The Best YeezyGraffiti "Yeezus" Album Covers

Image via Complex Original

Eye Cotton

EyeCotton put together this cover art for "New Slaves" that has deep ties to Kanye's Late Registration single, "Diamonds from Sierra Leone." The symbolism of the diamond not only references the slave labor associated with the mining of blood diamonds, but it also makes reference to Kanye's discussion about corporate slavery and material idolism in "New Slaves."

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Prophet Designs

This cover highlights Kanye's newly infamous "Kanyetti" stage outfit along with a Renaissance painting depicting bodies falling to the discomforts of hell. The painted white cross is a rebellious touch that establishes its roots to the "Please Add Graffiti Movement."

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Unknown

The composition and graphical combinations of shapes in this make me appreciate its mysterious presentation. The linework reminds me of block printing techniques used by artists to continuously replicate their work without having to redraw it each time. This is probably one of the most abstract submissions to YeezyGraffiti so far, and I appreciate the diversity of styles that many artists are delivering.

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Brok - Lee

Taking the Yeezus moniker literally, this cover interprets the Dropout Bear as the head of the Lord's Supper table in place of Jesus. I love how the creator of this cover took extra time to texturize the bear's head to look like it was a part of the actual painting.

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@PhillyCustoms (Creator of RapDose.com)

Phillycustomz created this Tumblr hit by taking an image from a photo shoot of Kanye and Riccardo Tisci then cropping and adding a sprinkle of darkness to the subjects. The cover is clean and elegant, and the parental advisory red tape is a nice touch.

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Pathetic Pixels

One of the first major submissions to YeezyGraffiti was this piece by Pathetic Pixels. I love the punk rock and comic book illustration influences of this cover. The addition of the promotional visuals for Kanye's newest live performances blends seamlessly with the overall design language.

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Humanity Is Rare

Staying true to the gritty concept of the album, this cover reminds me of an abandoned Soviet era city with propaganda posters speaking of revolution and retribution sprawled across city walls. The artist also used one of my favorite Kanye props, the diamond encrusted mask by Maison Martin Margiela.

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Fiegue

One of the more obscure approaches was Fiegue's Dropout Bear reimagined in a completely new way. The interpretation is a little more indie art inspired, especially with the details of the sweater, but I appreciate it all the more because it's so different than any other submission that I saw.

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Unknown

One of the darker covers submitted so far, this piece is reminiscent of the all black Margiela mask that Kanye wore during the MET Gala Performance last month. The cover utilized the red tape header that I created for YeezyGraffiti to add a consistent identity.

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HK Covers

I'm a huge fan of juxtaposition in art. I love how the background is busy with life, but the font has a simple execution, even though there is a texture inside to create volume. The addition of the Rottweilers and Givenchy bomber jackets would make Riccardo Tisci proud.

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Koby Martin

One of the things I love about the submissions I have been receiving lately are the artists' use of fine art techniques to make attractive covers. This artist utilizes paint dripping effects to create a solemn and mesmerizing piece of art. I have to say, though, the use of black carpeting as the background image creates one of the most interesting textures I have seen on any of the covers.

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Koby Martin

As someone who started out painting in high school, I appreciate the use of splatter and brush techniques used to create the face of Kanye. The expressive colors make the piece come alive, and the Been Trill graffiti font adds that special touch of familiarity to anyone who follows that movement.

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Unknown

When I first saw this cover, it completely blew me away with how simple and dark it was. The black hood on the head of Jesus is reminiscent of the live visuals of Kanye's "Black Skinhead" performance. The dark and rebellious theme of this cover is also an excellent representation of Kanye's progressive musical motive on Yeezus.

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JIM JOE

Today on iTunes, the banner for the Yeezus release was represented with a simple drawing of Kanye in a ski mask that boasts similarities to the photo taken of him in his recent New York Times interview. New York-based graffiti artist JIM JOE is responsible for the new visual.The drawing was simple, almost looking like it was done with a pencil in a few minutes, but its minimalism is perfect to represent the stripped down and music-focused Yeezus album.

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Jasper305

Since he used visuals from my favorite Kanye album, 808s & Heartbreak, the usage reference to 'Ye from that era instantly won me over. The graphical nature of the cover reminds me of the tribal-influenced sounds that Kanye uses in My Beautiful Dark Twisted Fantasy.

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Vercius (KTT)

June 18 is a pretty huge day for music with the album releases of Kanye, J. Cole, and Mac Miller all available for public consumption. Of course, there will be friendly competition, but one Kanye fan wanted to let the world know who the best artist was with this Dragoball Z-inspired cover.

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Unknown

Another interpretation of the dropout bear on at the head of the Lord's Supper table, this submission was featured on Def Jam's Tumblr and received over 5,000 reblogs in a matter of a few hours. The Been Trill font makes another appearance on this cover to stay consistent with the "Please Add Graffiti" movement.

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Alexis Caille

Probably the most impressive submission I've seen so far, Alexis Caille designed an entire digipak including the disc. His project has gotten the most reblogs, topping out at 10,000+ since it was uploaded last week. The details and artwork choices are superb, and the cohesiveness of all the elements are professionally maintained. Hopefully his work has inspired others to continue submitting and push the limits of what their imaginations thought they could create.

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Leighton McDonald

I started YeezyGraffiti as a place for artists and fans to express their talents and support for Kanye's cover artwork, but I've also made a few submissions to the site over time. After Yeezus leaked on June 14, I decided to capture the sound of the album with an album cover. I started by recreating a 3D model of Kanye's head so I could use any angle of his face that I needed. Creating something bold and striking while still achieving a clean and modern look were my main goals for this cover. A thin halo was added as a memento to Kanye's song "I Am A God."

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Pathetic Pixels

Pathetic Pixels has created some of my favorite submissions on YeezyGraffiti since it started two weeks ago. The maniacal imagery of the media terrorizing Kanye reflects the pressure of being a super star that the public never will understand. The hate speech and continuous name-calling takes its toll on Kanye, but he keeps his head held high, and his ego, represented by a crown, untouched.

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