Publications: The Atlantic, New York, The New Yorker
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Consider David Denby the film critics' circuit's answer to the hip-hop community's Nas. Similar to how Nasir Jones made it his mission to question the existence of his once-prevalent and always cherished art form, The New Yorker's chief film writer shook up the world of big-screen lovers with his controversial book Do the Movies Have a Future?. Largely avoiding snark, Denby's writing throughout the page-turner is earnest, focusing on the promotion of film's older ideals against the blockbusters and money-first products that major studios rush into theaters nowadays.
If written by a lesser critic, Do the Movies Have a Future? would've came off as a real bitch-fest, one akin to an aged D.I.T.C. fan crying about Chief Keef and Trinidad James for 368 pages. But thanks to Denby's sterling, deserved reputation, it's an important conversation-starter from a master who's at the top of his game.