Views From the Record Tents: Pitchfork Music Festival 2016

Here's what the festival looks like from behind stacks of vinyl.

By Daniel Margolis

Over a decade into the Pitchfork Music Festival, the CHIRP Record Fair has established itself as one of its mainstays. It started out as a scrappy used record fair operating as a sideshow to the fest, an extension of the independent, online radio station’s annual record show in April.

Since then, the fair has evolved into a showcase for up-and-coming record labels and small businesses looking to get the word out. This past weekend, we spoke to some of the dozens of vendors spread throughout the tents to get their take on what it’s like to witness Pitchfork from behind tables stacked with crates of vinyl.

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Matt Jencik, Reckless Records, Chicago record store with three locations

What’s the vibe like among attendees from your vantage point?

Pretty cool, relaxed, happy, fun. It’s been laid back; not a lot of crazy drug use.

What’s the craziest thing you’ve ever seen from your record table at Pitchfork?

People in silly costumes. It’s already so hot and uncomfortable here; why would you want to wear fur? The craziest thing was probably someone knocking over a Porta Potty with someone in it.

Who are you looking to slip away from the table to see this year?

Brian Wilson, Kamasi Washington, Sun Ra Arkestra, Savages.

Any particular titles people are asking for?

People want things that we’d never have because they’re hard to find. We’ve been selling a lot of Pet Sounds. After bands play, people flock to the table. [Kamasi Washington had just finished performing and people bought out Reckless’ stock of The Epic as we were talking.]

[caption id="attachment_631262" align="aligncenter" width="600"]PORTA-POTTY-INCIDENT The porta-potty incident[/caption]

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