Image via Complex Original
"Your life is played out/Like Kwame and them fuckin' polka dots..."
Believe it: Hip-hop, like any form of popular culture, is inundated with trends. Purists might get aggy about the genre's willingness to hop around after the latest "latest thing." But hey, change is healthy! And new styles are what keeps the music, the community, the whole world, "fresh."
Hip-hop has many trendsetters, the people who (inadvertently or otherwise) shift its look, sound, and content in different directions. From high school YouTube artists to top-of-the-food-chain aesthetes like Kanye West, the various nodes of #influence range far and wide. But it's important to remember, they wouldn't be anything without people who want to bite—the very people who grant influential artists their status as influencers. Mimicry being the sincerest form of flattery, of course.
Just because something catches on, though, doesn't mean it should have. Here, we'll take a look at the trends that have worn out their welcome, the trends that really make hip-hop fans look like jerks, and the trends that are just...pointless. Here are 10 Trends We Wish Hip-Hop Didn't Popularize.
Written by Insanul Ahmed (@Incilin) & David Drake (@somanyshrimp)
RELATED: The 50 Hottest Rappers On Google Trends
RELATED: 15 Significant Stats About Rap We Learned From Google Trends
The "Free [Anyone]" movement.
Let's be real: the United States legal system is not the fairest in the world (probably). There are a lot of people behind bars for petty shit; black people are incarcerated at a much higher rate. There is injustice woven into the very fabric of the country's court systems (think about the disparity in punishments for cocaine arrests vs. crack arrests). That said: most of the time, your favorite rapper got put behind bars doing some stupid shit. He is not a political prisoner. He is not Assata Shakur. And he definitely shouldn't have brought a gun to the airport.
Face tattoos.
Back when Mike Tyson first got his face tattooed, we didn't think it would actually catch on. Boy were we wrong. The trend has taken rap by storm the last few years with guys like Lil Wayne, Birdman, Yung LA, Game, and Gucci Mane getting all sorts of stuff drawn on their face. Permanently. In most cases, we preferred the way they looked before. Hey young world, treat face tats like drugs and just say no. Like a real responsible adult, get a tramp stamp instead!
"Making it rain."
Okay fine, making it rain might look cool. But no matter what some fancy economists might say, the recession is as real as this cut I got on my finger from opening this can of sardines. So do you really need to throw up enough money to pay my rent until next summer? Granted, like most of these trends, rap didn't invent this. But dammit if Lil Wayne didn't make people think it's a good idea to throw money up in the air instead of saving it for something more responsible.
Spinners.
No disrespect to Three 6 Mafia and their awesome song "Ridin' Spinners," but spinners are stupid. They have no practical value whatsoever and they make cars looks ridiculous. And they got buried in a shallow grave when Chris Rock did a bit about them in his Never Scared special.
Sipping lean & popping molly.
There's a whole lot of violence and pain that could be averted if this country would legalize many of the drugs it has arbitrarily decided should be prohibited. Much as the legalization of alcohol reduced the gangland homicides that riddled the 1920s, there's no doubt that an easing of drug war hostilities could, at the very least, bring to an end the killings that still blanket certain urban centers. All this is to say, you can't blame the music for the illegal drug markets, which exist due to systemic causes. But while we're pretty libertarian about what you do with your EDM festival free time, it's hard to say the 24/7 lean and molly advertisements that make up hip-hop content these days are something to be particularly excited about.
Giant throwback jerseys and size 8 fitteds.
To me, your giant jersey looks like a nightgown. (And your giant baseball cap makes me wonder whether you're trying out for Charlie Brown's All-Stars.)
Drinking crappy liquors like Alize and Moscato.
We like to drink as much as the next rap listener, because we know that the feeling of invincibility and power that comes with rap music also comes with a bottle of...well, any liquor. So why is hip-hop inundated with the shitty ones? Every rapper is an entrepreneur, but do they all have to sponsor booze? Why does every rapper need his own brand of liquor? Why would Cam'ron name an alcoholic beverage "Sizzurp"? The world may never know.
Referring to women as b***hes and h**s.
Hip-hop is one of the only forms of music that approaches male-female relationships in a way that doesn't beat around the bush. It's crass and real, and that's why we love it. On the other hand, it's crass and real, and that opens up a very real window into what a bunch of teenage dudes think of women. Sometimes, this is okay. This is "Id" music; you really go through it. Sometimes, it's not really cool at all, as dudes try to live out their unrealistic fantasies in a real world.
Ghost-riding the whip.
How ridiculously influential is hip-hop that the second after I saw footage of folks dancing on a moving car during the hyphy era, I was ready to try it myself? Hip-hop can make anything stupid look awesome and must-try, from shutter shades to wearing expensive things that will get stolen from you. But for some reason, getting out of a moving car to run next to it hits a new level of ridiculous. Maybe it's that the consequences seem so self-evident. Hip-hop goes Jackass.
"Keeping it real."
This is the worst hip-hop slogan ever coined. It's broadest usage, meaning "be honest," is harmless but banal. It's more pointed usage, meaning "keep it representative of lower-socioeconic class black people" is a very unhealthy way to think about the world. Every experience, every way of life, is just as "real" as any other. Insisting on some specific kind of reality as being truer or more pure than others is a recipe for stasis and intolerance. As the great jazz pianist Less McCann said, "Tryin' make it real—compared to what?!"