Lupe Fiasco Blasts Atlantic and Lyor Cohen, Calls Music Biz 'Damn Near a Mob Cartel'

Lupe also touched on 'Drogas Wave' being absent from the 2019 Best Rap Album nominees.

Lupe Fiasco
Getty

Image via Getty/Gladys Vega

Lupe Fiasco

After congratulating Jay Rock and the other winners from Sunday's Grammys ceremony, previous winner Lupe Fiasco explained why fans getting mad about his own Drogas Wave not getting a nomination is misguided before diving into details on his well-known problems with the music business at large.

Congrats to the winners...especially Jay Rock. As much as folks think I hate TDE I actually admire the movement and it’s dope to see the foundation of the clique get his time in the sun. One time for the real. 🏆

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

"That's like getting mad at McDonald's for not having Whoppers," he said Monday in response to a fan saying they were "very disappointed" by the lack of a nomination.

From there, Lupe revisited his experience with the major label system, which he describes as "damn near a mob cartel." He recalled once asking music executive (and former WMG boss) Lyor Cohen for rights to his master recordings in exchange for a 360 deal. Ultimately, according to Fiasco, Cohen strongly suggested a lack of promotion for his new album if he failed to ink the paperwork.

I’m the most blackballed rapper in the history of rap. 🤣

Lotta enemigas... https://t.co/yVCzs6sciT

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

That’s like getting mad at McDonald’s for not having Whoppers https://t.co/TBwCAl7x1s

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

This tho...

LoI once asked Lyor for my masters in exchange for signing a 360 deal & he said “Do I want them like in a suitcase to carry around?” A greatest hit from Among all the other wild shit some of these white record execs have said 2 me with a straight face in private. https://t.co/gh7z9osd7d

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

He then followed it up with “If you don’t sign it i cant guarantee we are still gonna promote your albums.”

From that point forward i knew my career was over lol.

This is all 100% true with witnesses. Hahaha... https://t.co/aSpVsl0qFL

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

I don’t know if he was shocked that I knew the 360 Program Atlantic had didn’t really add any value to an artist at the time and the only real equity was the music IP (masters) because the million dollar advances were just instant debt or what. It was surreal https://t.co/IuTfJD0ZSG

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

It’s not that clear though. Becuz its dudes legit poor coming into these labels and a million dollar advance is life changing. People prey on that. So it’s not necessarily a knowledge issue it’s a “Pay my bills by any means necessary” type issue even if it means signing some shit https://t.co/8zcT9pIcJz

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

I didn’t sign it. I’m not ignorant at all. I started my first business at 19. Plus the music business atleast what i went through at Atlantic wasnt a business it was damn near a mob cartel. Real grimey Gangsta shit. I had $ so i didnt really care. I was speaking on other artists https://t.co/FOaWB2LSfC

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

Basically lol...this was right after the cool went gold...and y’all know the history after that lol...it was a bloodbath https://t.co/DrVbRgehsm

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

I would’ve stopped making music after the cool.

But my OG Big U called me out the blue and said as a Muslim and a as man I had to fulfill my obligations that I signed my name to no matter the costs. Basically boss up and get through it and rebuild once your out. 💪🏾 https://t.co/jHptAAmFMH

— “DRILL MUSIC IN ZION” Out Now! (@LupeFiasco) February 11, 2019

The development and eventual 2011 release of Fiasco's Lasers album, as he's detailed before, was mired in label ridiculousness. In an interview with Complex surrounding the Atlantic-released album's release, Fiasco said he both loved and hated the album thanks to these circumstances.

"I know the sneaky business deal that went down behind this song, or the artist or singer or songwriter who wrote this hook and didn't want to give me this song in the first place," he said at the time. "So when I have that kind of knowledge behind it, I'm just kind of neutral to it like, 'Another day, another dollar.' As opposed something like The Cool, which is more of my own blood, sweat, and tears, and my own control. With this record, I'm little bit more neutral as to the love for the record." Lasers finally dropped in March of that year through Atlantic, a division of WMG.

Fiasco was last Grammy-nominated for his 2013 Food & Liquor sequel The Great American Rap Album Pt. 1. He won for Best Urban/Alternative Performance for his 2008 Jill Scott collab "Daydreamin." 

Drogas Wave, which dropped last September, was released through Thirty Tigers and Fiasco's own 1st & 15.

Latest in Music