The Best SZA Lyrics

SZA has been able to capture 20-something anxiety through replayable songs and palpable quotables from an everywoman lens in a way few of her peers have over the past few years. “From See.SZA.Run to Black Panther’s “All the Stars,” here are the 25 Best SZA Lines.

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Since dropping her first EP in 2012, SZA’s lyricism has grown from gothic, fatalistic imagery to sharp tales of self-discovery and the gray areas of modern romance. She’s been able to capture 20-something (no pun intended) anxiety through replayable songs and palpable quotables from an everywoman lens in a way few of her peers have. The poppier, more colorful set of songs on her incredible debut LP Ctrl is a huge leap from her vibier, sometimes brooding EP years. But even her earlier songs showed a gift of empathy that in some ways foretold her rise to being a Grammy-nominated, Instagram caption-making star.

The potential social media captions on SZA joints are numerous whether she’s singing about maybe wanting to be more than the weekend girl, or the pains of simply wanting the right soulmate to bust it open for. Although a majority of her best lines are in Ctrl, her earlier projects See.SZA.Run, S, and Z come loaded with others. Her bars are what set her apart from contemporaries like the similarly moody The Weeknd and Kelela, and they’re what build up hype for Ctrl in the first place.

Of course, the naturalistic way SZA sings those words comes from her simply being emotionally honest. “Some days I feel defeated and I actually cry because I just don’t understand,” she told Complex in 2016. “Then you start getting biblical, like, ‘Why is this happening to my people?’ Then you go through, ‘It’s never going to change, so might as well just go with the flow.’ And then you go through, ‘No. I’m not asking anymore. I’m going to make it change.’”

The result of this internal inquisition? Plenty of gems from one of R&B’s most fascinating artists. From See.SZA.Run to Black Panther’s “All the Stars,” here are the 25 best SZA lyrics.

“My man is my man is your man/Heard it's her man too”

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“The Weekend,” a song about part-time romance, is filled with quotables. But it’s this catchy line, delivered with conversational directness, that balances the emotionally convoluted nature of it all with its sad relatability.

“I get so lonely, I forget what I'm worth/We get so lonely, we pretend that this works”

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This basically explains why “Just leave him, sis” sometimes isn’t the easiest advice to follow. Even if you know your worth, no one wants to be alone.

“Let me tell you a secret/I've been secretly banging your homeboy/While you were in Vegas”

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This apparently isn’t a made-up scenario. SZA told Entertainment Weekly that she was really getting back at a no-good ex with some savagery. “Supermodel” was “the first time he hears about it,” she said.

“I was down for whatever and then some/You gon' make me late to work again”

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The curse of capitalism forces us to prioritize the grind of getting money. That said, we all have needs. Think about the all the late-to-work excuses that can be attributed to last-minute boo-loving.

“Why you bother me when you know you don't want me?/Why you bother me when you know you got a woman?”

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People play games when they see you’re interested. They always seem to have have that thin, impish grin on their lips as they do so.

“I'm really tryna crack off that headboard/And bust it wide open for the right one”

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The American Dream. The tragedy here is that there really isn’t a foolproof way of deciding who that right one is. Good vibes, a boop on the nose, nothing.

“Fearin' not growin' up/Keepin' me up at night/Am I doin' enough?/Feel like I'm wastin' time”

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This line basically captures the existential crisis of being young and ambitious. Yes, they say you have your life ahead of you (which isn’t quite true: life is frail and the universe is cruel), but there’s always going to be this question of whether or not you’re doing enough, and if what you’re doing even matters at all.

“Can't recall the last time I took, advice from anyone/Shaped like a figure eight, who trusts pretty girls anyway"

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SZA notes in the next line that she doesn’t really take advice from anybody anyways. The point here is that “pretty girls” are so often looked at as the ideal that they’re easier to scapegoat.

“Ken had it all, Skipper wanted more than/Watching from the sidelines, wish that she had it”

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Ken and Barbie represent romance and perfection in ways that reality doesn’t necessarily reflect. This includes black women like SZA and poor little Skipper, who’s Barbie’s forgotten little sister, in case you were reaching for Google.

“Shotgun to the back of my heart, I don't turn around to see who let one ring out”

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Z’s allusions to violence are mostly metaphorical. Here, the idea is having your heart broken and not wanting to face the source because it feels so much like a Gears of War-style dismemberment.

“Giddy up Goldilocks, you took to long to save me/Bumping that Jadakiss is dangerous for sanity”

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This vivid description of romance pops out because of the breadth of SZA’s references. There’s just not a lot of singers who’d reference a 19th-century fairytale and Jada within same line.

“Jesus called me collect last night/It took all of me not to answer”

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SZA’s more palatable way of saying, “You’re blocking your blessings.” But she doesn’t say why Jesus would call collect. Gotta keep that mystery, we suppose.

“Wish I was prettier a little for ya/Maybe I’ll understand when I get older”

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This couplet appeared on her 2013 EP S and feels even more pained five years laters. Ctrl, which focuses on finding yourself in your 20s, replies that no, time doesn’t always help you understand.

“Tostitos are the shit”

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Mind you, the next lines are, “I'd rather die than be your slave/Slit my wrist wide and take this stage/Wipe blood out my eyes and you just lay there.” She preludes all this by telling you the right brand of chips.

"How could it be? 20 something, all alone still/Not a thing in my name"

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These are some of the closing lyrics of an album that turned out to be her Grammy-nominated breakthrough. She glowed up, but these lines still tie her to a generational struggle.

“High key, your dick is weak, buddy/It’s only replaced by a rubber substitute”

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There’ve been plenty of “You have bad dick” lines in music history, but these stand out because of their sharp specificity. This is high key bad dick, and SZA has alternatives.

“You know I’m sensitive about havin’ no booty/Havin’ nobody, only you buddy”

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A slick way to express vulnerability caused by an insecurity. It’s easy to settle for someone who accepts your flaws.

“I really wish I was a normal girl, oh my/How do I be, how do I be a lady”

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A wistful way to ponder how a woman even attempts to meet all these different expectations. Here, it’s suggested that being normal and becoming a lady aren’t one in the same.

“Feeling like Topanga, Patty Mayonnaise/Kind of average, with queen qualities”

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Topanga played Cory’s love interest in the ‘90s sitcom Boy Meets World, while Patty Mayonnaise was Doug’s crush on his eponymous cartoon. You automatically score points with 20-somethings with childhood references to a sense of normalcy.

“I don't have much to talk about/Don’t have much to write about/Got a shitload to cry about”

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SZA describes that gap between experiencing a feeling and knowing how to actually express it. She’s so good at writing that she even writes well about not knowing what to write about.

“Just give as much as you take, forgive as much as you hate, or get the fuck out”

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SZA delivers this with a fierceness that argues this should be the mantra for any relationship dynamic. Balance is always key.

“I wanna take all of my hair down and let you lay in it/Spread all of my limbs out and let you lay in it”

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Coming in the penultimate track of an album filled with messiness, these lines feels like a moment of surrender. This speaks to both bodily and emotional openness.

“This may be the night that my dreams might let me know/All the stars are closer”

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SZA also shines when she switches from singing about human realities to something fantastical. These lyrics—sung over Black Panther’s closing credits—stick in your head long after the song ends.

“Keep your intentions pure/Don’t be scared don’t mince words”

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This bit from 2013’s S shows SZA’s been pretty straightforward on her calls for honesty from the jump. But people tend to not be as direct as she is. On the other hand…

“I'd rather be with you tonight/I'm tired of the truth, just lie to me”

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She’s also been open about how much the truth hurts. Sometimes we just want comfort.

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