The 2011 film The Help made its way to the top of Netflixâs most-watched list last month, amid nationwide protests fighting police brutality. Set in 1960s Mississippi, the movie has been largely denounced for upholding the white savior narrative.
Even The Helpâs cast has remained critical of the film, which garnered $216 million globally, was nominated for Best Picture, and for which Octavia Spencer won Best Supporting Actress. In a new Vanity Fair cover story, Viola Davis shares how distraught sheâs become over her role in the movie.
âTheyâre invested in the idea of what it means to be Black, butâŠitâs catering to the white audience,â she told writer Sonia Saraiya. âThe white audience at the most can sit and get an academic lesson into how we are. Then they leave the movie theater and they talk about what it meant. Theyâre not moved by who we were.â
She added, âThereâs no one whoâs not entertained by The Help. But thereâs a part of me that feels like I betrayed myself, and my people, because I was in a movie that wasnât ready to [tell the whole truth],â Davis says. The Help was âcreated in the filter and the cesspool of systemic racism.â
It doesnât help that the movie was written and directed by a white filmmaker, Tate Taylor, and based on a book by a white novelist, Kathryn Stockett. In the film, a young white woman tells the story of two black maids, Aibileen Clark (Davis) and Minny Jackson (Spencer), and their experiences with everyday racism.
Davis expressed the same regrets in 2018, in an interview with The New York Times: âI just felt that at the end of the day that it wasnât the voices of the maids that were heard,â she said. âI know Aibileen. I know Minny. Theyâre my grandma. Theyâre my mom. And I know that if you do a movie where the whole premise is, I want to know what it feels like to work for white people and to bring up children in 1963, I want to hear how you really feel about it. I never heard that in the course of the movie.â
Vanity Fairâs story on Davis is also the first time a black photographer has shot the magazineâs cover in the 107 years that the publication was founded, which made waves (and stirred uproar) on Twitter.