Eliza Doolittle

Following the more mature "Wide Eyed Fool", ELIZA is back with a funk-filled new single.

With an outstanding 2013 behind them and the first month of 2014 in the books, Bixel Boys are back at it and poised for their next assault with a huge remix of Eliza Doolittle's Euro-hit, "Walking on Water." The track itself features the smooth, UK garage vibe and vocals from the original with an injection of 4x4 kicks and the restructuring that it needed to go from average to anthem.

Jesse Marco's music is made for summer. Earlier this year, he released "Superstar," which came about during a chill period but felt like a muggy backy

Maybe it was the Memorial Day Weekend, but we got inundated with a number of solid remixes over the three-day weekend. No complaints, as it looks like people were testing out some new flavors to help them get their party on. We've got everything from main room beasts to back room bangers, from big names to fresh upstarts. What we like to call a (re)mixed bag.

Earlier this month, Baauer applied proper "turn up" pressure to Disclosure's "You & Me," and now the rework from Toro y Moi veers into the opposite direction. He turns it down with ease, applying some great edits to Eliza Doolittle's vocal, both with the "please don't let!" being utilized perfectly, and the second portion, which rides a number of clipped lyrics from Eliza beautifully. No word on release date, but we need this.

This track sounds familiar; we have a feeling Baauer dropped this during his massive Coachella set earlier this year. In any case, he turns Disclosure's bright, UK garage-leaning single on its ear, pitching up Eliza's vocals (and warping/repeating them in some spots), giving the tune a new life and a bunch of bounce. The actual beat has a dope start-stop vibe to it, further adding to the urge to get your ass on the floor and turn up! Loving this? It'll be out on May 21.

As promised, Disclosure's new single has premiered today, and it's a wonderful piece of UK garage-induced beauty. We weren't sure about how Eliza Doolittle would sound working with Disclosure, but she rides this one perfectly. This one has an upbeat, vibrant feel to it, reminiscent of the UK garage from the 1990s.