Sexy actress Emmanuelle Chriqui has too much posse. Word to P.E. Thankfully, Complex convinced the Moroccan-blooded beauty to lose the Entourage for our trip to la playa. Sweet and petite, Emmanuelle is the type of woman we’d wife with quickness. Just don’t ask her to tell a joke.
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A few weeks into the third season of HBO’s Sex in the City
for men, Entourage, fans became heated as Mandy Moore took on an increasingly
prominent role. Then, as the season wound down, dark horse favorite
Emmanuelle Chriqui emerged as Sloan, a sweet, sexy girl pal to Eric
(Kevin Connolly), who either is or is not helping plot the demise of
high-powered agent Ari (Jeremy Piven). Sloan’s a juicy character who
helped wash away the bad taste left by the broad-shouldered Moore, and
Chriqui nails the cute but possibly dangerous angle.
It helps
that Chriqui, a first generation Canadian born to a Moroccan family, is
not what one would call “reasonably attractive.” In fact, she’s
flat-out “unreasonably attractive.” As in, it goes beyond all the
bounds of reason that a person should look like this. Pushing open the
bell-adorned door to Elixir—a very L.A. tea shop where teas and tonics
are prescribed based on the mood of the drinker—Chriqui, who also
played alongside Usher in In the Mix, flaunts features far exceeding
the necessities of survival. Ordering a “Blues Buster” tonic, she’s a
whirlwind of long legs, lush hair, glistening lips, and bottomless
eyes. In a nutshell, you could create four sexy new women with her
hot-to-death qualities. Of course, it’s not her fault she looks the way
she does, and when she sashays the whole package over to your table and
sits down, it’s pretty hard to be mad at her—even after she teases with
what she knows about the new season of Entourage.
Do you ever feel guilty that there are four ugly women walking around because of you?
What?
Is that why you need a Blues Buster?
No. It’s just that I spent the whole morning moving into a new place, and I’m kind of drained.
Oh? Where did you move?
West Hollywood. Right near here.
Sounds nice. You’re originally from Canada, right?
Yes. Montreal.
So how come you’re not a comedian? All Canadians are comedians.
I’m not funny. Comedy is a skill—you’ve got it or you don’t. And I don’t have it.
Okay, let’s test that out. Tell us a joke.
I don’t know any jokes.
Come on. You’ve got to know one joke.
Okay, I know one. What do you call a gay midget?
What?
Coming out of the cupboard.
Huh? That was horrible.
It was?
It doesn’t even make sense. It seems like it should go, “What does a gay midget do?”
Come out of the cupboard. You’re right. Now I’m embarrassed. I’m not saying anything else.
Hey,
there’s no judgment here. You just set yourself up for a whole slew of
roles that require humorlessness. Parts as androids, slavery films.…
That’s good. Because drama is what comes naturally to me. That’s what I respond to when I read a script.
Are you at a point where you can choose your next role, or do you still have to take things that come along to prove yourself?
I’m
definitely still proving myself. It’s an interesting but frustrating
time for me. I know what I want to do. I’ve paid my dues. But
opportunity has yet to meet preparation and timing for me.
When you landed In the Mix with Usher, did you think that was going to be the role that broke you?
No,
I never thought that. I liked making that movie, but if there’s one
thing I’ve learned about this business it’s that everyone blows smoke
up your ass. They get all excited and say, “Are you ready to be huge?”
And you have to ignore that. If it happens, it happens.
Isn’t it hard not to get caught up in that? People telling you these things you want to hear?
No.
Basically, I just love making movies. I love the experience, I love the
journey, I love the progression. I try not to have expectations of how
it’s going to go. But my next project, I will be really picky about. I
want to love the script. I want to love the character.
Are you loving your role on Entourage? It seems like a project you could get excited about.
You
know, Entourage is the biggest surprise of my career. It’s never really
been my dream to be on a TV series. But every pilot season, my agent
wants me to do something. So this time I said, “Okay, look, if I do
television, I want to do an HBO show.”
Do you think Hollywood is kind of biased against TV?
It
used to be. There was a time when this person was a film actor and that
person was a TV actor. But now the lines are blurring. You see
A-listers attached to pilots. Television has gotten significantly
better.
It’s true. And HBO would seem to be at the forefront of that. What do you think they’re getting right?
Abstractly, I would say there are no limits. It’s television without confines.
Maybe they just figured out that people will watch interesting programs?
Yes. And pay for them.
Is the network a presence on set? Are HBO executives walking around saying, “No! That needs to be much more awesome!”
Not
in my experience. There is a presence in that you know HBO is behind
you. But it’s not pressure. They make it a pleasure to work on the show.
So what’s Sloan, your character, up to? She seems sneaky.
No!
Oh yes she is. She’s got something—
Up
her sleeve? That’s not true. I’ll tell you what: I think women, in
particular, love Sloan because she’s smart and compassionate. She’s not
typical Hollywood tits-and-ass.
So you’re saying she’s not going to turn evil?
Well,
she’s fun. That’s all I can say. I can’t tell you what’s going to
happen, but it’s going to be fun. I swear, sometimes, I read the
scripts at my home by myself and I’m dying of laughter.
So how’d you get into this whole acting thing?
Well,
when I was about three years old I became the family entertainer. I
would play the piano, actually, pretend to play the piano, and the
whole family would clap. Or they’d put music on and say, “Em, dance!”
It
must have been sort of a handicap not to be funny. Because comedy is
usually a big part of a three-year-old’s repertoire. Were you doing
David Mamet and stuff?
Oh yeah. Shakespeare’s tragedies.
Sonnets. Then at seven, I started doing community theater. I just came
home one day and said to my dad, “Daddy, I’m doing a play. You need to
drive me to rehearsals.” And that was that.
Was your upbringing strict?
It
was. We lived in a small town called Unionville, and we were the only
Jewish family there. My friends all knew that Friday nights Em can’t
come out until after Sabbath dinner. Looking back, I appreciate those
things, but at the time it was a drag. Virtually all of our fights at
home consisted of my brother, my sister, and me saying, “The school
dance is tonight! We have to go!” And my parents would say, “No, it’s
the Sabbath.”
You grew up in Footloose.
Moroccan, Jewish Footloose, yeah. Pretty close to that.
So what was your first big acting role?
I
went to an arts high school in Toronto, and a guy from the school had
something he wrote turned into a pilot on YTV, a youth television
station. They were casting for the pilot from the school and there was
this girl in my theater class who was on Degrassi
Junior High. She
played the big dream-girl role, so everyone thought she would get the
part. So when I got it, I was like, “Yeah, F-you, blondie!”
So you became an actress out of vindictiveness and pride?
No.
We were actually good friends. But that was my start. After that I did
commercials, then one-liners, then three-liners. At one point I decided
to try college, but I found the theater program redundant after my high
school. When I left, my professor was scathing! He looked down his nose
at me and said, “Good! Go to Hollywood!” And I was like, “Fine, fuck
you. See you later.”
And look at you now, you’re in In the Mix with Usher.
Yeah.
That wasn’t the first movie you made with a singer turned actor, was it?
No. I also did a film called On the Line, with Lance Bass and Joey Fatone.
Awe inspiring. Do you guys still hang out?
Actually, Lance is one of my best friends.
Seriously?
Yeah.
We’re best friends. I live part-time in New York and part-time in L.A.,
and Lance is one of maybe five people I’ll always call when I’m in
town. He’s a huge part of my life.
You’re BFF with a BSB!
Yeah. Wait…a Backstreet Boy? No. He’s an N’Syncer. I’m a BFFer with an N’Syncer.
Does that change your life? Do you ever think, Wow. He’s one of my best friends, but he’s also an N’Syncer.
Not
really. At this point we’ve been friends for so long we don’t think
about it. Sometimes we’ll look back and go, “Oh yeah, we did a movie
together! Cool.”
But you’re giving us the impression that your next role won’t be opposite, say, Bo Bice in his acting debut. Correct?
Correct. The next thing has to be special.
What’s an example of a role you’d have loved to play?
I loved Million Dollar Baby. I’d like to make a film like that.
Maybe they could resurrect the girl for a sequel? The Six Million Dollar Baby.
Oh, I like that!
You got it. Just make sure we get a writer’s credit for the title.
Sneak Peek
What’s to become of Sloan on the new season of Entourage? Chriqui and HBO reps won’t say; as is the case with The Sopranos, Entourage scripts are closely guarded secrets. Complex
was able to confirm that Sloan and Eric (Kevin Connolly) will continue
their burgeoning relationship in season three. We also got word that
Sloan will have a girl-on-girl makeout session. With whom? Stay tuned.
Chris Connolly
Credit: Nino Muñoz
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