelly, have my way with her face” and spitting the best retroactive diss in rap history: “Ooh wop, two shots in his hip-hop head/ This way the whole world know that hip-hop’s dead.” Mind you, this diss was released years before Nas’ HHID album, but actually became a better line once Nas released the project. Killa! —Andre Gee

EBG E.Jizzle disses Pooh Shiesty over “Back In Blood"

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Diss song: “Bad in Blood Freestyle” 

Pooh Shiesty is one of the hottest new rappers out right now, largely due to his breakout single “Back in Blood” with Lil Durk. The song seems to have some real-world meaning, according to Memphis Rapper EBG Jizzle who has revealed in interviews that Shiesty is (allegedly) referring to burglarizing some weapons from his house. Shortly after “Back in Blood” came out, EBG Jizzle released a harsh remix in January, in collaboration with Moo Slime, where he called out Shiesty for his actions (even throwing in a stray shot at Lil Durk for joining him on the song). Shiesty allegedly threatened him on Instagram before releasing the diss, claiming that the rapper wouldn’t live long after it came out. Weeks later, EBG Jizzle did get shot, prompting Shiesty to head over to Instagram to make jokes about it. EBG Jizzle then went on to release a song with his arm in a cast, again, calling out Shiesty. Head over to YouTube and listen to this one while you can—EBG Jizzle has claimed that the song keeps getting taken down by Shiesty’s team. —Trey Alston

Tupac disses Biggie over “Gettin Money” sample

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Diss song: “Hit ’Em Up” 

The bassline in Dennis Edwards’ “Don’t Look Any Further” is iconic. It’s been sampled in so many well-known rap records, including The Notorious B.I.G. and Junior Mafia’s “Gettin Money,” the 1996 mafioso remix to “Get Money.” Pac decided to use that same bassline for “Hit ’Em Up,” one of the most memorable disses of all time. The Outlawz are also on the track, but this one is all about Pac’s venom toward his former friend, specifically his claim that “you claim to be a player but I fucked your wife.” This record took tensions between Death Row and Bad Boy to new heights, and we know where things went from here. —Andre Gee

Tory Lanez and Joyner Lucas repeatedly diss each other over each other’s beats

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In 2018, Tory Lanez and Joyner Lucas took their Instagram beef to the studio and repeatedly rapped over each other’s beats. First, Tory dropped a diss song over the beat from Joyner and Eminem’s “Lucky You” collab. A day later, Joyner responded with his own diss record over the beat from Tory and Meek Mill’s collab “Litty.”

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Not to be outdone, Tory responded with “Litty Again” over the same beat. I know that’s all a lot to take in at once, but the back-and-forth didn’t end there. They kept dissing each other over beats like Kodak Black’s “Zeze” and ultimately brought things back to Instagram comments. What a time.

Capone-N-Noreaga disses Tha Dogg Pound over "New York, New York" beat

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Diss song: “L.A., L.A.” 

In the early-to-mid 90s, the East Coast vs. West Coast battle taking place in rap even made filming music videos dangerous. Tha Dogg Pound found this out the hard way when making “New York, New York” in 1995 when they started to film a video for it that was going to pay homage to the city—until their trailer on set was shot up. From there, they decided it was war, making the video about kicking over buildings and fucking the city up. Capone-N-Noreaga, from New York, didn’t take kindly to that and saw it as disrespectful (as did many East Coast artists of the time). They released “L.A., L.A.” with Tragedy Khadafi and Mobb Deep. Aside from Prodigy interpolating some words from “New York, New York,” the song largely plays out as detailed looks into the street life that they all come from. In essence, it feels like the rappers subtly proclaiming New York as the harder of the two areas, but we could be reading into it too much. —Trey Alston

Eric Bellinger disses Tory Lanez over “Hate to Say” beat 

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Diss song: “Yikes” 

R&B beef doesn’t come around too often, but when it does, it’s worth a listen. After Tory Lanez released “Hate to Say,” which many believed took subliminal shots at Eric Bellinger, the LA artist dropped “Yikes.” On the track, Bellinger accuses Lanez of jocking his style, singing, “What kinda nigga is proud to copy another man? First time you stole my shit, I nevermind it, wasn’t stressin/ Second time you did it, okay now this needs addressing.” Bellinger then suggests Lanez is guilty of stealing other artists’ flows and styles including Trey Songs, Kendrick Lamar, and Fetty Wap. “Dammit, Tory, when will it stop?” Bellinger asks. —Jessica McKinney

Common disses Drake over “Stay Schemin” beat

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Diss song: “Stay Schemin Remix”

From 2011 to 2012, Drake and Common engaged in a short-lived rap beef. It started when Common dropped “Sweet” in 2011, which took subliminal shots at Drake (“Singing all around me man, la la la/You ain’t muthacking Frank Sinatra”). After Common confirmed the bars were directed at Drake, Drizzy fired back on “Stay Schemin” rapping, “It’s feeling like rap changed, it was a time it was rugged/Back when if a nigga reached it was for the weapon, nowadays niggas reach just to sell their record.” It didn’t stop there. Common then remixed “Stay Schemin,” where he called Drake out by name and told him he was “soft.” “Soft nigga, make no mistake, I’m talking to Drake/ It’s the remix. Rick Ross, Common, and that hoe ass nigga,” he raps. Common later told Rolling Stone that he liked Drake’s music and was ready to move on from the beef. —Jessica McKinney

Joe Budden and Jay-Z’s “Pump It Up” freestyles

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Diss song:  “Pump It Up Freestyle”

This one isn’t even considered a diss to many people, but it was just too interesting and close to the line to leave off. The people who downplay Budden as a rapper probably don’t remember this little nugget of rap history, which would have social media on fire if it happened today. Jay-Z (as well as Freeway and Beanie sigel) turned down Just Blaze’s beat, which ended up becoming “Pump It Up,” but decided to jump on it for a freestyle on his S. Carter Collection mixtape. He started the track proclaiming, “Gimme that beat, fool, it’s a full-time jack move!” before styling on it for two minutes. Even though Jay said, “I ain’t talkin’ to nobody in particular,” the battle tone of his bars made some feel like he was throwing slights at Budden.

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Budden came back a week later and took his own beat back, flipping some of Jay-Z’s bars, notably his basketball metaphors, including some not-so-nice lyrics about a diminished Michael Jordan (who was playing with the Wizards at the time). Joe rapped, “Learn from him, don’t come back.” Given that Jay-Z has always compared himself to Jordan, people weren’t buying Budden’s assertion that “I ain’t comin’ at Jay, ’cause he’s the greatest breathing.” Nothing serious came from the exchange, but it was an interesting moment. Not many people could say they went toe-to-toe with a prime Jay-Z. —Andre Gee

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