The Most Random Songs To Make The Billboard Hot 100

Billboard’s Hot 100 has been littered with hits that seemed to come out of nowhere. Not every music phenomenon can be explained, but the randomness of them is part of what makes pop culture interesting. From the rise of Desiigner to the anti-racism heroics of LL Cool J, here are the 25 most random songs to chart.

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Many artists seem to have cracked the code on how to make a hit. Max Martin has been making hits with a wide roster of artists for decades, and “Drake Isn't on the Billboard Hot 100 for the First Time Since 2009” was a completely factual headline that popped up last year.

Though some would argue that there is a formula to make a hit, what’s inarguable is that the cultural zeitgeist does change. Sometimes a hit appeals to that shift with its timing, but whether or not it accidentally does so is irrelevant: A hit is a hit. For example, people just wanted to hear a former Dru Hill member prose about thongs after surviving the Y2K scare. Things happen when they happen (or as a wise man once sung, it’s part of God’s plan).

Despite the formula, though, Billboard’s Hot 100 history has been littered with many hits that seemed to have appeared out of nowhere. Desiigner surprised many when he suddenly popped up on The Life of Pablothat song became a hit. Afroman made a comedy rap about getting high—that became a hit. LL Cool J and Brad Paisley wanted to solve racism, so they teamed up and made a hit. Not every music phenomenon can be explained, but the randomness of their ubiquity is part of what makes pop culture endlessly interesting.

We’re talking about a variety of things when we mark the following songs as “random” hits. A few came from virtual unknowns who captured the mainstream public’s attention on their first try. Some are “random” by virtue of simply being the first of their kind. Others are here because of a viral piece of magic that wound up carrying the song. However they reached our ears, we’re glad they did—for the most part. Here are the 25 most random songs to make the Billboard Hot 100.

Sugarhill Gang “Rapper’s Delight” (1979)

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Sugarhill Gang’s breakthrough is known for introducing a wide audience to hip-hop; it was the first rap song to break the Billboard’s Top 40, peaking at No. 36 at the top of 1980. A genre forerunner that barely out-charted the likes of R&B legends the O’Jays and rock gods Led Zeppelin, “Rapper’s Delight” pretty much fits the definition of being a “random” hit by default.

Lorde “Royals” (2013)

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Lorde’s first single was a breakthrough, though it had no business being one. When it arrived, popular radio was being dominated by Miley Cyrus’ infatuation with twerking, comebacks from Justin Timberlake and Daft Punk, and your typical overproduced pop anthems. Yet, the 16-year-old New Zealander introduced herself to the world as a star with a instrumentally sparse number that snarkily needled at some of the excess her mainstream peers wore on their sleeves.

P.M. Dawn “Set Adrift on Memory Bliss” (1991)

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“Set Adrift on Memory Bliss” is one of hip-hop’s most sensual and dream-like songs, but its claim to chart history is more grating than sexy. Vanilla Ice’s “Ice Ice Baby” was hip-hop’s first No. 1, and Marky Mark (a.k.a. Mark Wahlberg) and the Funky Bunch’s “Good Vibrations” became the genre’s second. “Set Adrift on Memory Bliss” was hip-hop’s third No. 1, but its first by a black artist.

Baauer “Harlem Shake” (2013)

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The original Harlem Shake was an uptown delicacy that fell out of mainstream relevance as the millennium went on. Frankly, there’s not that many people who predicted it would return as an EDM hallucination accompanied with a dance craze. Actual Harlem was pissed.

Afroman “Because I Got High” (2001)

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“Because I Got High” was built off a primitive loop and a string of weed jokes delivered in cartoony sing-song. Still, lines like “I was gonna pay my child support but then I got high” were good enough to earn Afroman his biggest hit—the song peaked at No. 13—and convince Jay and Silent Bob to appear in the video.

DJ Webstar and Young B “Chicken Noodle Soup” (2006)

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Almost too Harlem for its own good, 15-year-old dynamo Young B linked up with fellow Harlemite DJ Webstar to introduce the masses to a new dance—essentially a hoedown with more economy and less Caucasianisms. The verses bordered on nonsensical (“I was on 119th in Lexington / Black sidekick on the Nexington”), but Young B was a charismatic presence, which is why it’s surprising she never landed an even mid-level hit afterward. She’s grown now and stars in Love & Hip-Hop: New York.

Brad Paisley “Accidental Racist” f/ LL Cool J (2013)

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“Accidental Racist” doesn’t sound that absurd now with the racist chaos ensuing thanks to Trump. Even so, it’s still hard to consider this hip-hop/country mash-up without the question, “Who okay’d this?” The concept doesn’t even work at the most basic level: You can’t apologize for being racism when you should clearly know better than to wear a confederate flag in front of a black person. Natch, “Accidental Racist” charted on the Hot 100, brought Paisley some mainstream attention, and caught these jokes. Fun fact: This is LL Cool J’s last Hot 100 entry.

Psy “Gangnam Style” (2012)

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Random but ultimately innocuous, Psy’s introduction to America stuck mainly because of its joyously bizarre video, a tour de force that became the first YouTube video to reach 1 billion views. It was an oddity for a number of reasons—Maroon 5’s “One More Night” was the only thing that kept us from seeing a Korean rapper at No. 1—but for many, it was an entry into the world of K-pop.

Mims “This Is Why I’m Hot” (2007)

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“I represent New York, I got it on my back / Niggas say that we lost it so I'ma bring it back,” Mims raps on “This Is Why I’m Hot.” That didn’t turn out to be true, as he flamed out without actually bringing it back. Even so, it wasn’t that hard to believe Mims when he gave us a hook that indelible and immediate.

Sisqo “Thong Song” (1999)

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Sisqo’s biggest hit became one of the first phenomenons of the millennium. Right after fearing the end of the world, America bonded over a song about thongs.

Lil Jon and DJ Snake “Turn Down for What” (2013)

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Lil Jon got his first Top 5 hit in almost a decade by rebranding himself as an EDM turn-up messiah. The overcooked bass drop and absurd music video were the perfect formula for a hit in 2013.

M.I.A. “Paper Planes” (2007)

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M.I.A.’s material is generally a world music soundclash, so we were surprised when she suddenly found herself near the zeitgeist. A song about immigrant plight built around a booping Clash sample isn’t exactly a formula for a hit. But some things just hit a certain way at the right time, and suddenly your song is in a Seth Rogen trailer and being sampled for an impossibly overblown posse cut.

Eamon “Fuck It (I Don't Want You Back)” (2004)

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The post-breakup rant of every frail male was good enough to score a hit in the mid aughties. “Fuck It (I Don't Want You Back)” was Eamon’s only Hot 100 entry, but it was at least big enough to earn a small compliment from Jay-Z.

Bobby Shmurda “Hot Nigga” (2014)

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It only took five seconds and an eternally suspended fitted cap to introduce the country to a charismatic talent and give New York hip-hop heads a reason to be excited. Bobby Shmurda’s “Hot Nigga” was a moment that captured the beginnings of a star who would probably still been ascending had it not been for the carceral state.

O.T. Genasis "CoCo" (2014)

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A west coast rhymer howling about cocaine and baking soda over what sounds like a Scarface soundtrack leftover feels too novel of a concept to actually work. But it did: O.T. Genasis’ breakthrough made it into the Top 20 and Busta Rhymes’ heart.

Ghost Town DJ's "My Boo" (1996)

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A hit in 1996 (and again by association as a sample on Ciara’s “Body Party”), “My Boo” popped up again in 2016 as the soundtrack to the viral Running Man Challenge. “My Boo” returned to the Hot 100 and peaked at No. 27, higher than its peak 20 years prior.

Macklemore & Ryan Lewis “Thrift Shop” (2012)

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After being in the game for over a decade, Macklemore became a diamond-selling artist thanks an ode to secondhand apparel—a subject that stands out in a genre that loves luxury brands. “Thrift Shop” was fairly innocuous, but it became a firestarter for conversations surrounding the lack of respect for hip-hop culture and the Grammys’ outdatedness. The Recording Academy still hasn’t completely shaken off the disgrace of letting Macklemore shut out Kendrick Lamar in hip-hop categories at the 2013 ceremony.

Trinidad James “All Gold Everything” (2012)

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“All Gold Everything” pissed a lot of people off for a variety of reasons, including for giving white people an excuse to dance to stereotypes and the idea that Trinidad James had done so despite only recently starting making recorded music. But the haters didn’t have a reason to stay fixated: “All Gold Everything” was James’ only hit as a lead artist, and he was dropped from Def Jam in 2014.

Shaggy “It Wasn’t Me” (2000)

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Shaggy was five years removed from “Boombastic” when he scored his first No. 1 hit with what’s still every adulterers’ go-to line. While the song’s no-goodnik charm is undeniably Shaggy’s, “It Wasn’t Me” took its inspiration from a 1987 Eddie Murphy stand-up bit.

Eminem “Ass Like That” (2005)

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The Encore single is pretty much a series of sophomoric jokes strung together by Eminem’s absurd made-up accent. In fact, it’s hard to argue against the idea that “Ass Like That” was a hit only because it came from the world’s biggest rapper. Eminem would disavow the song and the accent in later years.

Gorillaz “Clint Eastwood” (2001)

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Back in 1997, Damon Albarn’s Britpop group Blur released “Song 2,” a banger meant to poke fun at the grunge movement. It ended up being a hit on the alternative songs chart and on a FIFA game intro. Over the next few years, Albarn created Gorillaz, an animated quartet whose characters came with their own storylines and poked at America’s obsession with peak-MTV era fame. Despite the high concept, their first U.S. single “Clint Eastwood” became a hit, this time on the Hot 100.

Biz Markie “Just a Friend” (1989)

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Biz Markie let go of the bravado a bit for his immortal take on the friend zone. It’s unfortunately his only hit, but thanks to its sample, soul singer Freddie Scott will never be forgotten.

Kanye West,“Jesus Walks” (2004)

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“Jesus Walks” is objectively one of the most essential songs in Kanye West’s catalog, which is why it’s easy to forget that it was such a risk in 2004. Hip-hop songs about religion aren’t a big sell to mainstream radio, and they’re even more of a longshot for an artist who was still trying to establish himself as a bankable star. But “crazy enough to work” is the modus operandi of West’s career, and “Jesus Walks” was no exception: The College Dropout single broke into the Top 20, and for a moment, religious and secular hip-hop seemed to be in the same realm.

Desiigner “Panda” (2015)

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A lot of people were tuned in to The Life of Pablo’s debut at Madison Square Garden when they suddenly heard Desiigner’s fitful delivery blast through the speakers on “Pt. 2.” The track interpolated part of “Panda,” which would become inescapable that spring. In April 2016, “Panda” became the first New York hip-hop song to top the charts since Jay-Z’s “Empire State of Mind.”

Future “Mask Off” (2017)

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“Mask Off” was not supposed to be the hit from last year’s FUTURE and HNDRXX combo. Epic threw their weight behind “Draco” as the big single, but it only peaked at No. 46. Meanwhile, “Mask Off” rose to No. 5 on the charts, thanks to the work of democracy; as the memes and tweets suggested, people could not get enough of that flute.

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