Along with the titles, Bass did the montage sequences and all the visual consultation for this film. The commencing wide angle shot of the smoking exhaust and the simple Helvetica title centered just inside the muffler is tight. This title sequence is like a complete viewer body transplant into the inside of a Formula One car, and the pit crew are the surgeons administering the operation. The title sequence alone is the best part of this 3 hour race saga. Also peep game on some of those Bass-choice pre-iMovie and Final Cut effects.