The Most Anticipated Films at Tribeca Film Festival 2016

So much to do, so much to see, but here are the movies we're looking forward to the most.

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Complex Original

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Tribeca Film Festival is fast approaching, which means New York City—a place already ripe with cinephile culture—will turn up even harder for the fest's 12-day run. Tribeca offers more than just film screenings—there are talks, panels, and VR experiences, too—but tackling the film portion alone is still a lot. This year's slate includes dystopian thrillers, kooky biopics, coming-of-age documentaries, and even a directorial feature from Katie Holmes (say whaaaat?). But just looking at the long list of film titles, it's impossible to tell what's what, and more importantly, what's worth paying attention to. 

That's where we come in. From the narrative films, docs, and shorts that Tribeca Film is presenting this year, we sifted through the line-up to pick the 25 films we're most excited about. There's something here for everyone, of all different formats and genres. Below, check out our most anticipated movies, when to can catch them during Tribeca (or a theater near you), and why we can't wait to see them. 

Tribeca Film Festival runs from April 13–24 in New York City.

High-Rise

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Directed by: Ben Wheatley

Cast: Tom Hiddleston, Jeremy Irons, Sienna Miller, Luke Evans, Elisabeth Moss

Tribeca premiere: Wed., April 20

Theatrical release: May 13

Why we’re excited: Arguably the biggest film to premiere at Tribeca this year is High-Rise, a film about a dystopian society that exists entirely in a high-rise building. After receiving positive reviews at Toronto last year, the film will make its way to Tribeca before rolling out to theaters. Based on J.G. Ballard’s novel, High-Rise stars Tom Hiddleston as Dr. Robert Laing, a man who moves to this luxury building that’s organized by class—the lowest live at the bottom while the chief architect of the building (Jeremy Irons) lives in the penthouse at the top. It’s most definitely a critique of class systems, but on its own it looks to be a thrilling and creepy drama about a bunch of people (including Sienna Miller and Elisabeth Moss) living in this experimental residence. Also, Tom Hiddleston is in it, so 'nuff said. 

Equals

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Directed by: Drake Doremus

Stars: Kristen Stewart, Nicholas Hoult, Guy Pearce, Jacki Weaver

Tribeca premiere: Mon., April 18

Theatrical release: July 1

Why we’re excited: Drake Doremus made waves with Like Crazy, a loosely scripted, highly improvised drama about a couple separated by distance. With Equals, his third feature, Doremus returns to the idea of star-crossed lovers, giving us a Shakespearean tale about Silas (Nicholas Hoult) and Nia (Kristen Stewart). Taking place sometime in the post-apocalyptic future, Equals exists in a world where people have been forced to turn off their emotions. In the midst of this sterile and cold world, Silas and Nia, coworkers, film themselves falling for each other. It’s a relationship that’s highly discouraged, one that, based on the premise, has no hope of surviving. While it’s been circulating for sometime, we’re glad to see Hoult and Stewart, both rising stars for some time now, work against each other. And, if Doremus’ track record says anything, we’re certain their chemistry will be palpable.

LoveTrue

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All This Panic

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Elvis & Nixon

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Dreamland

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Always Shine

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Contemporary Color

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Custody

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A Hologram for the King

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Directed by: Tom Tykwer

Cast: Tom Hanks, Alexander Black, Sarita Choudhury, Sidse Babett Knudsen, Ben Whishaw, Tom Skerritt

Tribeca premiere: Wed., April 20

Theatrical release: April 22

Why we’re excited: There’s probably no better time to release a film adaptation of Dave Eggers’ novel A Hologram for the King than this month. The film version, starring Tom Hanks and directed by Tom Tykwer (best known for the divisive Cloud Atlas), follows desperate American businessman Allan Clay (Hanks), who heads to Saudi Arabia hoping to sell technology to the king. Clay is unable to meet with the king, and instead becomes preoccupied with his driver, contraband, and a mass he finds growing on his back. The dark comedy explores the self-entitled American who goes abroad and expects everything to happen as he wishes. If it’s half as good as Eggers’ novel, we’re in for a treat.

Madly

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AWOL

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All We Had

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Directed by: Katie Holmes

Cast: Stefania Owen, Katie Holmes, Luke Wilson

Tribeca premiere: Fri., April 15

Theatrical release: N/A

Why we’re excited: It’s worth noting anytime an actor makes the leap into directing, and that’s why we’re keeping an eye out for All We Had, Katie Holmes’ feature directorial debut. The film, based on the novel by Annie Weatherwax, is a story about a mother and daughter who can’t seem to catch a break. Escaping a bad boyfriend and short on cash, Rita (Holmes) moves to a new town with her daughter Ruthie (Owen) to try and start over. The drama, which focuses on the Great Recession that hit the U.S. in 2007, sounds a bit like Anywhere But Here, the sweet and surprisingly decent feature starring Susan Sarandon and Natalie Portman as mother and daughter. And while we don’t know how exactly this story will play, it’s awesome to see Holmes not only take a stab at something new, but also offer up some big, complex roles for women.

Dean

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The Devil and the Deep Blue Sea

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A Kind of Murder

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Nerdland

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The Phenom

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The Ticket

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Holidays

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Bad Rap

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2 Fists Up

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Little Boxes

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Mr. Church

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Wolves

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