"At the time, we were both managed by Chris Lighty. And, man, it was at the height of his musical rise and his beef was just as high as his musical rise. [Laughs.] I remember having to go through back entrances and so on. I was at the Meadowlands and there was a shooting at the bus and all of that. I remember it was crazy drama. But it was crazy drama nightly. Security was high because of the attempts at 50 and the whole G-Unit gang. It was serious.
"The tour, though, was so great because the energy from the fans was just amazing. 50 was the newest, hottest artist. All the stars had aligned for him. It was interesting to see him be in work mode, but have this type of beef going on. His beefs were really real, and he was really performing to the best of his ability every night. All of them were. And then it would be like high security lock down afterwards.
"50 didn’t let it get to him at all—not that I saw. We weren’t talking about it, but I knew what the hell was going on because I knew the way in which I had to move in regards to the tour.
50 was the newest, hottest artist. All the stars had aligned for him. It was interesting to see him be in work mode, but have this type of beef going on. His beefs were really real, and he was really performing to the best of his ability every night.
"I like 50 Cent. I've said it numerous times, G-Unit was my favorite label. And his mission—I still respect his mission and what he was doing to this day. I just like the fact that it was like, ‘Fuck everybody, it’s just about my crew.’ As you can see, when your fame started to get from outside of that motto, that’s when things started breaking down. I always respected 50 just because it was like, he saw it. It all reminds me of the streets. He handled his business in the crew in a sense of, it seemed like, street rules.
"If there’s a few crews getting money in the streets, for example. A lot of times, they don’t cross paths. And if they do, it’s a line that is totally drawn. It’s like, ‘Listen, I’m all about my crew, they all about their crew and that's just what it is.’ He had that same motto and that same mentality [with business]. I understood where he was coming from in wanting to keep his circle tight. When things started to get a little different and people started deviating from that motto, I believe that’s why things began to unravel.
"Get Rich or Die Tryin' was a classic album because, to me, musically, everything aligned. Even just as far as the times, the controversy, everything was just in line. It was a whole body of work. It wasn’t just a lyrical thing to me. And that’s usually what I’m about. Whereas I might have been like, ‘Damn, the lyrics weren’t the best on a particular song, but the hook was crazy. It married the beat well' and the lyrics weren’t bad, it just wasn’t my particular Jay-Z level of intricacy. And it made me have a whole other outlook, because I’m like, ‘Damn, I can love this and I can like this and I do see the greatness in it without it being what I strive for.’ 50 Cent made me look at music and writing differently."