The Pre-Show Rituals of Famous Comedians

Let’s take a look at how some of the best in the business prepare for the hard work of being funny.

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Complex Original

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Stand-up comedy can be a nerve-wracking endeavor. Some of the most seasoned comedy club veterans still report bouts of anxiety and stage fright when they hit the stage. Since there is nothing in the spotlight besides the performer and a microphone, comics need to find sharp focus before they walk out in front of a crowd. Finding the right mindset is essential to a comic’s success, and as such, many stand-ups adhere to a strict pre-show ritual.

These rituals vary wildly from comedian to comedian. For some, the solitude of an empty dressing room is key to prepping for a great set. Others study their prior work, breaking it down like game tape, hoping to improve their transitions and rhythm. There are comedians who go for sensory overload, depending on music or human contact to provide a soundtrack to their preparations. Let’s take a look at how some of the best in the business prepare for the hard work of being funny with these Pre-Show Rituals of Famous Comedians.

Louis C.K.

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Aziz Ansari

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Todd Barry

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Susie Essman

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Sarah Silverman

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Cameron Esposito

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In the last year or two, Cameron Esposito has seemingly been everywhere. Her stand-up clips get shared all over the Internet. You can find her work at BuzzFeed, the A.V. Club, and elsewhere. And as with any great stand-up comics, you can see her as she tours this great nation. She walked the Wilmette Trib Local through how she prepares for shows like a band prepares a set list:


Pre-show, I am writing my set list. What’s cool about comedy is you can think about it like music. Once you’ve developed the specific joke, that joke will have a one or two-word name, just like a song. Before a band goes up, they write down the songs they’re planning on doing in a specific order. Comics do the same thing. We write down the jokes we have in mind to do that night and the order we want to do them. That’s when I specifically tailor the material to what I want to talk about at that moment. It helps me feel connected to the show I’m about to do. I’m always prepping last minute is my point. I’m always sitting over at the bar furiously scribbling my set list. The jokes have all been thought out beforehand, but the set is unique to how I’m feeling when I walk in the room. That’s how you keep it interesting for yourself as a comic, too.

Hannibal Buress

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Jim Gaffigan

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Jerrod Carmichael

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Stand-up comedy is often compared to jazz due to the improvisation and riffing that take place in both art forms. Before his sets, Carmichael places himself in the embrace of some badass saxophone solos:


I’ll listen to jazz. I’ll listen to Dave Brubeck or Miles Davis or something before a show. A lot of times I like that space, you know, that music, that’s what to me what a lot of great art is. Anything that’s great in art is jazz, you know? I would dare argue most great things that are great in life are jazz. It’s just the structure, but freedom within structure. So, I’ll listen to jazz just to hone in, focus and know where you are, being conscious and being aware. But a lot of the principals I try to practice in life are more concentrated before going on stage.

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