Publications: The New Republic, Time, The Nation, New Leader, Cavalier, Artforum
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Manny Farber (1917-2008) had a low tolerance for high art. Which isn't to say that the Arizona native had bad taste—on the contrary, Farber possessed a brave, against-the-grain fondness for otherwise frowned-upon fringe cinema. Most of his peers couldn't be bothered by the genre trappings of anti-prestige artists like Laurel and Hardy, Don Siegel, and Andy Warhol, but Farber, bless his soul, devoted most of his career to casting their kinds of creative minds in a celebratory, you-need-to-watch-this light.

See his landmark essay "White Elephant Art vs. Termite Art" for a look into this singular mind.