Album: The Predator
DJ Muggs: “I had done a couple songs with Cube, ‘We Had to Tear This Mothafucka Up’ and ‘Now I Gotta Wet Ya,’ in L.A. And I was in New York, and he was here, and wanted to record. So I was like, ‘Cool.’ And he was like, ‘I got Das EFX, they’re gonna kick the chorus.’ And I was like, ‘Word?’ Das EFX had just dropped, and they were sick.
“Cube picked that beat, and that was supposed to be an interlude on the Funkdoobiest album. But he called me, and was like, ‘Yo, you got any beats?’ So I just put everything on a cassette and went over there. And you know, when you’re playing someone beats, and you don’t like one, you hear the two first bars and start to fast forward? And he goes, ‘No, what’s that? Go back.’ And I’m like, ‘You sure?’ He’s like, ‘Yeah.’ I’m like, ‘Alright.’ But in my head I was like, ‘This beat is wack! He’s trippin’. Fuck!’
You know, when you’re playing someone beats, and you don’t like one, you hear the two first bars and start to fast-forward? And he goes, ‘No, what’s that? Go back.’
“So even when he spit on it and I heard it, I liked the song, but I didn’t like my beat. But it fuckin’ blew up. Then he did the remix with ‘The Message,’ and it went to another level. The song ended up becoming a #1 record, a fuckin’ platinum single.
“Then it was funny, Salt-N-Pepa used [the same sample] a couple years later on ‘Shoop.’ When I heard that, I was like, ‘Oh, it must’ve been a good sample then.’ [Laughs.] But the difference is, I sampled it on the SP-1200, where you only have 2.5 seconds on each pad. So I would have to sample it on 45, and then slow it down. But when you slow it down, that’s what makes it all dirty. My shit is all dirty and dusty. Theirs was all clean and concise.”