Or, as we’ll forever refer to it, Ferris Bueller’s Darkest Hour. Resurrecting a character that nobody wants to see in the form of a lame 49-year-old actor, Honda’s painfully miscalculated modernization of Matthew Broderick’s once-cool character is the ultimate example of a joke falling flat on its proverbial face. May John Hughes’ ghost haunt Mr. Broderick as a result.
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