Titled Hollywood 4 Black Lives, the letter is now live on Sampson's nonprofit's site, BLD PWR (Build Power), which he penned alongside Tessa Thompson and Black Lives Matter co-founders Patrisse Cullors and Melina Abdullah. Over 300 Black artists and executives have signed the initiative, including Chadwick Boseman, Anthony Mackie, Michael B. Jordan, Danai Gurira, Billy Porter, Cynthia Erivo, Idris Elba, Issa Rae, Octavia Spencer, Viola Davis, and more.
The letter reads:
To our allies in Hollywood:
Hollywood has a privilege as a creative industry to imagine and create. We have significant influence over culture and politics. We have the ability to use our influence to imagine and create a better world. Yet, historically and currently, Hollywood encourages the epidemic of police violence and culture of anti-Blackness.
The way that Hollywood and mainstream media have contributed to the criminalization of Black people, the misrepresentation of the legal system, and the glorification of police corruption and violence has had dire consequences on Black lives. This includes stories that demonize our mental health as violent. These stories contribute to the killings of Black people like Deborah Danner, who was murdered by NYPD Sgt. Hugh Barry. It also includes the perpetuation of transphobic stories which are used to justify the murder of Tony McDade in Florida, Nina Pop in Missouri, Dominique Fells in Philadelphia, and Riah Milton in Ohio. We must end the exaltation of officers and agents that are brutal and act outside of the law as heroes. These portrayals encourage cops like Derek Chauvin, the murderer of George Floyd.
The lack of a true commitment to inclusion and institutional support has only reinforced Hollywood’s legacy of white supremacy. This is not only in storytelling. It is cultural and systemic in Hollywood. Our agencies, which often serve as industry gatekeepers, don’t recruit, retain or support Black agents. Our unions don’t consider or defend our specific, intersectional struggles. Unions are even worse for our below-the-line crew, especially for Black women. Hollywood studios and production companies that exploit and profit from our stories rarely have any senior-level Black executives with greenlighting power.
Even with the recent successes of Black-led and produced films and television, myths of limited international sales and lack of universality of Black-led stories are used to reduce our content to smaller budgets and inadequate marketing campaigns. White people make up the smallest racial demographic globally, yet their stories are seen as internationally universal. When we do get the rare chance to tell our stories, our development, production, distribution, and marketing processes are often marred, filtered, and manipulated by the white gaze.
Due to Hollywood’s immense influence over politics and culture, all of the racism, discrimination and glass ceilings Black people in Hollywood experience on a regular basis have direct implications on Black lives everywhere.
Every time a Black executive or assistant is passed over for a promotion, or the marketing or production budget for another Black-led film is limited, or when Black agents aren’t supported, Black writers are shut out, outnumbered or diminished, Black hair stylists are neglected, Black grips, gaffers, and camera assistants and operators are shut out of below the line unions – EVERY SINGLE TIME – this gives us less control over our narratives, continues the legacy of white supremacy’s influence over our stories and makes Black people in Hollywood and all over America less safe.
By allowing white people to control and oppress the narratives that affirm Black lives, Hollywood has directly and indirectly inflicted harm and oppression onto our communities. Because Hollywood has been a huge part of the problem, we demand it be a part of the solution. We, as Black people, bring immense, immeasurable cultural and economic value to the industry. We are also suffering from the oppression perpetuated by this industry. We have every right to demand this change.
We demand better. Prove that Black Lives Matter to Hollywood by taking bold moves to affirm, defend and invest in Black lives. Follow the examples of the Minneapolis School District, Denver Public Schools, the University of Minnesota and many other institutions in divesting from the policing system and investing in the Black community. We demand that Hollywood:
DIVEST FROM POLICE
DIVEST FROM ANTI-BLACK CONTENT
INVEST IN OUR CAREERS
INVEST IN ANTI-RACIST CONTENT
INVEST IN OUR COMMUNITY
Full list of demands at http://www.BLDPWR.com
We know these changes have the power to change Black lives in America. It is time for Hollywood to acknowledge its role and take on the responsibility of repairing the damage and being a proactive part of the change.
In light of continued systemic, brutal murders of Black people, members of the Black community in Hollywood are standing together with the Movement for Black Lives, a coalition of community-based organizations from all over the country including Black Lives Matter, and with the families and loved ones of George Floyd, Breonna Taylor, Tony McDade, Kenneth Ross Jr, Wakeisha Wilson, Rayshard Brooks and countless others in the movement to Defund Police and Defend Black Lives.
Sampson co-organized a demonstration in Los Angeles in late May, where he was the victim of police violence. Footage of him being shot by seven rubber bullets and taking baton beatings were broadcast on CNN.
“We can do this,” he told Complex of the ongoing protests and fight against police brutality. “It is gaining momentum. It is actually working. People are divesting from the Minneapolis PD. We can replicate that all across the United States. And I think that it's important that we do.”
He continued, “I need the support to go towards this liberation movement, defunding the police and prosecuting killer cops, we can build a better community, and we will.”
A few days before the letter's arrival, Black Artists for Freedom issued a statement that was also signed by a number of notable Black artists, demanding that cultural institutions “break ties with the police.”