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To best appreciate Slate's Dana Stevens, and in an effort to show her unpredictability and dedication to her own convictions, let's cite a few of her more recent reviews. As most of her peers were praising Quentin Tarantino's Django Unchained, Stevens reacted from a place of inner disgust: "Tarantino’s intent may have been to showcase the horrors of slavery, but there’s something about his directorial delectation in all these acts of racial violence that left me not just physically but morally queasy."
But, at the same time, she's able to embrace the splattery weirdness of genre maverick Don Coscarelli's absurdist delight John Dies at the End, writing, "The story’s rabbit holes got so deep that I can’t actually tell you whether the movie’s title is a spoiler or not, but I loved John Dies at the End for so confidently whisking the viewer to a place where the question 'Well, did he die or didn’t he?' seems hopelessly un-nuanced and square."