This week’s releases are reminders that Awards SZN is right around the corner. Will Smith is returning to the big screen with Emancipation, his first movie after the infamous Oscar fiasco. The Apple TV+ film showcases a powerful story and an even more impressive performance from the actor. The Whale also marks Brendan Fraser’s big comeback with another captivating story that has already received great praise from critics and fans alike. Guillermo del Toro’s Pinocchio is also bound to have film lovers raving and celebrating the acclaimed director.
If you’re looking for something a bit more lighthearted, and less thought-consuming, there’s nothing like a good comedy like this week’s fantastic episode of Abbott Elementary (featuring an appearance from Vince Staples!) or Netflix’s docuseries about Meghan Markle and Prince Harry’s relationship, Harry & Meghan. Regardless of what you choose, we won’t judge. We’re just here to inform you of what’s the latest and what we think you might like. Take it easy this weekend, as we prepare for the biggest event of the season—Avatar: The Way of Water—arriving next week. We will tell you all about that next week so check back in then.
'Emancipation'
'The Whale'
When: Friday, Dec. 9th
Where: In Theaters
If you’re a fan of checking off all of the Oscar-nominated films each year, or you’re an A24 junkie, or maybe you enjoy diving into things a little off the beaten path, The Whale is certainly worth your time. From the dark and disturbed mind of Darren Aronofsky, The Whale is able to harness the lovable persona of a Hollywood icon in a devastatingly effective story. Flanked by The Menu’s Hong Chau and Stranger Things’ Sadie Sink, Brendan Fraser’s kind and gentle eyes are never lost in the prosthetics that make him a 600-pound man living out his final days. Charlie is dying of congestive heart failure due to his morbid obesity and he’s not particularly keen to do anything about it as his dear friend and nurse, Liz, makes daily visits to monitor his well-being while simultaneously enabling his awful habits. Instead, he prioritizes rekindling his relationship with his estranged teenage daughter, Ellie, whom he abandoned eight years ago and is reluctant to have any connection with him.
A firmly dedicated character study, The Whale is not so much a fun night out as it is a transfixing display of performance and exploration of the soul. Aronofsky is among the best there is at depicting the grimiest parts of our humanity. Yet the real magic he pulls off here isn’t so much in diving deeper into the detestable nature of man, as is usually his style, but instead lies in slowly revealing the tenderly heartbreaking truth at the center of the tragedy. The Whale is obsessed with the idea of truth and what it means to live honestly. Underneath its sad exterior, The Whale has a remarkably sweet core with Fraser leading the charge, in tandem with Chau, in what surely leads to an Oscar nod for them both. Visceral, engaging, and shockingly emotional, The Whale is a notable addition to the fall film slate. —Gabriel Alvarez
'Guillermo del Toro’s Pinocchio'
When: Friday, Dec. 9
Where: Netflix
The original Disney classic Pinocchio is a weird and beautifully rendered coming-of-age story of simple morality and ethics. The remake released on Disney+ just a few months ago is somehow even more strange but in a much less enjoyable way, with Robert Zemeckis’ CGI Pinocchio triggering a truly unsettling uncanny valley effect. This latest adaptation comes from the esteemed Mexican filmmaker, Guillermo del Toro. Famed for his work with creatures and all things fantastical, del Toro has long spoken of his lifelong dream to remake this legendary story. Much more than a straightforward retelling, del Toro’s version of Pinocchio is very much in line with his expected auteurist vision.
Made by Gepetto in a fit of drunken rage and grief, Pinocchio is a mildly creepy, very janky pinewood puppet who is brash, impulsive, and disobedient. del Toro puts his character through literal and figurative hell in World War II era Italy, as he brilliantly weaves together the antithesis to Disney’s original fairy tale. Challenging authority, fighting conformity, and being your own person is more important than blind obedience and this Pinocchio has no interest in becoming a flesh-and-blood “real boy.” The dark edge is perfectly finessed within the gorgeous stop-motion animation medium, reminding me a lot of what James and the Giant Peach and Coraline were for me—two films I adored growing up for their subversive nature. If you’re having family over for the upcoming holidays and want something the whole family can enjoy, this is the one. —Gabriel Alvarez