Last Updated: Feb. 14, 2019
Now that winter is here, it's time for getting cozy with a warm blanket, and Netflix ready to go on your favorite device. But, if you've ever searched for a new movie to watch on Netflix, you know how taxing the process can be. With what seems like an endless amount of titles, it can take hours to find the perfect film that matches your mood. Though the task of finding the perfect movie to watch may seem overwhelming, we've got you covered with this list of the best movies on Netflix. From classic crime films like The Departed to hilarious comedies like Burn After Reading, there's no shortage of films to choose from.
Whatever your film preferences are, there are plenty of other options to choose from. Whether you prefer a rom-com, a laugh-out-loud comedy, documentaries, crime thrillers, over-the-top drama, Disney movies, superhero flicks from Marvel, an adaptation, or something based on a true story, there are movies and TV shows galore for everyone streaming on Netflix.
Although some beloved movies have been removed from Netflix this month, including The Sixth Sense, Groundhog Day, and Road House, there's still a plethora of films to choose from. This includes the must-watch '90s classic Trainspotting, wherein Ewan McGregor delivers one of his most memorable performances and The Irishman, Martin Scorsese's latest mob film.
There's also some lighter comedy fare available to stream on Netflix, and a number of beloved Netflix originals, like Marriage Story and Always Be My Maybe. For the sci-fi heads, there are multiple Star Wars movies streaming on Netflix, so you can get your fix. What are you waiting for? When you've run out of TV shows to binge-watch, here are the best movies on Netflix right now.
Recently Added: Good Time, Anna Karenina, To All The Boys: P.S. I Still Love You,
Director: Martin Scorsese
Starring: Robert De Niro, Joe Pesci, Al Pacino
Martin Scorsese’s latest is his longest and most ambitious effort in his five decade long career. The Irishman follows Frank Sheeran (Robert De Niro) as he reminisces on his life going from truck driver to hitman involved with Russell Bufalino (Joe Pesci) and his crime family, as well as eventually working for Teamster Jimmy Hoffa (Al Pacino). Clocking in at three and a half hours, The Irishman is a mammoth of a film, but it’s all in important service to the film’s themes: the movie itself feels as long as Frank’s storied life, and is necessary to make these characters feel as lived in as they do. Where other Scorsese mob epics like Goodfellas and Casino are purposefully flashy and exhilarating, The Irishman instead uses silence and bitter introspection as the characters run out the clocks on unexamined lives full of selfish crime and violence. Possibly the darkest entry in Scorsese’s filmography, De Niro, Pesci, and Pacino give some of the finest performances of their careers and Scorsese’s direction is as vivid and breathtaking as ever. The Irishman is easily one of the best movies of the year.
Director: Noah Baumbach
Starring: Adam Driver, Scarlett Johannson, Laura Dern
Director Noah Baumbach has made his career making films about prickly people, from his debut feature Kicking and Screaming to The Squid and the Whale to Greenberg. While his work (and romantic partnership) with Greta Gerwig led to more buoyant fare such as Frances Ha and Mistress America, Baumbach returns to the sharp dramedy he’s been known for with Marriage Story. The film follows the lives of Charlie (Adam Driver) and Nicole (Scarlett Johannson) as they go through an increasingly bitter, coast to coast divorce while raising their only child. The film carefully splits its time between both Charlie and Nicole, making them feel fully three dimensional, and making their actions completely understandable even when they act cruelly towards each other, with their respective lawyers—played with devilish charm by Laura Dern and Ray Liotta—often serving as proxy. The film succeeds by having two of the best performances of the year in Driver and Johannson, as well as deftly portraying the highs and lows of a marriage, particularly how devastating it can be when one fails. Marriage Story is heartbreaking, vital, and one of the best acted films of the year.
Director: Fernando Meirelles
Starring: Anthony Hopkins, Jonathan Pryce, Juan Minujín
You’ve heard of the young pope, maybe even heard of the new pope, but have you heard of the two popes? The latest in the Pope Cinematic Universe (PCU), The Two Popes is sure to be an Oscar contender this year. It centers on the real life meeting between then Pope Benedict (Anthony Hopkins) and future Pope Francis (Jonathan Pryce) in 2012, as they hash their ideological differences and signal a major shift in the direction of the Catholic Church. From Fernando Meirelles, director of City of God, comes this biopic starring two of our most acclaimed British actors. Hopkins and Pryce are reliably great in these roles, and the stunning production design adds to the importance of the decisions that these two men have on a worldwide religion. The Two Popes is another fascinating look into a position of power that’s strangely popular to depict right now.
Director: Craig Brewer
Starring: Eddie Murphy, Craig Robinson, Titus Burgess
The blaxploitation genre is an often overlooked and very important part of film history. While blaxploitation movies were often exceedingly violent and played into stereotypes more often than not, it was the first time black audiences saw black characters on screen that they could identify with and root for, as many other mainstream movies only had black characters in minor roles. Dolemite Is My Name centers on one of the biggest figures in the blaxploitation scene: comedian/actor Rudy Ray Moore, star of the comedic blaxploitation movie Dolemite and its sequels. Starring Eddie Murphy as Moore, Dolemite Is My Name follows his life as he becomes a successful standup comedian and decides he wants to become a major black movie star as well. Not only a worthy comeback for Eddie Murphy, Dolemite Is My Name is also a love letter to a culturally important film genre that could always deserve more love.
Director: Beyoncé Knowles-Carter
In case you haven’t heard yet, Beyoncé released a little film on Netflix. Yes, Queen Bey blessed us with Homecoming, a hybrid concert film/documentary about her headlining performance at the 2018 Coachella Festival. Not only does Homecoming chronicle her entire Coachella performance (more famously known as “Beychella”), it also follows her personal life as she transitioned back into performing following a surprise pregnancy (which forced her to drop out of the 2017 festival). Inspired by the sights, sounds, and culture of HBCUs and motivated by a need for inclusion and diversity on stage, Knowles-Carter spent eight months preparing to give us the legendary performance at the center of Homecoming, which she turned into both a live album and this documentary. Homecoming is a thrilling testament to the incredible drive and artistry of this generation’s best performer.
Director: Mati Diop
Starring: Mame Bineta Sane, Amadou Mbow, Ibrahima Traoré
Winner of the Grand Prix award at the 2019 Cannes Film Festival, Atlantics is one of the most critically praised movies of that year. Written and directed by Mati Diop, the film follows Ada (Mame Bineta Sane), who’s to be married to another man but is in love with construction worker Suleiman (Ibrahima Traoré), who is working on a futuristic tower overlooking the city of Dakar in Senegal. When Souleiman and the other co-workers leave the country for a better life, mysterious events ruin Ada’s wedding days later, seemingly connected to Souleiman’s departure. While having elements of romantic drama, Atlantics quickly turns into a beguiling supernatural tinged, beautifully shot magic realist drama. To say too much about it would ruin the wonderfully strange experience that is Atlantics. Mysterious and one of a kind, Atlantics is one of the very best movies currently on Netflix, English language or otherwise.
Director: Jérémy Clapin
Starring: Hakim Faris, Victoire du Bois, Patrick d'Assumçao
One of the most critically acclaimed animated movies of the year (that isn’t Toy Story 4) just hit Netflix. I Lost My Body was a big hit at the 2019 Cannes Film Festival, winning the coveted Nespresso Grand Prize—becoming the first animated film to do so. The film centers on young man Naofel (Hakim Faris) as he falls in love with a librarian named Gabrielle (Victoire du Bois) after an accident in which he loses his hand. Meanwhile, his hand awakens in the morgue and journeys across France to be reunited with its owner. With a truly original plot, I Lost My Body mixes romantic and surreal tones well, with an evocative score by French band The Dø and some beautiful animation. Naofel and Gabrielle’s scenes are quietly romantic while the scenes with his hand evoke a darker version of Homeward Bound. One of the most unique and best movies of the year, I Lost My Body is another great addition to Netflix’s library of originals in a year full of them.
Director: Rachel Lears
Knock Down The House director Rachel Lears immediately began work on a documentary about female politicians the day after the 2016 election. She sought out female candidates who weren’t career politicians, but were motivated by the election to represent their communities. In Knock Down The House, she profiles Paula Jean Swearengin of West Virginia, Cori Bush of Missouri, Amy Vilela of Nevada, and a candidate you may have heard of named Alexandria Ocasio-Cortez of New York. Lears astonishingly managed to follow AOC’s historic rise from the moment she decided to run, long before her stunning defeat of incumbent Joe Crowley in New York’s 2018 midterm election primaries, which catapulted her into national stardom. While AOC’s story is the most famous and successful story of all four candidates featured, the documentary is generally remarkable for being an uplifting movie about politics, which is an arduous task these days. Knock Down The House ultimately posits that there is a genuinely exciting surge of inspiring and hard working grassroots politicians who are trying to make the world a better place for everyone.
Director: Nahnatchka Khan
Starring: Ali Wong, Randall Park, Keanu Reeves
Netflix once again proves it owns the romantic comedy market with this recently released crowd pleaser. Always Be My Maybe follows chef Sasha (Ali Wong) who, after a breakup, begins feeling old sparks of attraction with a childhood friend (Randall Park) after seeing him for the first time in fifteen years. Always Be My Maybe is the latest hit for comedian Ali Wong, who previously made her splash on Netflix with her comedy special Baby Cobra and her starring role in Tuca & Bertie, and she’s credited with co-writing the film as well. The film, while predictably hitting the usual romantic comedy beats, is genuinely charming, thanks to the performances from Wong and Park. Always Be My Maybe also features a hysterical scene with Keanu Reeves playing himself on a date with Wong’s character that really needs to be seen to be believed. Always Be My Maybe is perfect if you’re in the mood for a solid and charming romantic comedy.
Director: Steven Soderbergh
Starring: Andre Holland, Melvin Gregg, Zazie Beetz
One of Netflix’s latest originals is also one of the most critically-acclaimed movies of 2019 so far. Based on the real-life 2011 NBA lockout, High Flying Bird follows sports agent Ray Burke (Andre Holland) as he advises his rookie client (Melvin Gregg) on a controversial business opportunity that might just end the lockout and change the game forever. Logan Lucky director Steven Soderbergh is known for his flawless directing and uncanny ability to capture institutions, and High Flying Bird is further proof of this, boasting stunning iPhone-exclusive cinematography and sketching an efficient portrait of the (slightly fictionalized) NBA. Moonlight writer Tarell Alvin McCraney’s script crackles as well, featuring scenes filled with wall-to-wall fast-paced dialogue. McCraney and Soderbergh manage to make High Flying Bird so much more than just a typical sports drama: it’s also a deep look into the racism ingrained in the NBA and how one can be an activist within the institution itself. High Flying Bird is an intelligent and riveting watch.
Director: Steven Soderbergh
Starring: Meryl Streep, Gary Oldman, Antonio Banderas
Director Steven Soderbergh’s latest finds him working with his most star-studded cast in years. Fresh off this year’s High Flying Bird (also for Netflix), Soderbergh’s now released the comedy drama The Laundromat. Based on the real life Mossack Fonseca scandal, the movie follows average woman Ellen Martin (Meryl Streep), as she investigates a fake insurance policy and uncovers a crooked law firm led by partners Jürgen Mossack (Gary Oldman) and Ramón Fonseca (Antonio Banderas) that seeks to help the world’s richest people get richer. As with High Flying Bird, Soderbergh continues his fascination with corrupt institutions and the ways capitalism keeps the average person at a disadvantage. Here he explores these themes with a more comedic, The Big Short-esque feel, in a comedy drama that’s likely to receive some Oscar nominations thanks to Soderbergh’s name and its star-studded cast, which also includes Jeffrey Wright and Sharon Stone. The Laundromat is yet another big swing from Netflix that will include it in the Oscar conversation.
When Breaking Bad aired its series finale four years ago few would have guessed that we would ever see where Jesse Pinkman (Aaron Paul) ended up after escaping captivity from neo-Nazis thanks to Walter White. Now El Camino is here to answer the questions every Bad fan has had since then. Surprise announced as a Netflix original film a few months ago, El Camino follows Jesse in the days following the Breaking Bad finale, as he evades the law and attempts to find sanctuary. Like the show itself, El Camino is tense and darkly funny, featuring appearances from some Breaking Bad favorites, including Todd (Jesse Plemmons) and Mike (Jonathan Banks) and other favorites. While El Camino isn’t truly surprising plotwise, it makes up for it in a great performance from Paul, as well as expressive and breathtaking direction from series creator Vince Gilligan as he showcases the visual beauty the show was known for. El Camino is a more than worthy return to the Breaking Bad universe that will leave you satisfied.
Director: Scott Aukerman
Starring: Zach Galifianakis, Lauren Lapkus, Ryan Gaul
Between Two Ferns with Zach Galifianakis is one of Funny or Die’s most famous web series, starring Zach Galifianakis as the host of a laughably low-budget talk show. Over the past decade he’s interviewed many celebrities on the series, including Brad Pitt, Barack Obama, and Cardi B, with each episode involving him asking awkward or insulting questions, with the interviewee responding similarly to him (their responses are improvised). A bizarrely funny show, it’s probably the last thing people expected to get a movie adaptation, yet Netflix has given us something we didn’t know we needed. Between Two Ferns: The Movie raises the stakes of the web series by having Zach (playing himself of course) try to save his show by traveling across the country and interviewing ten celebrities in two weeks. The movie has the same surreal, awkward humor as the web series, and has plenty of fun stars, including Matthew McConaughey and Brie Larson, among others. If you ever enjoyed the web series, you’ll more than enjoy Between Two Ferns: The Movie which, with sub-90 minute runtime, never overstays its welcome.
Director: Sofia Coppola
Starring: Emma Watson, Taissa Farmiga, Israel Broussard
Sofia Coppola has always been interested in the interior lives of young women throughout her career from her debut The Virgin Suicides to 2011’s Somewhere. With The Bling Ring, she managed to craft another typically great portrayal of women, but mixed in a new and interesting flavor: social satire. Based on a 2010 Vanity Fair article that recounts the real life titular gang, The Bling Ring follows a group of fame-obsessed teenagers that rob the homes of celebrities. Looking back, it’s one of the most representative movies of the 2010’s: the obsession with fame, the prevalence of social media, and how one can easily gain fame for doing nothing of note at all. Emma Watson is unrecognizable in the lead role as Nikki, a fascinatingly vapid queen bee who kicks off their criminal activities with the truly iconic line: “I wanna rob.” The Bling Ring is a sneakily contemplative, vicious satire that’s among Sofia Coppola’s best.
Director: Paul Thomas Anderson
Starring: Joaquin Phoenix, Philip Seymour Hoffman, Amy Adams
Director Paul Thomas Anderson is now beloved amongst cinephiles first such hits as There Will Be Blood and Phantom Thread, but one of his most underseen and most deliciously inscrutable movies is 2012’s The Master. Set in the aftermath of WWII, the film follows army vet Freddie Quell (Joaquin Phoenix) as he drifts into the life of Lancaster Dodd (Philip Seymour Hoffman), the charismatic leader of a cult like religious movement. What sets apart The Master from the rest of PTA’s work is the dreamlike atmosphere and cinematography, giving the film an ethereal feel. Phoenix has never been better as Quell, a person seemingly constantly contorting in on himself every moment, and Hoffman gives one of his most remarkable performances as the vain, secretly insecure Dodd. Throw in supporting performances from Amy Adams and Laura Dern and you get the strangely satisfying cinematic journey that is The Master.
Director: Fernando Meirelles
Starring: Alexandre Rodrigues, Leandro Firmino da Hora, Phellipe Haagensen
One of the most critically acclaimed films of the 2000s, City of God is adapted from the 1997 novel of the same name, and loosely based on real life events. Directed by The Two Popes director Fernando Meirelles, the film highlights the growth of organized crime in a Rio de Janeiro neighborhood known as “Cidade de Deus,” as told through the lives of several characters and narrated by a young man nicknamed “Buscapé” (Alexandre Rodrigues). City of God successfully portrays its setting as a character itself, bringing the suburb to stunning life before the viewer’s eyes. The film also boasts several vivid and realized characters, most played by non-actors, who illustrate the cycles of poverty and violence in devastating fashion. Although a hard watch, City of God is a well-made and entertaining film that seems to transcend genre, incorporating elements of comedy, mob thriller, and coming of age movie all at once.
Directors: Benny and Josh Safdie
Starring: Robert Pattinson, Benny Safdie, Jennifer Jason Leigh
The Safdie brothers are now better known for 2019’s critically acclaimed—and soon to be A24’s highest domestic grossing film—Uncut Gems, but their earlier collaboration with A24 in 2017, Good Time, deserves just as much love. The film follows Connie (Robert Pattinson), a would-be bank robber, as he attempts to get enough money to get his developmentally disabled brother Nick (Benny Safdie) out on parole. His attempts lead him all over New York City as circumstances get progressively more dangerous for both Connie and Nick. Their third feature, Good Time is representative of what the Safdies do best: escalating darkly comedic situations, gritty realism, and stress-inducing camerawork that makes you feel just as trapped as the characters are. Pattinson once again proves his art film cred with an exhilarating lead performance in this, and Jennifer Jason Leigh is perfectly grating in an underrated supporting performance. Good Time is yet another great film by the Safdie brothers, who are proving to be two of the best directors working right now.
Director: Guillermo Del Toro
Starring: Ivana Baquero, Sergi López, Maribel Verdú
One of The Shape of Water director Guillermo Del Toro’s earlier films, Pan’s Labyrinth is a critically acclaimed, visually stunning fairy tale. Five years after the Spanish Civil War, Ofelia (Ivana Baquero), the stepdaughter of a tyrannical military captain, discovers a mysterious labyrinth guarded by a faun who promises to bring her to her real father if she completes three dangerous tasks. Del Toro considers Pan’s Labyrinth a spiritual successor to his earlier film The Devil’s Backbone, both of which are dark parables that weave in real life themes, specifically the encroaching fascism in Europe in the 1940s. Doug Jones, also known as the Amphibian Man from The Shape of Water, plays similarly unrecognizable roles here as both the faun and the terrifying Pale Man. Pan’s Labyrinth deservedly won Academy Awards for Best Makeup and Best Production Design, as well as Best Cinematography and remains a fan favorite amongst Del Toro’s work.
Director: Jason Reitman
Starring: George Clooney, Vera Farmiga, Anna Kendrick
While previously acclaimed for 2007’s charming Juno, Up in The Air really brought Jason Reitman to the attention of critics and audiences. The comedy drama, based on the novel of the same name, follows Ryan Bingham (George Clooney), a corporate downsizing expert, as he spends his life mostly on planes and in hotels, as he meets a woman (Vera Farmiga) that may just change his outlook on life. While the plot itself isn’t the most original in the world, it’s the careful writing and impressive performances by both Clooney and Farmiga that make this movie come to life. The film is also ahead of its time in regards to its portrayal of technology in the modern world as fundamentally alienating. An endearing, prickly comedy drama, Up In The Air is a surprisingly subtle delight.
Director: Mel Stuart
Starring: Gene Wilder, Jack Albertson, Peter Oystrum
An unimpeachable children’s classic, Willy Wonka and the Chocolate Factory is a delight even as an adult, even if the plot of the movie comes off, well, a bit more dark. The movie follows Charlie Bucket (Peter Oystrum) as he’s taken on a tour along with other children of a magical and mysterious chocolate factory by the owner, Willy Wonka (Gene Wilder). They soon discover, however, that Wonka may have ulterior motives behind his tour. While the movie is indeed whimsical (the production design still stuns to this day) and has some fun songs, there are indeed dark parts (like the infamous tunnel scene) and the er, fates of some of the children that seem a bit haunting when experienced as an adult, but it only adds to the off-kilter 70’s vibe that the movie begins to exude as you grow up. What’s also great no matter your age: Gene Wilder’s performance in the title role, who’s strange, funny, and menacing in equal measure. Willy Wonka and the Chocolate Factory is always worth a revisit.
Director: Joel and Ethan Coen
Starring: Hailee Steinfeld, Jeff Bridges, Josh Brolin
A stunning neo-Western, True Grit was the superlative beginning to what would turn out to be a great decade for the Coen brothers. Based on the novel of the same name that was famoustly originally adapted in 1969, True Grit follows teenager Mattie Ross (Hailee Steinfeld) as she hires lawman Rooster Cogburn (Jeff Bridges) after an outlaw (Josh Brolin) kills her father. Markedly different from the rest of the Coens’ oeuvre, True Grit is a sincere and gritty Western, showing a clear affection from the director brothers for the genre as a whole. The movie is also one of their most acclaimed, earning them nominations for Best Picture, Best Actor (for Bridges), and Best Supporting Actress (for Steinfeld). True Grit is proof that the Coens can be extraordinary even working in a different register from their usual off-kilter, darkly comedic style.
Director: John Hughes
Starring: Matthew Broderick, Alan Ruck, Mia Sara
John Hughes is and will always be the first name people think of whenever they think of teen movies. What’s debatable is which movies is his best. Arguably, it’s Ferris Bueller’s Day Off, the height of the easy, breezy, fun teen comedy that came to define several years of the 1980’s. Ferris Bueller (Matthew Broderick) is a slacker whom everybody loves that decides to take the day off and head into downtown Chicago with his friends Cameron (Alan Ruck) and Sloane (Mia Sara), under the pretense that he’s sick at home. What Bueller doesn’t know is that his sister (Jennifer Grey) and principal have set out to expose his lies and finally get him in trouble. The movie is full of charming characters and hilarious gags, as well as some great music (“Oh Yeah” by Yello will definitely be stuck in your head after any viewing). Low stakes and effortlessly fun, Ferris Bueller’s Day Off is a treat and one of John Hughes’ most purely enjoyable movies.
Director: Jason Reitman
Starring: Charlize Theron, Patrick Wilson, Patton Oswalt
Director Jason Reitman and writer Diablo Cody’s follow-up to 2007’s acclaimed Juno didn’t get enough love from audiences when it first came out, but has since been reevaluated as a deliciously dark comedy. Young Adult stars Charlize Theron as Mavis Gary, a young adult author, who returns to her hometown to relive her high school glory days and get back together with her high school sweetheart (Patrick Wilson), who unfortunately has a wife. Mavis is emotionally stunted, cruel, and insensitive towards others; it’s one of Theron’s best roles, in a pitch black comedy that shows what happens when someone refuses to grow out of who they were in high school, and the dischord they can reap when let loose upon others.
Director: Joe Wright
Starring: Keira Knightley, Jude Law, Aaron Taylor-Johnson
Keira Knightly is queen of period pieces, from Pride and Prejudice to Atonement to The Imitation Game. So it’s kinda perfect she was cast in the 2012 adaptation of Anna Karenina, with Pride and Atonement director Joe Wright on board. Like the classic novel it’s based on, Anna Karenina follows the titular St. Petersburg aristocrat (Knightley), who is married to the cold Count Alexei Karenin (Jude Law) and embarks on an illicit affair with the affluent Count Vronsky (Aaron Taylor-Johnson), eventually ending in tragedy. Law, Knightley, and Taylor-Johnson make this classic romantic love triangle come to vivid life thanks to their impressive performances. What makes this 2012 version of Anna Karenina so interesting, though, is the decision to have certain scenes take place on an actual stage that only the viewer sees. This heightens the dramatic tension of the story by making it literally theatrical, and emphasizing the over the top emotions the characters are feeling. A well acted and interestingly made adaptation of its classic source material, Anna Karenina is more than worth a watch for fans of the novel or period pieces in general.
Director: Tom Ford
Starring: Colin Firth, Julianne Moore, Matthew Goode
Fashion designer Tom Ford surprised cinephiles when he made a sudden pivot to filmmaking in 2009 with the stunning A Single Man. Based on the novel of the same name by author Christopher Isherwood, A Single Man follows depressed gay college professor George Falconer (Colin Firth) struggles to cope with the sudden death of his boyfriend (Matthew Goode) in early 1960s Los Angeles. A bittersweet, yet gorgeous film, A Single Man is naturally stunning in its costume designing thanks to the fashion talent behind the camera, but its direction and performances are beautiful as well. Firth gives one of his best and subtly beautiful performances as George, earning himself raves and an Academy Award nomination. A Single Man is a surprise triumph that ranks among the absolute best movies of the 2000s.
Director: Roman Polanski
Starring: Mia Farrow, John Cassavetes, Ruth Gordon
Adapted from the acclaimed Ira Levin novel of the same name, Rosemary’s Baby follows couple Rosemary (Mia Farrow) and Guy (John Cassavetes) as they move into a new New York City apartment that has some odd neighbors. When Rosemary becomes pregnant, she becomes suspicious that her neighbors have malicious intentions for her and her unborn child. While the plot may be familiar to some, the movie is still pretty terrifying: it’s one thing to think there’s something terribly wrong going on, it’s another to have no one believe you and think you’re going crazy. Farrow’s performance is one of her best: she’s gentle yet steely. Cassavetes gives one of the best “bad husband” performances of all time: his character’s a strenuous exercise in trying not to yell at the screen as he gaslights Rosemary at every turn. With a truly unforgettable ending, Rosemary’s Baby lingers within your mind long after it ends thanks to its disturbing and suspenseful plot.
Director: Noah Baumbach
Starring: Greta Gerwig, Mickey Sumner, Adam Driver
Greta Gerwig’s best known now for writing and directing the 2017 smash teen drama Lady Bird, but her first exposure to mainstream success was with 2013’s superlative Frances Ha. Gerwig was a fixture of the indie film scene for half a decade before breaking into mainstream success with this indie comedy. The movie centers on Frances (Gerwig), a 27-year-old aspiring dancer whose life is thrown into flux when her best friend Sophie (Mickey Sumner) moves out, leaving her to find a new apartment, as well as pursue her artistic dreams. Shot in stunning black and white and using musical scores from composers known for their work on French New Wave films, Frances Ha re-imagines your typical young adult New York comedy into something more whimsical and thoughtful. Gerwig has never been better as Frances, and a pre-Star Wars Adam Driver shows off his talent as Gerwig’s inimitable love interest Lev. Frances Ha may have become a shorthand for “quirky New York movie” in the years since its release, but it’s so much better than that descriptor, with some of the best direction and writing both Gerwig and Baumbach have ever done across their acclaimed careers.
Director: Danny Boyle
Starring: Ewan McGregor, Ewan Bremner, Jonny Lee Miller
Based on the novel of the same name by Irvine Welsh, Trainspotting is a hell of a trip— literally. The frenetic comedy drama centers on Renton (Ewan McGregor), an unemployed heroin addict, and his friends, as they live their lives in a lower class neighborhood in Edinburgh. Only director Danny Boyle’s second film, Trainspotting is regarded as a classic of the ‘90s, thanks to its rollicking soundtrack, and is known future Obi-Wan Kenobi Ewan McGregor’s breakout film. The movie is frequently intense, and is praised for its realistic portrayal of drug addiction in all of its highs and lows. There are parts of Trainspotting that are more disturbing than some horror movies, thanks to Boyle’s visceral direction. A high octane, raucously funny, ultimately uplifting paean to surviving the harshest of circumstances with your humanity intact, Trainspotting is a classic.
Director: Noah Baumbach
Starring: Jeff Daniels, Laura Linney, Jesse Eisenberg
Before director Noah Baumbach was known for 2013’s Frances Ha and his creative (and romantic) partnership with Greta Gerwig, he was directing acidic comedy dramas that explore thorny relationships between people. The Squid and The Whale is one of those movies, and may just be his best. Taking place in Brooklyn in the late 80’s, The Squid and The Whale follows teenagers Walt (Jesse Eisenberg) and Frank (Owen Cline), as they deal with the impending divorce of their parents Bernard (Jeff Daniels) and Joan (Laura Linney). Loosely based on Baumbach’s own childhood, the movie feels intensely nostalgic as well as uncomfortably real, as the family begins to splinter in darkly funny and dramatic ways. Daniels and Linney especially stand out as parents who love their children but deeply resent each other. Never over-emotional, the movie revels in its droll tone as the characters come to small realizations about each other only when they’re not overly self-obsessed or terrible to each other, which is often. With Baumbach’s Oscar buzz-y Marriage Story coming out later this year, now’s the perfect time to revisit his first foray into divorce drama.
Director: Don Siegel
Starring: Clint Eastwood, Andy Robinson, Harry Guardino
Clint Eastwood is, and has been, the example of the ultimate masculine Hollywood actor for decades now. A big foundation behind that image is the 1971 crime classic Dirty Harry. The film sees Eastwood in his first outing as legendary cinematic cop “Dirty Harry” Callahan, as he tracks down crazed psychopath “the Scorpio Killer” (loosely based on the real life Zodiac killer). Most famous for the (nowadays much satirized and referenced) quote "You've got to ask yourself one question: 'Do I feel lucky?' Well, do ya, punk?", Dirty Harry is also the movie that set up the template for every cop movie we have today. The character of Dirty Harry is an influence on every loose cannon cop on the edge who doesn’t play by the rules that plagues every cop movie and broadcast TV show that airs to this day. What a lot of these movies and TV shows lack, however, is Eastwood’s steely presence, as well as the economical and sharp directing of the 1971 film. If you’re a fan of cop movies in any way, you can’t not check out Dirty Harry, a landmark film in the genre.
Director: Martin Scorsese
Starring: Daniel Day-Lewis, Leonardo DiCaprio, Cameron Diaz
Adapted from the non-fiction book of the same name, Gangs of New York was director Martin Scorsese’s first movie of the new millennium. The film follows Amsterdam Vallon’s (Leonardo DiCaprio) quest to seek violence against gang member Bill the Butcher (Daniel Day-Lewis), who murdered his father years earlier in 1862. Their feud is reflected in the burgeoning political violence in Manhattan at the time, including a feud between Catholics and Protestants, and Irish immigrants protesting low wages caused by the influx of freed slaves. While many of Scorsese’s films are implicitly about America, Gangs of New York is explicitly about America, specifically its bloody modern rebirth amidst the violence and prejudices of its earliest immigrants. Like the rest of Scorsese’s filmography, Gangs of New York is a richly realized and breathtakingly epic work that unearths some unsettling (and in this case, mostly based on real life) facets of human nature. Day-Lewis has rarely been better since his terrifying performance here, and even DiCaprio manages to keep up with him. Gangs of New York is another typically bloody, satisfying work from Martin Scorsese.
Director: Quentin Tarantino
Starring: Brad Pitt, Melanie Laurent, Christoph Waltz
2009 was a simpler time, when seemingly a lot more people could agree that Nazis are unequivocally bad and audiences enjoyed the latest Tarantino, which was a bloody, stylish WWII revenge thriller. Arguably one of Tarantino’s best, Inglourious Basterds follows the intersecting paths of a group of Jewish U.S. soldiers led by Lieutenant Aldo Raine (Brad Pitt) and young theater owner Shoshanna (Melanie Laurent) as they both aim to exact their revenge on major Nazi leaders, including Colonel Hans Landa (Christoph Waltz). Everything Tarantino is known for is in top form here, with some of the most tense scenes he’s ever directed, a stacked cast of actors giving their all, and of course, plenty of gratuitous violence. Just like the plots attempted by its characters, Inglourious Basterds is a glorious, effortlessly entertaining form of cinematic historical revenge, one that plays with our knowledge of history.
Director: Peter Ramsey, Bob Persichetti, Rodney Rothman
Starring: Shameik Moore, Jake Johnson, Liev Schreiber
We’ve come a long way in the 16 years since 2002’s Spider-Man. Back then, superhero movies were still a novelty, and not the blockbuster behemoth they are now; there were six less Spider-Man movies than there are now. The best thing about Spider-Man: Into The Spider Verse is that it makes the concept behind the titular webhead feel as brand new as it did back in 2002. Spider Verse follows Miles Morales (Shameik Moore), an average teenager who finds himself becoming Spider-Man and teaming up with a slew of other versions of Spider-Man from different universes to stop the villainous Kingpin (Liev Schreiber) from destroying New York City. Spider Verse is the most comic book-like Spider-Man movie yet, utilizing stunning animation that brings to mind the comics that the character originated in, with its use of word bubbles and static backgrounds. The movie also uses its potentially confusing alternate universe concept to hammer home a heartwarming idea: that anyone can become Spider-Man if they’re kind and brave enough. Spider-Man: Into The Spider Verse proves that Spidey can still surprise us almost two decades after his cinematic debut.
Director: Mike Mills
Starring: Annette Bening, Greta Gerwig, Elle Fanning
Director Mike Mills followed up his 2009 hit Beginners with this similarly quirky and emotional coming of age story. Based in part on Mils’ own childhood, 20th Century Women follows teenage boy Jamie (Lucas Jade Zumann) as he is raised by his mother Dorothea (Annette Bening), and two young women, Abbie and Julie (Greta Gerwig and Elle Fanning, respectively) in Southern California in 1979. Dorothea, a divorcée, becomes concerned that Jamie won’t turn into the adult she wants him to be without a male influence in his life, and turns to Abbie and Julie to help guide Jamie through puberty. The result is a gentle and intelligent character study that examines all four individuals, as well as the time period. As the three women become cognizant of feminism in their own ways, this also directly effects Jamie’s life and how he views and treats other people, especially women. 20th Century Women is not only a well-made ode to the writer/director’s own life, but a moving tribute to the effect that feminism and positive female role models can have on developing teenage boys.
Director: Barry Jenkins
Starring: Alex Hibbert, Ashton Sanders, Trevante Rhodes
When people look back at the 2010s, Moonlight will stand out as one of the best films of the decade, and for good reason. Director Barry Jenkins’ second and breakout feature, Moonlight was one of the most critically acclaimed movies of 2016, winning Best Picture at the 74th Academy Awards (the first LGBTQ-themed and first film with an all-black cast to do so). The film centers on the life of protagonist Chiron, split into three parts: his experiences as a child nicknamed “Little” (Alex Hibbert), as a teenager (Ashton Sanders), and as an adult nicknamed “Black” (Trevante Rhodes). Chiron’s own life is affected by poverty, bullying, and his struggles to come to terms with his gay identity growing up in a poor Miami neighborhood. Moonlight is notable for its sensitive and incisive portrayal of queer sexuality and how it intersects with both Chiron’s race and class status, as well as the incredible performances across the board, from all three actors who play Chiron to Janelle Monae, Naomie Harris, and Mahershala Ali (in an Oscar-winning performance).
Director: Akiva Schaffer & Mike Diva
Starring: Andy Samberg, Akiva Schaffer, Jorma Taccone
The Lonely Island is known for being hysterical but also completely random in their parody targets, so this Netflix special could have been about anything. That it turned out to be a Lemonade-style short film about a rap album written by Jose Canseco (Andy Samberg) and Mark McGwire (Akiva Schaffer) at the height of their baseball careers is just the amount of absurdity we expect from The Lonely Island. The Unauthorized Bash Brothers Experience is visually stunning for a comedic parody, and the parody songs written for the film are among the highest quality the group has produced. We won’t ruin the surprise of any of the cameos in this short film, but the presence of certain singers and comedians on the slow jam parody “Oakland Nights” and Janet Jackson parody “IHOP Parking Lot” really amps up the hilarity. The best part of The Unauthorized Bash Brothers Experience is that it’s hilarious with or without prior knowledge of the wild and weird careers of Canseco and McGwire, thanks to the comedic talents of The Lonely Island.
Director: Lee Chang-dong
Starring: Ah-in Yoo, Jong-seo Jun, Steven Yeun
One of the most acclaimed non-English movies of last year, Burning is the latest film from acclaimed South Korean director Lee Chang-dong. Based on the short story “Barn Burning” by Haruki Murakami, Burning follows Jong-su (Ah-in Yoo), as he watches former neighbor Hae-mi’s (Jong-seo Jun) cat while she goes on a trip. When Hae-mi returns, she introduces Jong-su to Ben (Steven Yeun), a man she met while abroad. While the plot may seem simple, Burning has a mysterious and tense atmosphere as we learn more about the mysterious Ben, played wonderfully by former Walking Dead star Yeun. At two and a half hours, Burning is a slow burn (no pun intended) that will keep you hypnotized from beginning to end with its elusive stories and well drawn characters. Despite wide critical acclaim, Burning was not nominated for the Best Foreign Language Academy Award, but became the first Korean film in history to make the nine-film shortlist for nomination.
Director: Andrea Arnold
Starring: Sasha Lane, Shia LaBeouf, Riley Keough
Actress Sasha Lane has steadily made a name for herself with eye-catching roles in indies such as The Miseducation of Cameron Post and Hearts Beat Loud, but her career started when director Andrea Arnold discovered her and cast her in the lead role of American Honey. Lane plays Star, a young woman who runs away from home to join a traveling sales crew that sells magazine subscriptions door to door across the Midwest. She soon gets sucked into their lifestyle when she becomes close to crew member Jake (Shia LaBeouf). Arnold is known for her realistic depictions of young women, and she’s in top form here, creating an unconventional coming of age drama around Star. Lane is remarkable in the lead role, and her performance is made all the more astonishing when considering that it’s her first performance. All of that, combined with a perfect soundtrack (Rihanna and Calvin Harris’ “We Found Love” is put to perfect use), makes American Honey a coming of age road movie classic.
Director: David Wain
Starring: Janeane Garofalo, David Hyde Pierce, Michael Showalter
Wet Hot American Summer is the modern cult comedy classic to end all modern cult comedy classics. This spoof of ‘80s summer camp movies follows a group of camp counselors and other camp staff on the last day of summer camp in the year 1981, as they attempt to make it memorable. This includes consummating crushes, having conversations with a can of mixed vegetables, and saving the camp from being destroyed by a falling piece of a NASA space station. Wet Hot American Summer is patently ridiculous, but always stays hilarious thanks to its tight writing and its ludicrous performances from actors who had yet to make it big at the time, including Bradley Cooper, Amy Poehler, and Elizabeth Banks.
Director: Brad Bird
Starring: Craig T. Nelson, Holly Hunter, Bob Odenkirk
It only took 14 years, but we finally got the much anticipated sequel to this fan favorite Pixar movie. Incredibles 2 follows the continuing adventures of the titular family, but with a refreshing role reversal: Elastigirl (Holly Hunter) is recruited to join a new superhero team and uncovers a conspiracy, while Mr. Incredible (Craig T. Nelson) stays at home to take care of the kids. Incredibles 2 boasts some of the best action sequences in any recent film, live or animated, the highlight being a thrilling scene in which Elastigirl chases a runaway train with a motorcycle. Incredibles 2 is also just as funny as the first one, with a subplot involving baby Jack-Jack’s emerging powers that is slapstick at its finest. Incredibles 2 is one of the best action movies of 2018 and is definitely worth a watch.
Director: Asif Kapadia
Amy Winehouse famously lived a short, but exciting life as one of the best singers in recent memory. As many of us remember, her immense talent was overshadowed by her troubles with substance abuse, and her mistreatment by the media obscured the person she really was. Amy gives us an in-depth look at her actual life, from the point of view of those who loved and cared about her. Amy can be rage-inducing as it examines the media’s treatment of Winehouse, but it’s ultimately a loving celebration of her life and talent. The film won Best Documentary Feature at the 2016 Academy Awards.
Director: Anthony & Joe Russo
Starring: Chris Evans, Robert Downey Jr., Josh Brolin
The event the Marvel Cinematic Universe was building up to for the past decade lived up to the hype and more. There’s a lot going on in Avengers: Infinity War, but it somehow manages to tell a coherent story with more than 20 characters. When genocidal alien warlord Thanos (Josh Brolin) decides to start collecting powerful gems known as “Infinity Stones” in order to wipe out half of all life in the universe, all your favorite Marvel heroes, including Captain America (Chris Evans), Iron Man (Robert Downey Jr.), and Spider-Man (Tom Holland), must team up to stop him and save everyone. If you (miraculously) don’t know how the movie ends, we won’t give it away, but Avengers: Infinity War, besides being a superhero movie that perfectly captures the feeling of reading a huge crossover comic, also boasts one of the most audacious and memorable endings to a blockbuster since The Empire Strikes Back.
Director: Sandi Tan
In 1992, director Sandi Tan shot an independent film, one of Singapore’s first, with her friends and film teacher Georges Cardona. Tan and her friends went to study abroad for college and left the footage with Cardona, who disappeared, taking the footage with him. Two decades later, and a decade after Cardona’s death, his widow contacted Tan, telling her that she was in possession of the footage. Tan then took the footage and created this documentary from it. The documentary is a fascinating, melancholy, surprising look at the artistic process, and how art can come in unexpected forms. Shirkers is also an unabashed love letter to cinema and filmmaking in general, and to the idea that art can be cathartic.
Director: Ryan Coogler
Starring: Chadwick Boseman, Michael B. Jordan, Angela Bassett
The highest grossing Marvel movie so far (just barely edging out 2018’s other heavy hitter, Avengers: Infinity War) and director Ryan Coogler’s follow-up to his blockbuster 2015 hit Creed, Black Panther was inescapable when it was released in February 2018. You probably saw it in theaters (and if not, whaaaat?), but it’s a movie that holds up on rewatches. Black Panther follows Prince T’Challa (Chadwick Boseman) of fictional African country Wakanda, who must ascend to the throne after the death of his father (who was killed by a rogue brainwashed assassin in 2016’s Captain America: Civil War—it was a whole thing), but finds himself threatened by a mysterious mercenary known as Killmonger (Michael B. Jordan). Black Panther is like the best episode of Game of Thrones never aired, combined with a healthy dose of nuanced racial commentary. The supporting cast is so stacked you can pick a different actor to focus on with each repeat viewing, from Forest Whitaker to Angela Bassett to relative newcomer Letitia Wright. Also fun to debate with your more politically minded friends with every rewatch: whether or not #KillmongerWasRight.
Director: Spike Jonze
Starring: Joaquin Phoenix, Scarlett Johansson, Amy Adams
A movie that deserves better than its status as “that movie your sad hip friend wouldn’t stop talking about in 2013,” Her is solid, typically odd work from director Spike Jonze. Joaquin Phoenix stars as lonely man Theodore Twombly who begins to fall in love with an artificial intelligence known as Samantha (played by Scarlett Johansson) in a near-future Los Angeles. The movie is a quietly sad meditation on what it means to be in love and to deal with loneliness, as well as how to deal with heartbreak. Phoenix brings his usual best to a role that could have just as easily come off as pathetic and strange. Her feels like one of Jonze’s most personal movies, as many see Twombly’s ex-wife, Catherine (played by Rooney Mara) as representative of his real-life ex, director Sofia Coppola (interestingly, this would mean that this movie mirrors Coppola’s Lost In Translation, a movie that’s similar in part about Coppola’s relationship with Jonze). We’re still, unfortunately, waiting for Jonze’s follow-up to Her but in the meantime, we have this Apple commercial he directed starring FKA Twigs that is as visually stunning as the rest of his work.
Director: Bong Joon-ho
Starring: Tilda Swinton, Paul Dano, Ahn Seo-hyun, Byun Hee-bong, Steven Yeun, Jake Gyllenhaal
In an effort to make a more efficient livestock, a meat corporation led by twin sister CEOs (both played by Swinton) breeds 26 super-pigs in a laboratory and releases them to different locales to make them seem more natural. 10 years down the line, Mija, a young girl, lives in the South Korean countryside with her beloved Okja when they’re visited by a deranged zoologist, Dr. Johnny Wilcox (Gyllenhaal), who lets Mija know her pig is the best of the 26 and will be the star of their big unveiling of the new meat. She then meets an animal freedom fighter (Dano) that want to plant a recording device in Okja to record the cruelty of the slaughterhouse. Thanks to some translation deception, Mija appears to agree to it. Distraught at the error, she follows Okja to New York where the big pig gets raped by a steroidal member of her species and has bits of her eaten alive by Wilcox. Eventually, Okja gets taken to a mass killing plant, where Mija attempts a daring rescue amid the red, dripping slaughter. It takes a special type of director to combine all the elements that Joon-ho does in this film, blending sadism with sweetness, magical realism with science fiction and a child-animal friendship story mixed with a scathing critique of capitalism and the industrial food complex. After watching Okja, you’d have to be some kind of monster if you still feel that the lone carnivorous argument of “I like to eat meat” is fully sufficient.
Director: Jennie Livingston
Paris Is Burning is not only considered one of the greatest queer films of all time, but also one of the greatest documentaries ever made. The film follows several figures involved in the New York City ballroom scene in the 1980s. The black, Latinx, gay, and transgender communities were heavily involved in ballroom culture, which involves competing for trophies and other prizes through dance and drag performances. Paris Is Burning explores the dichotomy between the fun, love, and support of the ballroom community and the issues that those involved faced, including AIDS, racism, poverty, and homophobia. Paris Is Burning has been lauded since its release in 1990 for its unflinching exploration of race, gender, and sexuality; that it also manages to be a joyous portrayal of a vibrant community is a small miracle.
Director: Derek Cianfrance
Starring: Ryan Gosling, Eva Mendes, Bradley Cooper
Ryan Gosling is such a nice guy that he’s been the poster child for feminist memes since 2008. However, he’s often at his best when he plays against type in films like Half Nelson, Drive, and Derek Cianfrance’s The Place Beyond the Pines, a winding, gorgeously shot heist thriller in which Gosling plays a motorcyclist trying to make ends meet for his family. To say much else would give away the plot, but just know that the film’s cast is absolutely stacked, with Bradley Cooper, Eva Mendes, Ray Liotta, and Mahershala Ali. The twenty-first century has no shortage of great crime dramas, but this stands as one of its very best.
Director: Alfonso Cuarón
Starring: Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey
When movie buffs heard that Roma, the latest film from acclaimed director Alfonso Cuarón (Y Tu Mamá También, Harry Potter and the Prisoner of Azkaban), was bought by Netflix, they knew the streaming service was serious about their movie projects. Cuarón—the first Latino and Mexican director to win the Best Director Oscar—set his sights on telling a story based on his life in a middle class family in Mexico during the 1970s. Centered around the family’s made, Cleo, we see a year in her life, from her own troubled pregnancy and the strife the family she takes care of is going through to the protests plaguing their city. Seasons change, men stay trash, and life goes on in this beautifully shot-and-directed film. It’s C-I-N-E-M-A, from its breathtaking cinematography to its black-and-white, subtitled dialogue. If you’re looking for a deeper film to dive into, Roma’s got everything you need.
Director: Alfonso Cuarón
Starring: Gael García Bernal, Diego Luna, Maribel Verdú
One of Alfonso Cuarón’s (Gravity, this year’s Roma) earliest and most critically acclaimed films, Y Tu Mamá También is considered one of the best movies of the 2000s. The film has a deceptively simple plot, following two horny Mexican teenagers (real-life best friends Gael García Bernal and Diego Luna) on a road trip with an older woman (Maribel Verdu) whom they are both attracted to. Cuarón, co-writing with his brother Carlos Cuarón, uses the format of a road trip movie to not only explore the culture, history, and people of Mexico but also to explore the fickle nature of male friendships and sexuality. Bernal shines in one of his earliest roles, as does Luna (both are now relatively big stars, with Bernal starring in Coco and Luna starring in Rogue One). While notorious for its explicit sexual content (Mexico gave the film an 18+ rating, which Cuarón considered to be censorship), the amount of sex in the film—used to fascinating and devastating effect, especially toward the end—isn’t used to titillate, but instead to comment on the sexuality of young men.