29. Jungle Brothers
By the late 1980s, the Native Tongues movement had reached critical peak, stretching outward from the suburb to suburb. (Weird that such an Afrocentric movement attracted such a white following.) The Jungle Brothers were forebears of hip-house, their single "I'll House You" becoming popular on Club MTV, urban radio, and college campuses.
Straight Out the Jungle, their debut album, got high marks from everyone including Robert Christgau, who compared their output to "an early Bambaataa jam with comic timing." Their second album somehow managed to earn even higher marks from critics, but fell way, way short when it came to sales.
And then, when submitting songs for their third album, 1993's J. Beez with the Remedy, Warner Bros. consistently rejected everything the Jungle Brothers offered up, deeming their sounds too experimental. So, you end up with a product that's too straight-forward for anyone to really grasp onto and, unsurprisingly, no one bought it. So they got dropped by Warner and picked up by the much smaller Gee Street Records, which is why you never heard from them again.