The 35 Best Young Thug Songs

Jeffrey Williams has troves of music, recorded obsessively and released (or not) according to his whim. These are the best he's let loose so far.

Young Thug
Complex Original

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Young Thug

In the relatively short time we’ve known Young Thug (relative, at least, to the hundreds of songs he’s released since his 2011 debut, I Came From Nothing), we’ve attempted to dissect him as a character again and again. Mostly, these efforts have been in vain; what can be known about Jeffery Williams lies not in his fashion choices, or the playful misdirection he deploys in interviews, but in his troves of music, recorded obsessively and released (or not) according to his whim. But now that we’ve gotten the superficial stuff out of the way, we can focus on the most interesting part of Thug—his songs.

Ranking Thugger’s music can be a unique challenge for a few reasons: the sheer mass of it, for one, with many of his projects varying wildly in quality and organized not so much by earthly chronology than by pure impulse. Thug is not one for linearity: the songs on any given project may have been recorded years prior, and his narratives, if you can call them that, move from Point Q to Point D. In that sense, it can be a bit confounding to apply some hierarchy to his tracks—most of all, because that doesn’t feel like a very Young Thug way to think about music to begin with. The best Thug songs make me feel like I am seeing the world through Thug’s sharp, abstracted perspective, and so our process in ranking them felt based less on popularity or cultural relevance than sheer intuition. (Basically, our brainstorming session looked a lot like Agent Cooper’s rock toss.) —Meaghan Garvey

These are the 35 best Thug songs (yet).

35. "Harambe"

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Producer: Billboard Hitmakers

​Album: Jeffery (2016)

All of the titles, save one, on Jeffery are named after Young Thug's idols. Hence "Harambe," a sort of sideways tribute to the gorilla killed at the Cincinnati Zoo in 2016. Why the gorilla is one of Jeffery's idols remains largely obscured; it doesn't matter, though. This is one of Thug's most elemental songs, vacillating between utterly unconstrained fury and then briefly transition to announce that he wants to get his girl pregnant. It's one of Thug's strangest, and strongest. —Brendan Klinkenberg

34. "Relationship" f/ Future

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Producer: BL$$D, Billboard Hitmakers

Album: Beautiful Thugger Girls (2017)

Initially posited as Thug's "singing album," allegedly featuring Drake as an executive producer and overt country influences, Beautiful Thugger Girls promised to be, in a roundabout way, Thug's poppiest record yet. That thesis comes through the clearest on "Relationship," a madcap celebration of polyamor-ish declarations of love. With a feature from post-HNDRXX Future at his most joyous (though he's ever-conflicted about it) and one of the brightest beats of the year, this is what Thug looks like when he takes on the charts. —Brendan Klinkenberg

33. "Keep In Touch"

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Producer: Unknown

Album: I Came From Nothing 2 (2011)

I Came From Nothing 2 was the first full-length indicator of Thug’s greatness, but its best moment had been recorded well before he’d released his first tape. (In 2013, he called it his favorite of his own songs.) A disproportionate amount of early press focused on Thug’s zany turns of phrase and alleged unintelligibility, but “Keep In Touch” is as straightforward as it gets: it’s a song about love. And though it’s rough around the edges, it suggests that at the core of Thug’s appeal is a knack for perfect pop songwriting. —Meaghan Garvey

32. "She Notice"

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Producer: Wheezy

Album: Slime Season 2 (2015)

“I’m high, sorry,” Thug apologizes after mistakenly referring to his producer Wheezy as an engineer. For as unhinged and spastic as he can sound, this intro gets me every time because it makes you realize that his speaking voice is gentle. And then an absolutely bizarre flip of a nondescript pop soundtrack band from the Twilight soundtrack kicks in and Thug warbles the first-person POV: “Iiiiiiiiiiiii.” “She Notice” is a love song about how oral sex can be like a basketball swish and how it feels when someone stares at you in that real good way. —Ross Scarano.

31. "Halftime"

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Producer: Kip Hilson

Album: Barter 6 (2015)

The most dazzling technical display on Thug’s most fully-realized project, “Halftime” always reminds me of those “follow the bouncing ball” cartoon sing-a-longs. There’s no hook, just Thugger flipping from word to word in a lyrical balance beam routine, pausing only for a vocoder breakdown that sounds like that tingly moment when the shrooms hit. “Havin’ the time of my muhfuckin’ liiiiiiiife!” he crows, and you can hear it. —Meaghan Garvey

30. Rich Gang, "Imma Ride"

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Producer: London On Da Track

Album: Rich Gang: Tha Tour Pt. 1

Some things in this world just go together, like chicken nuggets and McDonald’s sweet and sour sauce. On “Imma Ride” Thug is both the McNugget and the sauce. The aggressiveness of Thug’s “blatt” shotgun-like ad-lib is the acidic sourness, while the croon of “Nigga playin’ with my whoadie, I’ma ride/She say that pussy wet so Imma slide” is the sweetness. The juxtaposition of Thug the gangster and Thug the lover is on full display. That “Imma Ride” succeeds despite subpar guest verses from Birdman and Yung Ralph speaks to the saving power of Thug’s charisma, even in the midst of less-than-welcome guests. —Charles Holmes

29. "Speed Racer"

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Producer: Metro Boomin

Album: N/A (2015)

The most damning evidence in support of the argument that we’ve slipped into the Darkest Timeline (other than, uhh, *gestures vaguely towards the world at large*) is that we’ve received a Metro Boomin and Nav album but still no Metro Thuggin, the full-length collaboration Thug and Metro have teased since 2014. Still, we’ll always have “Speed Racer,” a gem among the troves of 2015 Thug songs that never saw an official release, and a glorious vessel for the mantra: “I give a damn if you care, I’m an astronaut.” —Meaghan Garvey

28. "Love Me Forever"

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Producer: London On Da Track

Album: Slime Season 2 (2015)

One of the saddest casualties of the 2015 leak, “Love Me Forever” appeared in chopped-and-screwed fashion at the tail end of Slime Season 2, apparently because Thug loves this song so much he wanted listeners to be able to hear each painstaking word. What Thug and London have here is slick and irresistible, a love song that’s at turns deliriously sexual and unsettlingly sincere. It’s the sort of thing you play at the wedding reception to see who’s really about it. —Paul Thompson

27. "Webbie" f/ Duke

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Producer: Billboard Hitmakers

Album: Jeffery (2016)

Listening to Young Thug vocal inflections is like diving into a lean-infused kaleidoscope, and there should be history classes taught on the eccentricities of Thug’s sonic acrobatics in the near future. The vocal signature employed on “Webbie” is an unmistakable croak. The Jeffery song named after Baton Rouge rapper Webbie hits its pinnacle by the last line of the hook. When Thug sings, “She been suckin' dick way before a nigga made it, yeah,” the emphasis he puts on “yeah” is outstanding. As he reaches the upper heights of his vocal register, the Auto-Tune smooths over the imperfection, producing a piercing falsetto. It is small moments of immutable beauty like this which make Thug a modern marvel. —Charles Holmes

26. "Knocked Off" f/ Birdman

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Producer: Wheezy, Ricky Racks

Album: Barter 6 (2015)

The only thing more suggestible than memory is Birdman. Sometimes, when left to his own devices, he can turn out painfully dull verses, dead and leaden. But when he’s rapping alongside brilliant upstarts (Clipse) or prized protégés (Wayne, Thug), he finds another gear. “Knocked Off” gets its most crucial bit of magic from the sheer joy in Thug’s voice as he ad-libs Baby’s verse. —Paul Thompson

25. "Never Made Love" f/ Rich Homie Quan

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Producer: London On Da Track

Album: Slime Season 2 (2015)

A Rich Homie Quan duet left over from the Rich Gang era, “Never Made Love” is filled with intimate details that feel like skeleton keys to Jeffery Williams’ soul: drawing “Hey, wait, don’t leave!” into a full 16-bar melody, or pledging to turn any man who looks at his girl “into wind.” But when Thug first lays eyes on his soulmate and flashes to a memory of his dead brother (“She had the same exact face as my brother’s nurse/And he in a hearse”), it feels like a breakthrough. —Meaghan Garvey

24. "Pacifier"

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Producer: Pierre Ramon, Slaughter, Larrance Dopson, Brody Brown, Mike Will Made-It

Album: N/A (2015)

I’m not sure which Koch brother rigged this list, so I’ll let you in on a secret: “Pacifier” is the best Young Thug song. Somehow the chaos fits on a grid. It was supposed to be the big summer single, maybe the one that would secure for Hy!£UN35 a fall 2015 release date. Instead, its release was buried in the news cycle the same day police raided Thug’s home after allegedly threatening to kill a mall cop. Since “Pacifier,” two Thug projects were saddled with a sort of quasi-album status; since “Pacifier,” no one has scatted better. —Paul Thompson

23. Rich Gang, "Tell 'Em (Lies)"

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Producer: London On Da Track

Album: Rich Gang: Tha Tour Part 1 (2014)

The sweetest and most inventive of Thug’s love songs. The hook, especially its insane last line—"She gon help me like she's Santa's elves"—is a ridiculous counterweight to Thug’s fast-food approach to selfless pleasure: “Imma eat on that pussy and dip.” That same energy carries into his verse, which contains one of his finest lines: “She gon' look over these bitches like terms and conditions.” —Ross Scarano

22. "Check"

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Producer: London On Da Track

Album: Barter 6 (2015)

Young Thug’s imagery is second to none. That’s not a mink coat, it’s a Shar-Pei. His phrasing, too, is totally singular: “And she screamin' loud, she can't secret that dick.” Even when the subject—money, and how you don’t have it like the MC does—is familiar, Thug’s gift is to make it strange. —Ross Scarano

21. "Digits"

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Producer: London On Da Track

Album: Slime Season 3 (2016)

"Digits" is an existential crisis. It's about the knowledge of death, but in typical Thug fashion he's not really sweating it. Instead, it's a simple proposition: live life so you can say you did it to the fullest. It's a furious meditation on legacy that works as a straightforward, if melancholy, club track. The chorus is one of the best displays of Thug's penchant for finding a phrase and repeating it in a close to inimitable cadence until it takes on some greater significance. —Brendan Klinkenberg

20. "Kanye West" f/ Wyclef Jean

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Producer: Cassius Jay, Wheezy

Album: Jeffery (2016)

Listening to “Kanye West” with a friend, she admitted that—despite the lyrics—Young Thug makes songs that “sound like the kind of music children would make.” It was her first time hearing the song and, for the rest of the day, “wet, wet” became a persistent refrain, an inside joke between us despite the fact that it seemingly everyone was listening to the widely celebrated album. Jeffery is a bizarre, sometimes perplexingly beautiful romp through Young Thug’s brain; “Kanye West” is the sweet, surprising ode to messy sex that kicks it off. Let me never forget the sound of the real Wyclef intoning Thugger’s birth name like a gentle schoolteacher taking attendance. —Ross Scarano

19. Migos f/ Young Thug, "YRN"

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Producer: Unknown

Album: Lobby Runners (2013)

Hear me out: Is Lobby Runners the most underrated mixtape of the 2010s so far? The impeccably-curated Thug loosies alone make the compilation essential, from his Laurel and Hardy routine with Peewee Longway on “Loaded,” to his endearingly batshit intro. And then there’s “YRN,” a collaboration with Quavo and Takeoff that is basically an extended threesome invitation over a Latin jazz song I’m pretty sure is streamed exclusively in dentist offices. It defies explanation, which is precisely why it’s amazing. Do yourself a favor and download Lobby Runners like we did in the olden days; I know it’s the streaming era, but Spotify doesn’t have “YRN.” —Meaghan Garvey

18. "Hercules"

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Producer: Metro Boomin

Album: I'm Up (2016)

Young Thug is a rap technician, and “Hercules” is a masterclass in the art of repetition. Thug reserves one fourth of the hook’s twelve bars to end on an impassioned “Woah.” He then precedes to chop up the demigod's name into the infectious "Hercu-Hercules." Finally, he throws in multiple “yeah, yeah, yeah,” just in case listeners feared the song would enter the realm of mundanity. Most rappers would get lost at sea battling Metro Boomin’s aquatic synths. Instead, Thug flexes with reckless abandon.

Historians take note. "Hercu-Hercules" is the new name for the Roman strongman and you have Young Thug to thank. —Charles Holmes

17. "With Them"

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Producer: Mike Will Made-It

Album: Slime Season 3 (2016)

Thug knows how to introduce himself. On Slime Season 3—his blisteringly concise 2016 statement on how weird rap can really get—he takes precisely seven seconds to shift directly to fifth gear. Mike Will Made-It provides the backdrop: a simple synth hook and a beat that does away with the typical ebb and flow of a well-constructed instrumental in favor of the straightforward. Thug's rapping is restless, he treats flows as if barefoot on hot concrete; constantly shifting in favor of something new. —Brendan Klinkenberg

16. "Drippin"

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Producer: Allen Ritter

Album: Slime Season 3 (2016)

“Drippin” isn’t so much a song as it is a spell to ward off the conventional. “He geeked on beat,” Thug raps at the beginning, foreshadowing what’s to come. Is there a hook here? Is that really an interlude, like Genius says? There do not seem to be words for how this beat shifts, for what Thug repeats or throws away after one use, for what he yelps versus what he barks versus what he shouts. It’s the kind of performance that requires a thesaurus and a blueprint to get to the bottom of. Ribbit ribbit. —Ross Scarano

15. "King Troup"

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Producer: Wheezy

Album: I'm Up (2016)

There’s no such thing as “on topic” in Young Thug’s work. The opening stanza announces “King Troup” is dedicated to his deceased friend, and his language is precise: “I thought I seen a ghost because your son look like you fool.” But then the song zags off in another direction. Thug’s dabbing; he’s in briefs, but they’re high fashion. Taken as a whole, it’s fragments of success that serve as a monument to Keith Troup. Thug as a literal presence honors the fallen. —Ross Scarano

14. "Dead Fo Real" f/ Peewee Longway

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Producer: TM88

Album: 1017 Thug (2013)

Nestled in the middle of 1017 Thug, “Dead fo Real” is two minutes of weird electro-pop. It’s the first Thug song I ever heard, and it still goes off like the first time when the beat drops and Thug wails like a talking cartoon fish. —Ross Scarano

13. "Proud Of Me"

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Producer: Goose

Album: N/A

Loving, impassioned, and overflowing with familial energy, Young Thug’s “Proud of Me” is an ode to the mentor who first believed in an Atlanta misfit. The Route 94 “My Love” sampling song sees Thug sweetly singing to a then-incarcerated Gucci, “Please free La Flare/I know he gon' be proud of me.”

In an alternate timeline where the infamous leaks never transpired, “Proud of Me” is the anthem that marked Gucci’s arrival back home and launched Thug into the commercial stratosphere. As far as singular pop visions go, Gucci couldn’t have picked a better protégé. —Charles Holmes

12. "Best Friend"

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Producer: Young Shad, Ricky Racks

Album: Slime Season (2015)

"Best Friend" is Thug at his most mesmerizing. The beat is hypnotic, and Thug is every measure its equal; declaring his love sweetly but never letting the track get too comfortable. As with every great Thug track, it's an odd experience and hard to imagine it finding mainstream success at first glance—"Best Friend" would go platinum—but impossible to let go of the more times you listen. —Brendan Klinkenberg

11. "Pick Up The Phone" f/ Travis Scott & Quavo

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Producer: Frank Dukes, Vinylz

Album: Jeffery (2016)

You know you've got a hit if two rappers need it on their albums. One of the best informal duos working in the game today, Thug and Travis Scott have enjoyed an unusual level of chemistry over the past few years. They've been working together since the early days of their careers, and "Pick Up the Phone" stands as their greatest collaboration yet. A lush, playful piece of pop mastery, it's best understood as a series of memorable choruses, rather than a trading of verses. —Brendan Klinkenberg

10. T.I. f/ Young Thug, "About The Money"

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Producer: London On Da Track

Album: Paperwork: The Motion Picture (2014)

T.I. arguably sits on the South’s iron throne, but in 2014 Thug arrived on dragon wings as the “prince that was promised" with his turn on "About the Money."

Over three bars Young Thug sold his introduction. He came “bustin’ out the bando,” he proved his jewelry is very real, and that he rose from the ashes of Jonesboro South to a feature with Tip. “About the Money” is a distillation of Thug’s greatness. Every “chee chee” adlib hits with unbridled conviction. Every non-sequitur—"I’m goin fishin with these little bitty shrimp dimps”— feels pulled from the nerve lightning of his gray matter. “About the Money” was the beginning of Thug’s unbridled creative ascent. —Charles Holmes

9. Rich Gang, "Flava"

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Producer: London On Da Track

Album: Rich Gang: Tha Tour Part 1 (2014)

Together, Young Thug and Rich Homie Quan are alchemists. In 2014, at the zenith of their abilities, the two merged to create gold where there was none. “Flava” is a six-minute opus of experimental and unrestrained rap warfare. The two weave in and out of each other's vocals to the point where distinguishing between them is nigh impossible. Quan's singing buoys the rapid and staccato delivery of Thug's hook. “Flava” is simultaneously a cacophonous cipher, battle rap, and melodic symphony.

Thankfully, Thug’s standout moments on “Flava” seem propelled by the spirit of competition Quan inspires. To this day Thug's tongue twisting, “Cop a Rollie, yes a Rolex/And I pull up on that lil nigga, Bowflex a nigga, know that ay,” and joyous yelp, “crew cut, momma say ya crew cut” rank among some of his most enjoyable musical moments. “Flava” is everything a rap duo could and should be. —Charles Holmes

8. "2 Cups Stuffed"

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Producer: Super Mario

Album: 1017 Thug (2013)

It's the spelling, of course. The first verse of “2 Cups Stuffed” opens with that famous sequence: “L-E-A-N-I-N-G/Lean, lean, lean, lean, lean, lean, lean!/Five-hundred horses/Inside my machine!” 1017 Thug was so arresting, such a star-in-waiting announcement because Thug showed he could be effusive in so many ways. “Picacho” is manic; on “Nigeria” he sounds as if he’s on the verge of tears, desperate to get his point across. But it’s “2 Cups Stuffed” where Thug’s focus is laser-precise, where hundreds of horses are no match for some Styrofoam and a little bit of improv. —Paul Thompson

7. Rich Homie Quan f/ Young Thug, "Lifestyle"

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Producer: London On Da Track

Album: We Been Had Hitz (2014)

This was an unlikely hit, from the laid-back, melancholic piano-led intro to the tossed-off manner of its release as a Quan and Thug loosie. But, in hindsight, "Lifestyle" was fated. It's a desperately joyous piece of music, and Thug, an ever-willing collaborator, in possibly his most in-sync performance with another rapper alongside his Rich Gang compatriot Rich Homie Quan. It's a song about making it, a topic as foundational to hip-hop as hydrogen to water. But the way it's delivered, with the self-awareness and genuine joy of Thug and Quan, makes you understand why we want them to be successful. —Brendan Klinkenberg

6. "Stoner"

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Producer: Dun Deal

Album: Lobby Runners (2013)

A masterwork of restraint and release, “Stoner” was Thug’s first real hit, and Dun Deal’s magnum opus. The producer once described his collaborator’s writing process as though torn from the pages of ATLien fan-fic: instead of words, Thug would draw “weird signs and shapes” on paper to bring into the booth. He recalled “Stoner” taking about 15 minutes to record. And that’s exactly how “Stoner” sounds—not hasty but perfectly innate, propelled by the kind of rhythmic instinct that makes great rappers great. Thug redefines finding the pocket of a beat; I mean, fuck, “Stoner” is a multiverse of previously-unexplored pockets—a veritable pair of cargo shorts!

A few years back, I spoke to Dun Deal over the phone for an interview that never ended up running. I’ve since lost the transcript, so you’ll have to take my word for it, but we talked a lot about “Stoner,” and I mentioned that his beat made me think of the best early-2000s instrumental grime—mind-bending, minimalist Fruity Loops experiments like XTC’s classic “Functions On The Low,” creating the kinds of deceptively simple spaces that force MCs to forge their own paths. I wasn’t the first one who’d thought so, he told me, and added that he’d started exploring more of these icy grime tracks out of curiosity. Thug and Dun Deal haven’t collaborated much since, but I still hold out hope they’ll reunite one day, carving out new pockets in whatever universe they happen to be occupying that day. —Meaghan Garvey

5. Jamie xx f/ Young Thug & Popcaan, "I Know There's Gonna Be (Good Times)"

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Producer: Jamie xx

Album: In Colour (2015)

"Imma ride in that pussy like a stroller/I’ll survive in a motherfuckin’ gutter" is an Atlanta haiku. In two bars Young Thug manages to describe the beauty, pain, and triumph of the human experience. Most artists could spend their entire lives trying to do something this succinct and never get close.

Young Thug is more than a rapper on Jamie xx’s “I Know There’s Gonna Be (Good Times),” featuring Popcaan. His voice is at once alluring and comfortably warm. He transitions between rapping, singing, and warbling, and somehow it all comes together to showcase the breadth of his talent. The way he sings “when it was bout that wood time?” and the last note travels up like a never ending spiral staircase is magical. Thug bends rhymes “Nolia” and “Coca-Cola” like the words are fluid gems in his hands. “I Know There’s Gonna Be (Good Times)” sounds like pure joy and there could be no better conductor than Thug. —Charles Holmes

4. "Constantly Hating" f/ Birdman

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Producer: Wheezy

Album: Barter 6 (2015)

You have to remember that someone’s in jail. When Barter 6 came out, Thug was firing darts at Wayne on Instagram, and when all the dust had settled, PeeWee Roscoe ended up in prison after Wayne’s tour bus was shot up on the night of Thug’s release show. (Both Thug and Birdman are mentioned in Roscoe’s indictment, but neither were ever charged.) “Constantly Hating” is almost taunting in its sunniness, a bright, laconic Florida morning where the only thing that isn’t perfect is the weed. —Paul Thompson

3. "The Blanguage"

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Producer: Metro Boomin

Album: N/A (2014)

The best Thug songs feel like you’re exploring its terrain the same way Thug would himself—tripping into new rhythmic grooves, stumbling upon pleasantly surprising melodies and words you never thought would rhyme. In his early work, these moments of brilliance would strike out of nowhere like meteor showers of mindspray; digging through his less-inspired material to get there was worth it. But for me, the exact moment Thug pivoted into his full potential—not just a spitter of charming non-sequiturs, but a pure and singular songwriter—was “The Blanguage,” the first of many Metro Boomin collaborations billed as Metro Thuggin. It was a turning point for Metro, too—specifically, at 2:38, when the bottom drops out, leaving only his piano until the bass starts cresting and the “Metro Boomin want some more!” tag gets absorbed into the structure of the beat itself and Thug harmonizes with his own voice.

“The Blanguage” does not reward those who need a beginning and an end to a story, or those who demand jokes be immediately explained. The first handful of times I heard Thug slyly compare a stripper to a baton-twirling ringleader (“With her friends dancing with the pole inside the middle/Is it a parade?”), I brushed it off as surrealist wordplay until it finally clicked. It was pure semiotic alchemy, a reminder of what makes rap as a form so timelessly dope. For all his so-called mumbling, all you really had to do was listen. —Meaghan Garvey

2. "Danny Glover"

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Producer: TM88, Southside

Album: Lobby Runners (2013)

The first time I heard “Danny Glover” was in the bowels of the Staples Center in Los Angeles, in a tunnel more than a hundred feet long, every surface steel or cement, barely above freezing temperature. It leapt out of laptop speakers and rattled between the walls. That run at the beginning of the second verse—“I knew I was gonna run my money up and everybody didn’t”—sounded like a half-dozen people rapping over one another, each one of them in some strange elastic relationship with the already warped beat. The trick is that “Danny Glover” retains that quality in any setting. The bands left in cabs and the lewdest Bentley accessories are just the perfect window dressing. —Paul Thompson

1. "Givenchy" f/ Birdman

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Producer: Dun Deal

Album: Rich Gang: Tha Tour Part 1 (2014)

The 60-second mark. That’s where the gold toilets and chandeliers fade out. It’s the moment when Young Thug, suspended in bureaucratic amber between at least two record companies, emptying his hard drives for a mixtape that promoted a tour that would never materialize, lets out a couple of drawn-out moans that make him sound like he’s awoken from a thousand-year slumber. From there, he pledges fidelity to his soulmate and butchers designer clothing names, spilling and yelping over the beat, circling the starting line; it’s another two minutes before he’s fully warmed up. Once he is, he’s pulling up on your girl, lurking like a cop, snapping at the edges of the drum programming, slicing syllables into their tiniest component parts and then feeding them into a machine gun. I’d pull lyrics from the song, but by its end you have a never-ending tower of one-liners and fragmented images, and yanking one from the whole might make the whole thing topple. “Givenchy” was a tour de force even for one of the best duos since Outkast.  —Paul Thompson

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