Awe

AWE returns with a noisy slice of dubstep and trap.

I wish it was every day I had something this sick hit my inbox. Sure we get high quality content fairly on the reg as we really try to push that envel

In a random fit of AWEsomeness (see what I did there?), the always absolutely disgusting AWE has dropped three new bootlegs accompanied by a brand new

If you didn't already think AWE was a ridiculous talent before this "Supreme 100" tune, I can pretty much guarantee it's game on for you now... FINALL

So weird; this is the second time this week I'm writing up a a bootleg of an already-existing big remix. It's like remix Inception, and I tend to frow

AWE is continuously blowing our minds with his production, his work on this remix for The Knocks is no real surprise for anyone that's been paying attention to his work. Taking a Miami bass stance on the original disco tune, this one shows us that AWE's production skills are deeper than any of us realized. The Knocks' "Comfortable" remix EP features production from Solidisco, Ben Negative, and Lightwaves, and is out right now.

Well then. I don't know if anyone saw this coming but the duality of Kanye's College Dropout 10 year anniversary over the weekend combined with AWE pa

There seems to be a growing craziness over at Plastician's Terrorhythm Recordings, one that we recently profiled. One of the young upstarts at the for

What just happened to my Internet? Who is AWE, why was this released on a Friday, and what the fuck am I listening to? This is trap x dubstep, with an exponent of electro. And is one of the most reckless records I've heard this fall.