One of the biggest hurdles for smaller film ventures is the expense of professional film equipment. Getting those sexy, bird's eye shots that you see in every car commercial requires the rental of some very expensive equipment...
Unless, like Christopher Kippenberger, you just get all of those shots with HD camera equipped quadrotor drones. What's amazing is that these shots are no worse than traditionally gathered ones. You'd think there would be some vibration or something, but no.
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[via Jalopnik]