Produced by: Mobb Deep
Prodigy: “We made that in Hav’s crib, in Queensbridge. We’d make the beats in Hav’s crib [but lay vocals in the studio]. Or sometimes, we’d make the beat in the crib, write half of the song in the crib, then go to the studio and finish it. That was one of the ones where Hav ain’t really like the beat. He was about to erase that shit. There’s a lot of joints like that, where he was about to trash them and we had to change his mind. I was out somewhere on the block chilling probably, I came in the crib, and Hav had the beat playing.
“I was like, ‘Damn. What the fuck is this?’ He’s like, ‘It’s some bullshit, I’m about to fucking scratch this shit and do another one.’ I was like, ‘Nah, don’t scratch that nigga, hold up. Let niggas hear this.’ And I called niggas over like, ‘Yo, listen to this fucking beat this nigga just made.’ And everybody was like, ‘Yo, that shit is crazy.’ Then we both just started writing rhymes to it and it came out good. We knocked that out all in one day. So, I had to save that one.
“Hav’s pops was a DJ, so Hav had a lot of records from the ‘70s and the ‘80s. We both had a good record collection. Hav was already listening to records before I met him. He was trying to sample on a cassette player, hit record, pause, record, and pause, and making the beats like that. When he met me, we bought the equipment. That’s when he started to really get into making beats. I actually showed him how to sample, how to do this, and how to sequence the shit. Once he got the hang of it he just went in and started going crazy."