Produced by: Noah "40" Shebib
Noah "40" Shebib: “1da did some programming for me on that. I probably did that beat maybe a little bit before February/March. I really only make beats for Drake. I worked with Alicia [Keys], but I really only worked with Alicia because me and Drake wanted to work with her. I work with Wayne, but because obviously that’s family. And that was a circumstance where Drake loved [’I’m Single’] and he sent it to him and then Wayne was like, ’Yo, I’m stealin’ this. I’m takin’ this.’ So I’ve worked with a few other people indirectly via Drake, but at the end of the day, he’s really the only person I work with as far as being a producer. Obviously, I have ambitions to work with other people, but at the same time, that’s like my bother as well as a person I’m responsible for with my career so my main focus is his projects and his work. And, we’re probably going to start working on his next album, like, ASAP.
“We sat on ’Resistance’ for a while. There were a couple other beats as well where he was like, ’Maybe I’ll use this one instead, but I gotta rap. I have so much to say...’ Once I’d gotten it back from 1da, getting the hook to knock right with the drum programming and the chorus, then I was like, ’OK, cool. It works. I’m happy with it. Time to record.’
“[Drake sat on the beat] for about a month. As far as him having the beat and loving it and wanting to use it, but not being 100% on the production of it. And, also me just sort of working with it and tweaking it a little bit here and there. If that shit doesn’t sound perfect, there’s no point in him even going to the booth. He’ll leave for a half an hour for me to fix it. He’ll record a chorus and be like, ’Mix it and I’ll record my verses.’ Normally, I’ll mix it and it’ll sound like a million dollars and he goes, ’All right, perfect! That’s how it’s supposed to sound.’ And then he raps. He doesn’t waste very much of his energy. We really only have a couple records that we didn’t put on the album.“