Remember when Team Tyler Perry pretended his adaptation of Ntozake Shange's For Colored Girls Who Have Considered Suicide When the Rainbow Is Enuf might possibly net the director an Oscar nomination? That was a funny four minutes. Instead of creating a piece of work that respected the beloved choreo-poem, Perry traded nuance for literalism, substance for sensationalism, and forgot to note the joy in womanhood that was muddled in all the melancholy of the play.