‘Create Jobs’ Shines A Light On The Next Generation Of London’s Visual Artists

Get to know the work of some of the scheme's brightest young talents.

Create Jobs
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Image via A New Direction / Create Jobs

Create Jobs

Last week, we introduced you to Create Jobs, an employment programme from London-based non-profit A New Direction, and the Creativity Works courses they recently launched. 

Ahead of the October 1 deadline for new sign-ups, we took a look at some of their recent graduates — three photographers, Randy Mankoto, Sabab Khan and Faith Aylward, and three filmmakers Justine Franco-Okedigun, Juliana Ogechi and Skye Mcleod — their work, and how they're using what they learned at Creativity Works to change the face of their industry.

The brief given to the 2019 intake of students asked them to use visual storytelling to illustrate their perception of London from the vantage point of an actual resident. The image that London projects to the wider world is often sanitised and framed in relation to the Royal Family and its tourist attractions. The reality often runs counter to that, something the photographers we've highlighted were able to show using intimate yet powerful imagery.

As part of the Content Production course, each of the filmmakers were asked the question What Do Young Londoners Care About? They were given an iPhone and 90 seconds tell the stories of Generation Z and their lives in the capital. The results were wildly creative, exploring politics, cultural identity, and everyday life.


 

For Randy Mankoto's response to the brief, he framed the idea of "his London" in the context of his faith. His series of photographs, titled The Pursuit, documented his local community and their church. Mankoto uses images of himself and others in prayer to present London as the home to countless different faiths and religions. Rather than discuss it in vague terms, The Pursuit shows us what that means on a profoundly personal level, introducing us to his community, his church and his own relationship with God.

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randy
randy

Growing up in Tower Hamlets, East London, Sabab Khan has seen first-hand the increasingly rapid changes sweeping through London's neighbourhoods. As gentrification sweeps through the capital, communities are pushed further out onto the peripheries. As families are moved out, the communities that remain become divided. Titled The Silence Before It Changes, Khan's work uses the twilight moments between night and day, just before the city springs into life, as a metaphor for the silence when it comes to protecting communities from those often unforgiving changes.

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sabib

Although she didn't strictly grow up in London, Faith Aylward still has an intimate and formative relationship with capital. In the two-and-a-half years she has lived here, Aylward has grown and changed as a person. A vast, sprawling city like London can't be experienced without travel and it's those ideas of change and travel that she uses to express her life in London. Scenes From My London sees her use posed scenes to recreate some of the pivotal experiences in her life. Stylish and beautifully constructed, Aylward's shots tell the story of a young creative whose time in the city has given them a life-long passion for photography.

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faith

'A British Generation': A Film By Justine Franco-Okedigun

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Filmed, directed and edited entirely by herself (and with just an iPhone and 90 seconds at her disposal) Justine Franco-Okedigun answers the question "What do young Londoners care about?" with quotes from inflammatory mouthpieces such as Piers Morgan, Nigel Farage and Janet Street-Porter alongside a collage of headlines and column fragments, to give a whirlwind snapshot of how Generation Z is viewed by older generations. Using their words against them, Justine Franco-Okedigun pokes a million holes in their accusations, revealing Gen-Z to be driven, multi-cultural, politically active and resilient.

'My Fridge Is': A Film By Juliana Ogechi

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"Hi everyone. Welcome to my fridge." In 90 seconds, filmmaker Juliana Ogechi uses the contents of her fridge to tell the story of the housing crisis and the British class system. Another inspired approach, Ogechi starts on the bottom shelf with "the basics"; milk, butter, own brand and budget items crammed clumsily on top of each other. "Pretty soon things will start getting chucked out though, because this is getting way too much," she seemingly jokes. From there, we're taken up through the meticulously arranged and prohibitively expensive fruit and veg section, and then on to the top shelf where "there's not much up there anyway, but [mum] sure has an interesting way of making the top seem... untouchable." There are no polished after effects here, just well-paced, efficient story-telling.

'Home Is Where The Heart Is': A Film By Skye Mcleod

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South London-based filmmaker Skye Mcleod tackles the subject of London living from the perspective of cultural identity. Specifically, she used this as an opportunity to explore her own Jamaican-British heritage contrasting shots of central London and the South Bank against images of Kingston, Jamaica. With a simple score behind her narration, Mcleod explains to the viewer what it's like to grow up with a dual identity and the experience of trying to reconcile them with each other. "Searching for an identity is difficult when you feel split into two," Mcleod explains. "Sometimes it can feel like you don't belong anywhere." Naturally, it's a nuanced and complicated subject, but Mcleod uses a well-scripted voice over and a measured pace to put these ideas into simple terms.

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