In the world of rap characters, Sage Francis is as unique as they come. Well versed in the arts of spoken word and freestyle battling, Sage has earned a cult following through years of operating with an independent mindset. As an underground fixture, Sage has built a reputation for his cerebral approach to crafting rap songs stacked with clever wordplay, mind boggling rhyme structures, andβeven when cloaked in sarcasm, punchlines, and ironyβa point. Heβll be the first to admit that sometimes people take him too seriously, so we decided to have a little fun with this one.
Sometimes, when listening to popular hip-hop lyrics, we find ourselves wondering, βWhat would Sage Francis think?β Finally, we have the answers.
Disclaimer from Sage:Β βI am dissecting these lyrics the way I dissect and judge my own. I donβt think everyone should hold the same standards as I do, as that would result in everyone writing the same kind of songs. This is a merely a glimpse into the way I process song lyrics which is admittedly neurotic and sometimes silly. And awesome.β
Hit the jump to read Sage Francisβ dissection of Β lyrics from 10 popular rappersβ¦
βValium and Caesar salad, Iβm DJ Khaled, Iβm a Daikon radish / See me next to sushi sexually, Iβll sex your coochie, Extra juicyβ β Das Racist, βMichael Jacksonβ
1.
Sage says:
Other than the Valium reference, I have no idea how any of this relates to Michael Jackson but Iβm going to smile and nod my head like, βYes manβ¦yes. Totally.β Das Racist seem to have brought stream-of-consciousness style back to the forefront of lyricism. This technique was popular in the late 90βs, especially in the freestyle scene. Lots of alliteration, off kilter rhyme schemes, multi-syllabic rhymes, and a scattering of seemingly incongruent imagery all squished together. I say βseeminglyβ because they reference a lot of things that rely on the listenerβs familiarity with the subject matter. As Iβm not familiar with much of whatβs referenced in these lyrics, I just have to give them the benefit of the doubt. Same with their song that says βIβm Sage Francis on the cover of Beyond Race.β I still have no idea how scathing of a dis that is, or if itβs a dis at all. To their benefit, their laid back demeanor and sense of humor make them a likable bunch.
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βAnd my flow art my nigga, Iβm Mozart with it / I do this, I turn a straight prude bitch into a nudistβ β Wale, βSlight Workβ
2.
Sage says:
This is mainly a poorly executed attempt at braggadocio and sexist humor, which is odd considering how easy it is to be a sexist braggart in hip-hop. Itβs cheap and lazy in every way. In fact, the only thing βMozartβ about Wale might be a love of fart jokes. What I find most amusing about these lyrics are these two points:
1) There are straight prude women as well as gay prude women.
2) Wale is only able to turn the straight prude women into nudists. Gay prude women are impervious to his powers.
I will give Wale credit for a tinge of originality as Iβve never heard someone reference nudism while boasting the power of turning a woman into something. Despite what you may have imagined, nudist colonies are filled with people who look a lot like me. And we ainβt much to look at, homie.
Note: We brought up the fact that Wale is probably using the word βstraightβ as in βstraight upβ and not to identify sexual orientation. His response:
βI assumed thatβs what he meant, but as thatβs not what he said I decided to have a field day with it.β
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βCause youβll never get on top of this, so mami, best advice is just to get on top of this / Have you ever had sex with a pharaoh? Put the pussy in a sarcophagusβ β Kanye West, βMonsterβ
3.
Sage says:
While likening himself to ancient Egyptian rulers (which is slightly more ridiculous than comparing himself to Evel Knievel,) Kanye seems to have built this entire lyric around the word βsarcophagus.β My guess is that he happened upon that word while googling βmonstersβ which brought him to βmummiesβ and he eventually landed on a page about the mummification of pharaohs who were laid to rest in a sarcophagus. Yet, unless heβs experimenting with complete abstraction, I get the feeling that heβs being careless with his language or he has no idea what heβs talking about. For instance, is the woman to put her vagina into a tomb? Just the vagina? Can she come along as well? Or is the woman the entire pussy? If heβs saying that a woman is the entire pussy, she wonβt be able to fit in a sarcophagus with him as thereβs only room for one. Maybe he thought the sarcophagus was a tomb. I donβt know. Maybe we need to ask Russell Simmons to answer for him, butβ¦surpriseβ¦more braggadocio/sexist lyrics! The βget on top of thisβ part of the lyric is not worth dissecting as it is clearly a filler set-up line. All this being said, I give him a bit of a pass as I consider Kanye to be more of a producer than he is a pharaoh, daredevil or emcee.
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βWobble-dy wobble-dy wob wobble wobble / Iβm st-stackinβ my paper, my wallet look like a bibleβ β Big Sean, βDance (A$$)β
4.
Sage says:
Despite the ridiculousness of the first line to set up the second line, I actually enjoy this. Contrary to what it might seem, I really donβt think that hip-hop needs to be introspective or have a deep message all the time. Sometimes itβs OK to just have fun. On top of that, I get a kick out of the imagery in this lyric. His wallet looks like a bible! Good for him. He seems to be doing well for himself. I listen to this and I think, βManβ¦every time I look at my bible Iβm always reminded of my wallet. Iβm glad someone finally put that into words.β So much paper. Stackinβ scripture. Paying for wobble with gospel.
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βStunna I got βem, Iβm back on them bitches / All about my riches, my name should be Richardβ β Lil Wayne, βBlunt Blowin'β
5.
Sage says:
Lil Wayne has heaps of clever moments but this is not one of them. Iβve noticed that there is a freestyle quality in his writing sometimes, where itβs clear that the very first thing that popped into his head is what fell out of his mouth and into the mic. This is one of those times. Considering how the name of this song is βBlunt Blowinβ, itβs possible that this is a concept song that entailed him getting fully zooted while writing it just to show what kind of things he can conjure while in that mental state. However, rhyming
βRichardβ with βbitchesβ really irritates me. Iβm cool with forced rhymes for the most part, but I donβt give that one a pass no matter how high he is. That said, Lil Wayne can do and say whatever he wants as heβs one of the most interesting characters the music world has ever seen.
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βPlease God tell Flex drop a bomb on me / Tell the Minister to tattoo the Quran on me / Before the men in black try to pin a crime on me / and Rupert Murdoch and his goonsΒ get to lyinβ on meβ β Jay Electronica, βCall Of Duty (MW3)β
6.
Sage says:
I appreciate this for a lot of reasons. I mean, sure, he just rhymed βon meβ four times in a row but heyβ¦βQuranβ and βBombβ almost rhyme. Just like βcrimeβ and βlyin'β almost rhyme. Itβs much better than rhyming βbitchesβ with βrichard.β Also, I like when NYC rappers make NYC references that I can make sense of. Lately, all I hear when I tune into Hot 97 is auto-tune trash, so it would be a welcomed change of pace if I tuned in and heard Funk Master Flex dropping multiple bombs on a Jay Electronica track. I like how the rest of the lyric is condensed with politically relevant references. However, having the Quran tattooed on you should be low on your list of priorities if youβre trying to save yourself from the men in black or right wing media. Just sayinβ.
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βThey play musical chairs once Iβm on that pedestal, frightening, so fucking frightening, Enough to drive a man insane, a woman insane / The reason Lauryn Hill donβt sing, or Kurt Cobain loaded that clip and then said bangβ β Kendrick Lamar, βHiiiPowerβ
7.
Sage says:
I havenβt heard any of Kendrickβs music but I like the way these words flow. I donβt know the context of this lyric, but Iβll give him the greatest benefit of the doubt by interpreting his opening line as if he is saying that the music stops once itβs his time to speak. Thatβs good shit right there. Dramatic and imaginative. I donβt typically enjoy easy pop culture references, so the Kurt Cobain line would annoy me if it wasnβt juxtaposed with the Lauryn Hill reference. The way he ties those two icons together, along with the negative affects the industry had on them, is powerful.
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βLetβs have breakfast have the moon, lets have dinner on Uranus / I got Venus on my penis, got Serena wrapped βround my finger.β β Gucci Mane, βWeirdoβ
8.
Sage says:
Letβs not.
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βYouβll never play me, nice try, Iβm ballinβ in a nice spot / No more Mr. Nice Guy, hello Mr. Nice Watch.β β J. Cole, βMr. Nice Watchβ
9.
Sage says:
The wordplay and use of inner-rhyme here is great. Itβs graphed out wonderfully. Very neat and purposeful in its lay out as well as pacing. I donβt derive any great meaning from the lyric, but this is my favorite style of song writing. I also get a kick out of how watches are still considered a status symbol.
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βThereβs smoke in my iris, but I painted a sunny day on the insides of my eyelidsβ β Aesop Rock, βBatteryβ
10.
Sage says:
Aesop has contributed one of the most unique and interesting styles to hip-hop. That said, this lyric you quoted doesnβt seem to mean what itβs supposed to mean. Iβm not sure. Iβd assume that a sunny day being painted on the inside of oneβs eyelids wouldnβt do much if thereβs smoke in the iris. If it were possible to see the inside of your eyelids, while having smoke in your iris, it would probably look like an overcast day. Which is cool and allβ¦but itβs certainly not as great as seeing a sunny day. As everyone knows, exposure to the sun is the greatest status symbol in underground hip-hop.
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