The 50 Best Gucci Mane Songs

Gucci Mane has emerged as one of the most divisive rappers of the past few years. These are The 50 Best Gucci Mane Songs.

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Complex Original

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Gucci Mane has emerged as one of the most divisive rappers of the past few years. Like everyone, he has his haters. They haven't stopped him from becoming one of the most productive, prolific rappers of the last few years either, having releasing hundreds upon hundreds of songs in his relatively young career. His method? Per the name of one of his most celebrated mixtapes: No Pad, No Pencil, an improvisational approach driven by his fanbase's nonstop thirst for new material. 

Because he's dropped so much, in so little time, the variety of the Atlanta born rapper's catalog doesn't get its fair due. From his beginnings in the era of album Trap House to the aesthetic that coalesced on Chicken Talk, to his distinctive "country" vocal style, to the creative evolution of his frequent collaborators (Zaytoven, Fatboi, Drumma Boy), Gucci's lived several rappers careers' and then some, and yet, he's still going strong. As evidenced: Tuesday night, Gucci dropped Trap God 2, his 33rd—yes, 33rd—independent release in eight years, on his 33rd birthday no less.

While he hasn't hit the level of crossover interest that he did in '09, Gucci's post-Appeal work has started to see the acclaim stack up again; history's shown it wouldn't be smart to count him out early. Yet, while that period of his catalog is too new to be properly canonized (for the moment), Radric Davis's greatest tracks—from the start of his career through 2010—are the result of an improbable star's hard work. It's a trajectory that yielded one of rap music's most controversial and unexpectedly brilliant catalogs, which is to say nothing of the most prime cuts from it. 

These are The 50 Best Gucci Mane Songs. BURRR!

Listen to Complex's Best Gucci Mane Songs playlists here: YouTube/Spotify/Rdio

RELATED: Twitter Reacts to Gucci Mane's Insane Rant

RELATED: Do Androids Dance? - The 20 Best Trap Remixes of Non-EDM Tracks

Written by David Drake (@SoManyShrimp)

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50. Gucci Mane "16 Fever" (2007)

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Producer: Reefa

Album: Back to the Traphouse

Label: Atlantic


2007's Back to the Traphouse received middling reviews, including one from Gucci himself. And despite the major-label meddling and unnecessary guests, it's still a strong release. Proof-positive? The triumphant trap sales pitch "16 Fever," a major song in the Gucci catalog, its budget-regal backing track a powerfully anthemic opening for one of the rapper's underappreciated releases.

49. OJ Da Juiceman f/ Gucci Mane "Make tha Trap Say Aye" (2008)

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Producer: Zaytoven

Album: The Otha Side of the Trap

Label: Asylum, So Icey Ent., Mizay


Ironically, one of Gucci's earliest songs to get national attention wasn't even his; it was a track by his protege, OJ Da Juiceman, and in many senses, it was more OJ's song than Gucci's. Named for OJ's trademark ad-lib, the track also featured a fairly middle-of-the-road verse from Gucci, but was catchy enough, and demonstrated the crackling chemistry the duo developed.

48. Gucci Mane "Diamonds" (2009)

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47. Gucci Mane f/ Mac Bre-Z "Go Head" (2005)

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Producer: Nitti

Album: Trap House

Label: Big Cat Records


Nitti, one of the lesser-known producers to work with Gucci, is a beatmaker known primarily for Young Joc's "It's Goin Down," along with key Gucci tracks ("Candy Lady" and "On Deck"). His biggest regional hit with Gucci, "Go Head," is a minimalist banger that became a celebrated club cut and—"Dreams of Fucking an R & B Chick"-style—built a memorable verse simply out of name-dropping female celebrity performers.

46. Gucci Mane "Weird" (2009)

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45. Gucci Mane f/ Ludacris "Atlanta Zoo" (2010)

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Producer: Fatboi

Album: Burrrprint (2) HD

Label: 1017 Brick Squad, Warner Bros.


Gucci would vary new rhyme schemes in almost every track, at a certain point; "Atlanta Zoo" is only one example, but one of the better ones he's got: "I'm obnoxious, I'm flowing crazy/I need to stop this/don't knock this/Y'all niggas lazy/you need to watch this/preposterous/If you could fathom/how you could block this."

44. Gucci Mane f/ Nicki Minaj "Slumber Party" (2008)

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43. Gucci Mane "Timothy" (2010)

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42. Teairra Mari f/ Gucci Mane & Soulja Boy "Sponsor" (2009)

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41. Mario f/ Gucci Mane and Sean Garrett "Break Up" (2009)

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Producer: Bangladesh

Album: D.N.A.

Label: J Records


While his collaboration with Mariah Carey (on the "Obsessed" remix) might've been the bigger collaboration, Gucci's assist to R&B singer Mario blanketed airwaves. It arrived right at the moment it seemed like Gucci was following in the footsteps of Lil Wayne,  brushing up against mainstream success. Over a disorienting beat courtesy Bangladesh, it was Gucci who made the biggest impression, with—among other highs—a line about how girls were like buses (in that, if you wait fifteen minutes, another one comes along).

40. Gucci Mane "Worst Enemy" (2009)

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Producer: Drumma Boy

Album: The State vs. Radric Davis

Label: 1017 Brick Squad, Aslyum, Warner Bros.


In the lead-up to his first LP, Gucci issued a borderline apology. Like any good rapper, he's adept at playing to a crowd. "Worst Enemy," a moment of directness and honesty, played well with critics, who love themselves a troubled artist repentant and self-aware about his effects on the youth: "Me, Jeezy, T.I. share one thing in common, we all are poets/Role model to young people though at times man we still ignore it." The track struck a particularly strong note because it hit upon the very thing that could—and would, ultimately—derail Gucci's push towards a mainstream career: His own legal run-ins and poor choices, whether rooted in addiction, insanity, and/or circumstance.

39. Gucci Mane "I'm a Star" (2008)

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38. Gucci Mane f/ Yung L.A. & Supa "Everything" (2009)

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37. Gucci Mane f/ Bigga Rankin "Nickelodeon" (2008)

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36. Gucci Mane "Making Love to the Money" (2010)

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Producer: Schife & OhZee

Album: Jewelry Selection

Label: 1017 Brick Squad, Aslyum, Warner Bros.


"Making Love to the Money" relied heavily on Gucci's hook-writing skills and sense of humor and less on the multi-valent talents that had built him up as a mixtape superstar. The song was nonetheless a major strip club hit and climbed the charts, hitting No. 17 on the rap charts and No. 36 on R&B. It remains one of his most successful songs, and "I'm talking Kim K, I'm talking Ray J!" will probably bounce in and out of your head for the rest of your natural-born life.

35. Gucci Mane "Spanish Plug" (2007)

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Producer: Zaytoven

Album: Trap-A-Thon

Label: Big Cat Records


One of the ongoing memes in the Gucci catalog was an ongoing reference to his drug connect ("plug")—"My Plug," "I Love My Plug," "My Plug is an Alien," and of course, "Spanish Plug." This song included Gucci rapping with a faux-Spanish accent, and for a few moments, in Spanish (or perhaps Spanglish) over some nicely stereotypical Mexican guitars. The track appeared on Big Cat's Trap-A-Thon, a release Gucci didn't endorse and helped aggravate the beef between the rapper and his former label.

34. Soulja Boy f/ Gucci Mane & Shawty Lo "Gucci Bandanna" (2008)

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Producer: Soulja Boy

Album: The Teen of the South

Label: S.O.D. Ent.


Gucci Mane has championed hated-on underdogs since early in his career; in some cases, the artists he's pushed have flipped to beloved status (see: Future). In others, they remain irredeemable by "polite" hip-hop society (see: Rocko). A member of the latter camp, Soulja Boy found a kindred soul in Gucci. Over sparse piano bounce (produced by Soulja), Soulja, Gucci and Shawty Lo released a track with the sparseness of a snap single, the kind of music that would lead traditionalists to claim the duo was destroying hip-hop from the inside.

33. Gucci Mane f/ Bigga Rankin "Pampers" (2008)

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32. Gucci Mane f/ DG Yola "I'm A Dog" (2009)

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Producer: Zaytoven

Album: Bird Money

Label: Big Cat Records


An early fan favorite, "I'ma Dog" was one of the, erm, delightfully ignorant Gucci tracks, which found him in a purely politically-incorrect and unapologetically misogynistic mode. There are some clever moments ("My Jacob watch is short bus, man it's special ed/Cause these girls be drooling every time they see the VVS") But this song is included purely out of Gucci completism; it's a pretty unpleasant track, but impossible to ignore due to its favored status and popularity amongst early adopters to the rapper's street-oriented verses. It should be noted that DG Yola has a pretty energetic guest spot.

31. Gucci Mane "Dope Boys" (2009)

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30. Gucci Mane "745" (2006)

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29. Gucci Mane f/ Snoop Dogg "Awesome" (2009)

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28. Gucci Mane "Under Arm Kush" (2006)

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27. Gucci Mane "Gangsta Movie" (2008)

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26. Gucci Mane f/ OJ Da Juiceman "Vette Pass By" (2008)

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25. Gucci Mane "3rd Quarter" (2008)

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24. Gucci Mane f/ Bun B, Young Jeezy, Killer Mike, Jody Breeze, 4-Tre & Lil Scrappy "Black Tee" (2005)

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Producer: Zaytoven

Album: Trap House

Label: Big Cat Records


Gucci himself marks "Black Tee" as the moment that Atlanta really started rocking with him, the moment when his buzz began again in earnest. The song was a flip of the popular Dem Franchize Boyz "White Tee" snap single, transformed into an anthem for armed robbery. It was made ever-so-much more gangster by a series of lyrics emphasizing how few fucks he really gave: "I'm a lick-hitting nigga, all I do is do dirt/Leave a red bloodstain on your all-white shirt/Gucci Mane so gutter I'll steal money out your purse/Lay up in your yard, rob you when you go to church."

23. Lil Wayne f/ Gucci Mane "Steady Mobbin" (2009)

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Producer: Kane Beatz

Album: We Are Young Money

Label: Young Money, Cash Money


Gucci's verse on "Steady Mobbin'" didn't just hold its own against Lil Wayne, but arguably bested him. With typical lyrical brutality (he threatens to shoot you "anywhere from the ankle up") and stark imagery ("No we do not talk to strangers just cut off these niggas fingers"), he manages to compare his silencer to a Pringles can before calling his sniper rifle Toni Braxton because when it sings, it'll "make you never breathe again."

22. Gucci Mane "Hurry" (2009)

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21. Gucci Mane "My Shadow" (2009)

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20. Gwopp Boyz f/ Gucci Mane "Wonderful" (2009)

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19. Gucci Mane f/ Yung Ralph & Yo Gotti "Bricks" (2009)

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Producer: Zaytoven

Album: The State vs. Radric Davis

Label: 1017 Brick Squad, Aslyum, Warner Bros.


Gucci and Gotti had an incredible recording chemistry. Beginning with their first major collaboration, "Work Ya Wrist" on Chicken Talk, mid-period bangers like "Mo Money," and as recently as 2012's "It Ain't Funny," the two had a yin-yang complementary style. Gucci had a manic unpredictability, chaotic, and unrefined; Gotti, by contrast, was all muscular control ("It Ain't Funny" works so well for pushing towards an inversion of this dynamic, even if it never quite achieves it). The duo's highest-profile collaboration was the hooky "Bricks," a massive single that became one of Gucci's early signature hits.

18. Gucci Mane "Trap House" (2005)

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Producer: Shawty Redd

Album: Trap House

Label: Big Cat Records


Now considered a cult classic, Gucci's Trap House LP was initially greeted by modest enthusiasm. But part of what makes it easy to appreciate is how the rapper evolved. While his later releases would be more ambitious, more lyrical, weirder and more infused with autobiographical details, Trap House was the hard coal core at the gangster heart of Gucci's success. The title track, produced by Shawty Redd, has a strange beat that manages to split the difference between space-age futurism and stone-age relic, a beat constructed using some blend of synthesizer and banging rocks together. Some of the flecks of eccentricity that he would later embrace show flashes here, primarily in his metaphors: "Money long like Shaq's feet," "I stay high like giraffe pussy."

17. Gucci Mane "Everybody Looking" (2010)

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Producer: Drumma Boy

Album: Burrrprint (2) HD

Label: 1017 Brick Squad, Warner Bros.


With an ominous slow-mo beat from Drumma Boy, "Everybody Lookin'" was a victory for idiosyncratic-pop Gucci over lyrical Gucci, to the song's great benefit. It wasn't the first time he'd used the nose-growing like Pinocchio line (think Mariah's "Obsessed," among others), but this song wasn't about being first; it was about being on top. "Everybody Lookin'" is a song about dominance, largess, and power, the pure intoxication of control and confidence in song. It's not lyrical because effort is the wheelhouse of lesser rappers. This was also a track where the video was as much a part of the song's all-encompassing whirlwind of arrogance as the music, as Gucci rolls down the street in a blue lamborghini with matching blue jewelry and matching blue Air Max '95s, the doors open and his legs kicked out of the car, no seat belt, the high wire act of recklessness the source of his undeniable charisma.

16. Gucci Mane "Heavy" (2009)

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Producer: Shawty Redd

Album: The State vs. Radric Davis

Label: 1017 Brick Squad, Aslyum, Warner Bros.


With churning production courtesy Shawty Redd, "Heavy" took the role of the carnivalesque opening banger—think "Hurry" or "Dope Boys"—for Gucci's adjustment from the tapes to the majors on The State vs. Radric Davis. "Heavy" is also one of Gucci's major concept tracks: take a single word and build an entire song around it by adapting his usual lyrical framework to the fresh concept. (He's no longer just cocky; his ego is so big that it has actually attained mass. His head's so big it's gained weight. His chains aren't just valuable, they're heavy.) Add to this with his typically inventive wordplay and his second tossed-off dismissal of poor Brisco (after "Dope Boys"). The best part of "Heavy" was more what it represented for his debut record; the approach of his mixtapes was being adapted to the major label system, at least in part, and fans breathed a sigh of relief after the trauma that was Usher feature "Spotlight."

15. Gucci Mane "Bachelor Pad" (2008)

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14. Gucci Mane "Freaky Gurl" (2006)

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Producer: Cyber Sapp

Album: Hard to Kill

Label: Big Cat Records


"Freaky Gurl" was Gucci's first hit since "Icy" to reach the Hot 100, peaking at No. 62 in 2007 and marking the beginning of his return to relevance. As it had with "Icy" two years earlier, controversy and conflict surrounded the song. In late 2006, Atlantic Records bought Gucci's contract from Big Cat Records, the independent label that had been selling Gucci's material, for $300,000 and a percentage of the royalties on his major label debut with Atlantic. They pushed the single "Bird Flu," which failed to gain much traction.

Big Cat, in the meantime, continued to market the independently-released Hard to Kill, which featured "Freaky Gurl." The song began to chart, and Atlantic, eager capitalize, sought the track out for Gucci's Back to the Traphouse, according to Big Cat CEO Marlon Rowe. Or, argued Atlantic, Big Cat approached them and tried to sell the royalties to the track for a figure in the six figures. The talks fell through, and Gucci re-recorded the song through Atlantic with a guest verse from Ludacris.

Ultimately, a lawsuit resulted (Gucci Mane and Atlantic Records vs. Marlon Rowe), and Big Cat president Melvin Breeden publicly accused Gucci and Atlantic of espionage; Cyber Sapp, the producer behind the hit song, secured the files from the label before the track mysteriously ended up in the hands of Gucci and Atlantic, although he denied involvement. To add to the confusion, Gucci was having his own conflicts with Atlantic at the time over the direction of his album. As a song, the track has some of Gucci's funniest material ("my money long as a limo / just to show off I put my wrist out the window"), but of course, the song really belongs to Rick James (interpolated for the hook) and R&B singer Joi, whose song "Lick" was sampled for the beat.

13. Gucci Mane "My Kitchen" (2008)

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12. Gucci Mane "Gorgeous" (2009)

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Producer: Zaytoven

Album: Writing On The Wall

Label: So Icey Ent.


Gorgeous is Gucci's ultimate stunting track, a Zaytoven collaboration that finds the producer in his most oddball watchmaker mode. As Zay plucks around on somber keyboard tones, Gucci transforms the word "gorgeous" into a repetitive mantra, a self-aware exploration of the ridiculousness of the many baubles that populate his world. This is Gucci at his most absurd, his most exaggerated, his most eccentric: "I keep on hearing voices, telling me to ball/So I keep on buying Porsches, my watch like a portrait!" And then, taking a moment away from the flossing: "Flow so perfect, twelve bars so pretty."

11. Gucci Mane "Frowney Face" (2009)

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10. Gucci Mane f/ Young Jeezy & Boo "Icy" (2005)

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Producer: Zaytoven

Album: Trap House

Label: Big Cat Records


Where it all began: In 2005, with this infectious summer jam. Gucci's career. Jeezy's career. And the drama between the two that would ultimately result in an attempt on Gucci's life. At the time, it was Jeezy's biggest record, and he wanted it for his debut album. Gucci didn't. Initially, it was hard to see why; Jeezy was poised to be the next major hip-hop star, and Gucci's verse—fairly straightforward and unexceptional—wasn't much to hang a career on. Gucci's faith in himself would be rewarded, though, as "Icy" was and still is a surprisingly effective single to this day. That's saying something, as Gucci's style at this point had a blankness that makes all of his subsequent moves all the more surprising.

9. Gucci Mane "Swing My Door" (2006)

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Producer: Born

Album: Chicken Talk

Label: So Icey Ent.


Mastered—intentionally or not—to sound like it was booming from a rumbling trunk speaker, "Swing My Door" remains one of Gucci's rawest, most unnerving songs. Opening with a play on Frank Ski's Baltimore club classic "There's Some Whores in this House," Gucci raps about preparing and selling drugs with alarming transparency, in the great traditions of NWA's "Dopeman" and Master P's "Ghetto D": "I'm a gold-mouth dog, definition of the South/Ain't no quarters, ain't no halves, just some wholes in this house." If the DNA for Gucci's entire career existed on Chicken Talk, "Swing My Door" was his apex of street cred and lyrical imagination. His drug prices aren't just low, they'll "make your eyes pop out." He doesn't just have junkies lining up for product, he gets his rims "finger-fucked by a gott-damn J." And then, of course, his unparalleled ruthlessness: "Nigga violate? Imma kill him and slit his throat/Smoke a blunt of dro and then take my ho to Pappadeaux's." 

8. Gucci Mane "What It's Gonna Be" (2010)

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Producer: Drumma Boy

Album: The Appeal: Georgia's Most Wanted

Label: 1017 Brick Squad, Aslyum, Warner Bros.


The Appeal, thanks in part to a lackluster lead single ("Gucci Time") and Gucci's ongoing legal drama, wasn't quite the winner the rapper was hoping for, though it did put to bed the idea that legal infractions can only help improve credibility (or at the very least, argued that it only works to certain a point). But one highlight on the record was a collaboration with Drumma Boy. With a densely lyrical approach and heady autobiographical undercurrent, "What It's Gonna Be" is one of his catalog's truly epic moments, the point where his ambitions and musicality seemed to be reaching a peak of craft, where he pushed himself to manifest the full potential of what a Gucci and Drumma track could possibly be.

7. Gucci Mane "First Day Out" (2009)

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6. Gucci Mane f/ Plies "Wasted" (2009)

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Producer: Fatboi

Album: Writing On The Wall

Label: So Icey Ent.


One of Gucci's most underrated collaborators was producer Fatboi, whose rapidfire chainsaw synthesizers had a style that was far friendlier to pop audiences (than, say, Zaytoven's work with Gucci). His greatest moment was "Wasted," a song that likely benefited from the intoxicated delirium of Gucci's performance style, real-life habits, and general aura. The hook was brilliant ("Rock star lifestyle/might don't make it") but Plies had a scene-stealing guest verse to boot: "I don't wear tight jeans like the white boys, but I do get wasted like the white boys." This was "Party Like a Rock Star," done the right way.

5. Gucci Mane "I Think I Love Her" (2009)

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4. Gucci Mane "Photo Shoot" (2009)

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Producer: Drumma Boy

Album: The Movie

Label: So Icey Ent.


The biggest single off of Gucci's The Movie mixtape, "Photo Shoot" wed flashbulb-popping production from Drumma Boy to one of Gucci's more eccentric songs to go wide. The first two verses have a tossed-off, improvisational flow to them, brimming with pop culture references (from everything to Tommy Lee and Pamela to '90s rap icon Jeru the Damaja) and memorable turns of phrase ("tatted like a biker boy"), along with a few oblique references to his underlying troubles with Young Jeezy: "Yeah I had a murder beef from just trying to get something to eat."

Then the third verse hits, and starts off with a bunch of rapper shout-outs (Boosie, Webbie, Shawty Lo, Yo Gotti) before the beat begins running in reverse. That's when Gucci goes into overdrive, spitting a slurred double-time that ends with a shout-out to the rap lineage he claims: "UGK my favorite group, for years been riding with them guys/8Ball told me 'Lay it Down' and I did it 'bout thirty times."

3. Gucci Mane f/ Trey Songz "Beat It Up" (2010)

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Producer: Drumma Boy

Album: The Movie Part 2 (Gangsta Grillz The Sequel)

Label: 1017 Brick Squad, Warner Bros.


"Echk! It's so sickenin', history you're witnessin'."

"Beat it Up" first appeared on Gucci's The Move Part 2, a tape that didn't blow up when it dropped. But an only slighty-deeper look at the Part 2 easily gives up some of the rapper's best work, like this song.

"Beat it Up" was a monster. Released in the lead-up to Ready—Trey Songz's first platinum album—the song got slept-on by Gucci's label (and, of course, rap critics). "Beat it Up" bubbled slowly for months, garnering spins here and there, and then, rapidly becoming a fan favorite. For much of his career, Gucci was willing to grant as much attention to his lyrics on songs "for the ladies" as he did his more street-oriented tracks; remember that two of his biggest guest spots ("Obsessed" with Mariah Carey and "Break Up" for Mario) were R&B tracks.

But here, Gucci absolutely steals the show on "Beat it Up" from Trey, nothing more than a hook man on the track. Gucci's wordplay is downright joyful, with knockout punchlines and syllables bouncing off each other. He kicks off with an allusion to Soulja Boy's recent hit, but quickly switches up the lyrics: "Hopped up out my bed, turned my swag on / scrambled eggs, filet mignon / two g's blown just for cologne." The second verse has a few memorable lines about how he and your girl will have your blankets at the laundromat, but the third verse brings the house down: "Freakin' partner prob'ly never bother with a second option / hoppin' got the mattress poppin' rockin' while her girlfriend watchin" was the line so nice, he had to say it twice.

2. Gucci Mane f/ Mac Bre-Z "Pillz" (2006)

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Producer: Zaytoven

Album: Hard to Kill

Label: Big Cat Records


"Pillz" is as creative as it is perfect in its simplicity. A straightforward ode to rollin' off a bean packed with iconic, hooky lyrics (some of which would go on to become actual hooks themselves for other songs) with a queasy, spare beat from Zaytoven, it was completely original, one-of-a-kind, not just for Gucci's catalog, but for hip-hop and pop music, too. Every line seems indebted to the absurdity of the MDMA high, and with it, the unapologetic hedonism and recklessness it involves ("we been rollin' rollin' rollin' we ain't slept in weeks"). It captures something about the addict's complete lack of regard for time, the fruitless search of the infinite high: "'Gucci Mane you stupid, but I love the way you flowing/Riding in my drop but I don't know where I'm going/On 285 I keep goin' in a circle, the inside of my ride smell like a pound of purple." In other words: It's pure, uncut Gucci.

1. Gucci Mane "Lemonade" (2009)

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Producer: Bangladesh

Album: The State vs. Radric Davis

Label: 1017 Brick Squad, Aslyum, Warner Bros.


"Lemonade," first leaked to the Internet on November 14, 2009, was Gucci's recorded peak. It was his highest-charting single and the third track released from The State vs. Radric Davis.

His entire career's been about playing with musical tensions: hard-edged street vibes against pop appeal, songcraft against blatant disregard for convention, dense lyrics against his congested, "stoopid" flow. "Naw I ain't lyrical," he'd claim one moment, before blasting listeners with a dazzling display of imagery and jokes. The respectability he'd actively deny against the success he clearly sought. The threatening and the ridiculous, the dangerous and humorous, the brilliant and the bizarre.

"Lemonade" is the moment all of the conflicting impulses that make Gucci's catalog such a varied, evolving, glorious mess achieve a perfect balance. Anchored by Bangladesh's hooky pianos, a thumping bassline and an interpolation of Flo and Eddie's "Keep it Warm," re-sung by a children's chorus, "Lemonade" wasn't just stacked with an undeniable pop sensibility. It also contained the dense lyricism of his deepest mixtape cuts ("My phantom sitting on sixes, no twenties in my denim/Your Cutlass' motor knocking, because it is a lemon"), his morbid sense of humor ("AK hit your dog, and you can't bring Old Yeller back") and, of course, the pure flamboyance that sealed his legacy as one of hip-hop's most memorable, unique artists.

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