French Montana is having his moment. His song "Pop That" is a certified hit, he's popularized the phrase "fanute," and his debut album, Excuse My French, is supposed to drop before the year is over.
Although his success seems sudden, French didn't just drop a YouTube video that went viral and catch a million dollar check. Instead, his rise comes from years of grinding that started back when he was slanging Cocaine City DVDs in the streets during the early 2000s.
When French recently visited the Complex office to chat, he dropped more than a few gems about why beefing in 2012 makes no sense, his Coke Boys crew, and where he thinks 50 Cent misstepped in his career.
Interview by Insanul Ahmed (@Incilin)
When we were doing your 10 Coke Boy Lessons, I thought it was interesting you said to avoid beef.
Yeah. You can’t beef with people because it’ll scare money away. In the streets you can strong arm people and take money but you can’t do that in the industry.
Right, because in the streets beef is way to expand your territory. Before, like with 50 Cent, beef used to be good for business. But now, beef is bad for business.
That’s why I stay away from it.
Is that why you’re one the few rappers that’s cool with all the big crews?
I used to be enemies with everybody, now I’m just cool with everybody. You have to learn you get more money like that.
Is that why you avoid some of the situations? I look at someone like Pusha saying Lil Wayne’s Dedication 4 isn’t that good. Whereas you, you have Wayne on your songs but you rolled with Kanye before and then you also hang out with Rick Ross. It seems like avoiding beef has been a conscious decision.
Yeah, you have to. I feel like you have to expand. But when you beef, you put negative energy out there and it brings negative energy back. When you put something positive out there, it brings positive energy back. I feel like if you want to beef go to the streets, beef with niggas that really wanna beef. If you have nothing to live for. Beef is not about money.
[With rap] it’s like, you ain’t going to see them people you beefing with. You lying. You got security, you're never at the same events. It’s like you beefing in a smart way if you’re trying to come up. Then it’s like a competition, you know like a battle rap. But if you want to battle rap you might as well call Fight Club, get to battle rapping. Don’t act like you want problems.
You should avoid beef if you trying to make money. People get scared when you try to beef with people. In general, [even in street shit] nobody want to stand next to you if somebody about to shoot you, unless you have a a big lick [Ed. Note—A "lick" means a hustle.] They [used to] do that with 50 because 50 was the bank. They knew he was going to win. People ain’t doing that [anymore].
Pusha T and Lil Wayne's beef ain’t nothing serious. If [Wayne] feels like [it’s real beef] then you know Baby would have got involved. Things like that, it’s good for hip-hop. If nobody got shot, it ain’t beef. Ain’t nothing easier than catching up to someone that puts flyers saying where they’re going to be at.
Because the rap game isn’t built that way anymore.
No, it’s over for that. It’s gone, big time. They’ll get you out so fast.
I feel like with you, you’ve seen the game change the last few years and you’ve found your lane. I think this is the right moment for you. If you were coming out when 10 years ago, they would told you to start beef because that would have been good for your career.
Nah they can’t. That shit don’t help. Shit comes and leaves. It’s like a cycle, now is the peaceful time, but the beef time will come. Most of the people that’s big in the game, that’s from the streets, don’t believe in that. People don’t really handle their beef like that. They handle it a different way.
That reminds me The Godfather. When they’re at war and Clemenza says, “These things gotta happen every five years or so, 10 years. Helps to get rid of the bad blood. Been 10 years since the last one.” The last time we had it was when 50 went to war with everyone.
That was 10 years ago.
It’s getting real close to coming back.
[Laughs.] Well all the seeds have been planted where they are, they just gotta sprout up. Do you think it will come back soon?
I’m thinking, with who? That’s what I’m saying, like and who will have powerful enough music, you feel what I’m saying? Who will have that powerful music to really do it? To really shake the streets up.
Well, when you look at the big rap crews today you have MMG but I think they’ve sort of avoided it. Whereas I think Young Money and G.O.O.D. Music, and like I mention before with Pusha and Wayne, they’ve had that back and forth for like forever, but it never kinda went full fledged.
For some people it’s competition for them. It’s good for hip-hop.
Right. You see that as more straight-up rap shit?
Yeah. Pusha T and Lil Wayne's [beef] ain’t nothing serious. If Wayne feels like [it’s real beef] then you know Baby would have got involved. Things like that, it’s good for hip-hop. If nobody got shot, it ain’t beef.
Well, I hope no one gets shot.
Ain’t nothing easier than catching up to someone that puts up flyers saying where they’re going to be at.
[Laughs.] That’s right.
You could just go on the Internet and find out where he’s going to be at for the next month. Where he’s doing promo, etc. There might just be a banana at the front of the door.
Switching gears, let’s talk about your album. Are you still working on it or is it done?
I’m going to have the best album of the decade. I have Max B talking, then the No Way Out intro with Puff. I got the Weeknd. I have song called “Marble Floors” that’s me, Wayne, and Ross.
I have a song with M.I.A. I have a song with Nicki Minaj. I got Lana Del Rey and Wiz Khalifa on one song. It’s going to be a classic album. I have Mac Miller and Curren$y on one song. I have a song with Movado that’s so crazy. I have a song with Puff, Jeremiah, and Fab. I have Ma$e. Rico Love, Harry Fraud. It’s going to be classical. I have Max B.
Is that new Max B or just over the phone?
Nah, it’s stuff I had that I never put out. I loved it so much, I saved it for my album. I knew this day was coming.
The Weeknd is a very elusive person. How you manage to get him?
You just gotta hang out with me one day. I don’t think he’s elusive to get, I just think he’s real. If he don’t like you or he feels some kinda way, then he don’t want to do nothing with you.
It’s like doing a song with Prince, he ain’t going to do a song with you at all. I know it’s more than just music. When me and Weeknd hang out, we don’t even talk about music. We be kicking it at the crib with each other. People I make music with, I have real relationships with.