Director: Adam Bhala Lough

"I'm going to quit very rich, very successful and the game is going to be begging me to come back," Lil' Wayne boasts to the camera in this fascinating doc. But, clearly, quitting doesn't seem to be on his agenda, a notion The Carter only serves to solidify. 

Adam Bhala Lough, along with producer Quincy Jones III, focuses our vision of Wayne, following the rapper at a pivotal point in his career, the seven months before he drops his triple-platinum Tha Carter III, in addition to several months after. Using a self-described "fly on the wall" style of filming, Lough gives us an unrivaled glimpse into the rapper's work ethic, illustrating him as an obsessive lyricist who writes rhymes constantly, a focus that is contradicted by Wayne's equally ardent drug use (which consists of mainly marijuana and sizzurp).

Despite everything being purple for Lil' Wayne, the documentary still shows a full-spectrum glimpse into his genius that demands respect. Above all, Wayne's dedication to his craft is apparent, which why the rapper's lawsuit to stop its release was so puzzling.

Wayne may have lost his case for creative control over the final product of the documentary, but he did allow the cameras in, and the final product, by any rap fan's measure, is far from unflattering. The filmmakers entered into Wayne's life without a particular point to prove, aside from showcasing the truth, and in doing so allowed us to discover it for ourselves.